Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Friends of Interpretable Objects PDF full book. Access full book title Friends of Interpretable Objects by Miguel Tamen. Download full books in PDF and EPUB format.
Author: Miguel Tamen Publisher: Harvard University Press ISBN: 0674013689 Category : Art Languages : en Pages : 207
Book Description
Tamen shows how inanimate objects take on life through interpretation—notably as they are collected and housed in museums. He claims that an object becomes interpretable only in the context of a “society of friends.” Thus, he suggests, our tendency as humans to interpret the phenomenal world gives objects both a life and a society.
Author: Miguel Tamen Publisher: Harvard University Press ISBN: 0674013689 Category : Art Languages : en Pages : 207
Book Description
Tamen shows how inanimate objects take on life through interpretation—notably as they are collected and housed in museums. He claims that an object becomes interpretable only in the context of a “society of friends.” Thus, he suggests, our tendency as humans to interpret the phenomenal world gives objects both a life and a society.
Author: Miguel TAMEN Publisher: Harvard University Press ISBN: 0674044215 Category : Art Languages : en Pages : 207
Book Description
Tamen's concern is to show how inanimate objects take on life through their interpretation--notably, in our own culture, as they are collected and housed in museums. It is his claim that an object becomes interpretable only in the context of a "society of friends." Thus, he suggests, our inveterate tendency as human beings to interpret the phenomenal world gives objects not only a life but also a society.
Author: Jonathan Lamb Publisher: Princeton University Press ISBN: 1400840082 Category : Literary Criticism Languages : en Pages : 306
Book Description
One of the new forms of prose fiction that emerged in the eighteenth century was the first-person narrative told by things such as coins, coaches, clothes, animals, or insects. This is an ambitious new account of the context in which these "it narratives" became so popular. What does it mean when property declares independence of its owners and begins to move and speak? Jonathan Lamb addresses this and many other questions as he advances a new interpretation of these odd tales, from Defoe, Pope, Swift, Gay, and Sterne, to advertisements, still life paintings, and South Seas journals. Lamb emphasizes the subversive and even nonsensical quality of what things say; their interests are so radically different from ours that we either destroy or worship them. Existing outside systems of exchange and the priorities of civil society, things in fact advertise the dissident obscurity common to slave narratives all the way from Aesop and Phaedrus to Frederick Douglass and Primo Levi, a way of meaning only what is said, never saying what is meant. This is what Defoe's Roxana calls "the Sense of Things," and it is found in sounds, substances, and images rather than conventional signs. This major work illuminates not only "it narratives," but also eighteenth-century literature, the rise of the novel, and the genealogy of the slave narrative.
Author: Henry Jenkins Publisher: NYU Press ISBN: 1479800937 Category : Social Science Languages : en Pages : 356
Book Description
Considers how comics display our everyday stuff—junk drawers, bookshelves, attics—as a way into understanding how we represent ourselves now For most of their history, comics were widely understood as disposable—you read them and discarded them, and the pulp paper they were printed on decomposed over time. Today, comic books have been rebranded as graphic novels—clothbound high-gloss volumes that can be purchased in bookstores, checked out of libraries, and displayed proudly on bookshelves. They are reviewed by serious critics and studied in university classrooms. A medium once considered trash has been transformed into a respectable, if not elite, genre. While the American comics of the past were about hyperbolic battles between good and evil, most of today’s graphic novels focus on everyday personal experiences. Contemporary culture is awash with stuff. They give vivid expression to a culture preoccupied with the processes of circulation and appraisal, accumulation and possession. By design, comics encourage the reader to scan the landscape, to pay attention to the physical objects that fill our lives and constitute our familiar surroundings. Because comics take place in a completely fabricated world, everything is there intentionally. Comics are stuff; comics tell stories about stuff; and they display stuff. When we use the phrase “and stuff” in everyday speech, we often mean something vague, something like “etcetera.” In this book, stuff refers not only to physical objects, but also to the emotions, sentimental attachments, and nostalgic longings that we express—or hold at bay—through our relationships with stuff. In Comics and Stuff, his first solo authored book in over a decade, pioneering media scholar Henry Jenkins moves through anthropology, material culture, literary criticism, and art history to resituate comics in the cultural landscape. Through over one hundred full-color illustrations, using close readings of contemporary graphic novels, Jenkins explores how comics depict stuff and exposes the central role that stuff plays in how we curate our identities, sustain memory, and make meaning. Comics and Stuff presents an innovative new way of thinking about comics and graphic novels that will change how we think about our stuff and ourselves.
