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Author: Alan Liu Publisher: University of Chicago Press ISBN: 022645195X Category : Social Science Languages : en Pages : 333
Book Description
Can today’s society, increasingly captivated by a constant flow of information, share a sense of history? How did our media-making forebears balance the tension between the present and the absent, the individual and the collective, the static and the dynamic—and how do our current digital networks disrupt these same balances? Can our social media, with its fleeting nature, even be considered social at all? In Friending the Past, Alan Liu proposes fresh answers to these innovative questions of connection. He explores how we can learn from the relationship between past societies whose media forms fostered a communal and self-aware sense of history—such as prehistorical oral societies with robust storytelling cultures, or the great print works of nineteenth-century historicism—and our own instantaneous present. He concludes with a surprising look at how the sense of history exemplified in today’s JavaScript timelines compares to the temporality found in Romantic poetry. Interlaced among these inquiries, Liu shows how extensive “network archaeologies” can be constructed as novel ways of thinking about our affiliations with time and with each other. These conceptual architectures of period and age are also always media structures, scaffolded with the outlines of what we mean by history. Thinking about our own time, Liu wonders if the digital, networked future can sustain a similar sense of history.
Author: Alan Liu Publisher: University of Chicago Press ISBN: 022645195X Category : Social Science Languages : en Pages : 333
Book Description
Can today’s society, increasingly captivated by a constant flow of information, share a sense of history? How did our media-making forebears balance the tension between the present and the absent, the individual and the collective, the static and the dynamic—and how do our current digital networks disrupt these same balances? Can our social media, with its fleeting nature, even be considered social at all? In Friending the Past, Alan Liu proposes fresh answers to these innovative questions of connection. He explores how we can learn from the relationship between past societies whose media forms fostered a communal and self-aware sense of history—such as prehistorical oral societies with robust storytelling cultures, or the great print works of nineteenth-century historicism—and our own instantaneous present. He concludes with a surprising look at how the sense of history exemplified in today’s JavaScript timelines compares to the temporality found in Romantic poetry. Interlaced among these inquiries, Liu shows how extensive “network archaeologies” can be constructed as novel ways of thinking about our affiliations with time and with each other. These conceptual architectures of period and age are also always media structures, scaffolded with the outlines of what we mean by history. Thinking about our own time, Liu wonders if the digital, networked future can sustain a similar sense of history.
Author: Alan Liu Publisher: University of Chicago Press ISBN: 022645200X Category : History Languages : en Pages : 333
Book Description
Can today’s society, increasingly captivated by a constant flow of information, share a sense of history? How did our media-making forebears balance the tension between the present and the absent, the individual and the collective, the static and the dynamic—and how do our current digital networks disrupt these same balances? Can our social media, with its fleeting nature, even be considered social at all? In Friending the Past, Alan Liu proposes fresh answers to these innovative questions of connection. He explores how we can learn from the relationship between past societies whose media forms fostered a communal and self-aware sense of history—such as prehistorical oral societies with robust storytelling cultures, or the great print works of nineteenth-century historicism—and our own instantaneous present. He concludes with a surprising look at how the sense of history exemplified in today’s JavaScript timelines compares to the temporality found in Romantic poetry. Interlaced among these inquiries, Liu shows how extensive “network archaeologies” can be constructed as novel ways of thinking about our affiliations with time and with each other. These conceptual architectures of period and age are also always media structures, scaffolded with the outlines of what we mean by history. Thinking about our own time, Liu wonders if the digital, networked future can sustain a similar sense of history.
Author: Ted Underwood Publisher: University of Chicago Press ISBN: 022661283X Category : Literary Criticism Languages : en Pages : 229
Book Description
Just as a traveler crossing a continent won’t sense the curvature of the earth, one lifetime of reading can’t grasp the largest patterns organizing literary history. This is the guiding premise behind Distant Horizons, which uses the scope of data newly available to us through digital libraries to tackle previously elusive questions about literature. Ted Underwood shows how digital archives and statistical tools, rather than reducing words to numbers (as is often feared), can deepen our understanding of issues that have always been central to humanistic inquiry. Without denying the usefulness of time-honored approaches like close reading, narratology, or genre studies, Underwood argues that we also need to read the larger arcs of literary change that have remained hidden from us by their sheer scale. Using both close and distant reading to trace the differentiation of genres, transformation of gender roles, and surprising persistence of aesthetic judgment, Underwood shows how digital methods can bring into focus the larger landscape of literary history and add to the beauty and complexity we value in literature.
Author: Paul Jaussen Publisher: Cambridge University Press ISBN: 1108170986 Category : Literary Criticism Languages : en Pages : 237
Book Description
From Walt Whitman to the contemporary period, the long poem has been one of the more dynamic, intricate, and yet challenging literary practices of modernity. Addressing those challenges, Writing in Real Time combines systems theory, literary history, and recent debates in poetics to interpret a broad range of American long poems as emergent systems, capable of adaptation and transformation in response to environmental change. Due to these emergent properties, the long poem performs essential cultural work, offering a unique experience of history that remains valuable for our rapidly transforming digital age. Moving across a broad range of literary and theoretical texts, Writing in Real Time demonstrates that the study of emergence can enhance literary scholarship, just as literature provides unique insights into emergent properties, making this book a key resource for scholars, graduate students, and undergraduate students alike.
Book Description
In alternating voices, Judith Wright Favor and Rosie Alfaro take the reader on a frank, frustrating, and unforgettable journey. Friending Rosie: Respect on Death Row bridges the chasm between souls consigned to life behind bars, and souls enjoying the privileges of freedom. Rosie’s letters from Central California Women’s Facility, interwoven with Judith’s reflections and questions, highlight perspectives from authors of different races, religions, and languages. Marginalized people stifle their stories when there is no one to hear, but mutual listening brings forth accounts of regret, doubt, humiliation, and grace. Some stories describe difficult encounters in prison. Family members with intimate knowledge of Rosie tell their stories. Other tales illustrate surprising parallels in the inner lives of both authors. Judith follows the friendly path of Quakers who began in the 1650s to value women’s leadership and befriend prisoners. Rosie grew up Catholic, in a faith tradition that shaped her art and values. Both write stories interwoven with social challenges and spiritual practices intended to support readers in reaching out to persons behind bars. 8-12-20: It’s yours, mine, and God’s book. I’ve been lettin people know about our book and about you. People are very interested in our story, and I know this is a start of a great journey. I’m very proud of us, friend... I wanted to tell you that to me this means nothing, but to lots of people who like crime stuff, me being the youngest and the first Latina to get the d. penalty in Calif. is a big deal. I’m personally ashamed of it, but there’s people who think it’s cool. I love you and you stay