Author: Giuseppe Bolotta Publisher: Manchester University Press ISBN: 1526149397 Category : Religion Languages : en Pages : 245
Book Description
This innovative and timely reassessment of political theology opens new lines of critical investigation into the intersections of religion and politics in contemporary Asia. Moving beyond a focus on the (post-) Christian West, this volume locates ‘development’ – conceptualised as a set of modern, transnational networks of ideas and practices of improvement that connect geographically disparate locations – as a vital focal point for critical investigations into Asian political theologies. Investigating the sacred dimensions of power through concepts of transcendence, sacrifice, victimhood, aspiration, and salvation, this collection demonstrates how European and Asian modernities are bound together through genealogical, institutional, and theo-political entanglements, as well as a long history of global interactions. With contributions by leading anthropologists, sociologists, and political scientists, this volume brings new theoretical approaches into conversation with detailed empirical case studies grounded in modern Asia. In doing so, it offers a fresh and critical analysis of the ways in which political theology is imagined, materialised, and contested both within and beyond nation-states.
Author: Maureen Perkins Publisher: University of Hawaii Press ISBN: 0824837738 Category : Biography & Autobiography Languages : en Pages : 274
Book Description
The thirteen essays in this volume come from Australia, China, India, Indonesia, Iraq, Malaysia, South Africa, and Hawai‘i. With a shared focus on the specific local conditions that influence the ways in which life narratives are told, the authors engage with a variety of academic disciplines, including anthropology, history, media studies, and literature, to challenge claims that life writing is an exclusively Western phenomenon. Addressing the common desire to reflect on lived experience, the authors enlist interdisciplinary perspectives to interrogate the range of cultural forms available for representing and understanding lives. Contributors: Maria Faini, Kenneth George, Philip Holden, David T. Hill, Craig Howes, Bryan Kuwada, Kirin Narayan, Maureen Perkins, Peter Read, Tony Simoes da Silva, Mathilda Slabbert, Gerry van Klinken, Pei-yi Wu.
Author: Christoph Möllers Publisher: Oxford University Press ISBN: 0192596039 Category : Law Languages : en Pages : 534
Book Description
What defines the social practices we currently call norms? They make theft forbidden, eating with a fork advisable, and paintings beautiful. Norms are commonly thought of as moral justifications for doing one thing and not doing another. They are also described in terms of their outcomes or effects, serving as mere causal explanations. The Possibility of Norms proposes a broader view of how norms function, how they are articulated, and how they are realized. It may be asking too much if we expect norms to be effective or morally right. Many norms are simply ineffective and many are at most ineffectively justifiable. Drawing upon a rich array of texts - from law and jurisprudence to philosophy, aesthetics, and the social sciences - Möllers argues for conceiving of social norms as positively marked possibilities. Positively marking a possibility indicates that it should be realized. Normativity thus hinges on judging the world from a distance and acknowledging the possibility of divergent states of the world. Hence, it is no longer theoretically problematic that there are morally unjustified norms, nor that norms can be broken. On the contrary, allowing for breaches may be an important feature of normativity. Möllers's conceptual study sheds new light on a range of paradigms in the humanities, social sciences, and cultural studies, reframing several aspects of norm theory and questioning the theoretical assumptions underlying existing empirical work on normativity.
Author: Juliet John Publisher: Oxford University Press ISBN: 0191082104 Category : Literary Criticism Languages : en Pages : 813
Book Description
The Oxford Handbook of Victorian Literary Culture is a major contribution to the dynamic field of Victorian studies. This collection of 37 original chapters by leading international Victorian scholars offers new approaches to familiar themes including science, religion, and gender, and gives space to newer and emerging topics including old age, fair play, and economics. Structured around three broad sections (Ways of Being: Identity and Ideology, Ways of Understanding: Knowledge and Belief, and Ways of Communicating: Print and Other Cultures), the volume is sub-divided into nine sub-sections each with its own 'lead' essay: on subjectivity, politics, gender and sexuality, place and race, religion, science, material and mass culture, aesthetics and visual culture, and theatrical culture. The collection, like today's Victorian studies, is thoroughly interdisciplinary and yet its substantial Introduction explores a concern which is evident both implicitly and explicitly in the volume's essays: that is, the nature and status of 'literary' culture and the literary from the Victorian period to the present. The diverse and wide-ranging essays present original scholarship framed accessibly for a mixed readership of advanced undergraduates, graduate students, and established scholars.
Author: Jonah Siegel Publisher: Oxford University Press, USA ISBN: 0198858000 Category : Art Languages : en Pages : 402
Book Description
This book is a study of the complex relationship between matter and idea that shaped the nineteenth-century culture of art, and that in turn determined the course of still-current accounts of art's nature and value. Fundamental questions about the effects of material conditions on the creation and reception of art arose as early as the nineteenth century, and put important pressures on later eras. The place of class distinctions in the making and reception of art, the relationship between copy and original, the effects of display on art appreciation, even the role of pleasure itself: this book treats these and related issues as productive conceptual challenges with an unresolved relationship to matter at their core. Drawing on recent scholarship on the history of art and its institutions, Material Inspirations places cultural developments such as the emergence of new sites for exhibition and the astonishing proliferation of printed reproductions alongside a wide range of texts including novels, poems, travel guidebooks, compendia of antiquities, and especially the great line of critical writing that emerged in the period. The study vivifies a dynamic era, which is still too often seen as static and unchanging, by emphasizing the transformations taking place throughout the period in precisely those areas that have appeared to promise little more than repetition or continuity: collection, exhibition, and reproduction. The book culminates with the two great critics of the period, John Ruskin and Walter Pater, but it also includes close analysis of other prose writers, as well as poets and novelists ranging from William Blake to Robert Browning, George Eliot to Henry James. Significant developments addressed include the vogue for the representation of Old Masters in the first half of the century, ongoing innovations in the creation and diffusion of reproductions, and the emergence of the field of art history itself. At the heart of each of these the book identifies a material pressure shaping concepts, texts, and works of art.
Author: John D. Caputo Publisher: Indiana University Press ISBN: 0253010101 Category : Religion Languages : en Pages : 322
Book Description
“A tour de force . . . provocative ideas expressed in Heideggerian, Derridean, and Deleuzian rhetoric . . . for a new wave of Christian theologians” (Bibliographia). The Insistence of God presents the provocative idea that God does not exist—God insists. God’s existence is a human responsibility, which may or may not happen. For John D. Caputo, God’s existence is haunted by “perhaps,” which does not signify indecisiveness but an openness to risk, to the unforeseeable. Perhaps constitutes a theology of what is to come and what we cannot see coming. Responding to current critics of continental philosophy, Caputo explores the materiality of perhaps and the promise of the world. He shows how perhaps can become a new theology of the gaps God opens. “John D. Caputo is at the top of his game, and he is not content to reiterate what he has already expressed, but continues to develop his own ideas further by way of a thorough engagement with the fields of theology, Continental philosophy, and religious thought.” —Clayton Crockett, University of Central Arkansas “For those allergic to theological certainty―whether of God’s existence or of God’s death―Caputo delivers storm-fresh relief: the theopoetics of God’s insistence.” —Catherine Keller, Drew University “In my life I have read no more stimulating book of theology. Buckle your seatbelt!” —Dialog “An excellent text that opens the way into new forms of theological thinking. He puts forward an argument that must be wrestled with and brings to light new avenues for both religious and theological thought. Caputo is not for the faint of heart.” —Reviews in Religion and Theology
Author: Miguel Tamen
Author: Miguel Tamen
Author: Miguel TAMEN
Author: Jonathan Lamb
Author: Henry Jenkins
Author: Giuseppe Bolotta
Author: Maureen Perkins
Author: Christoph Möllers
Author: Juliet John
Author: Jonah Siegel
Author: John D. Caputo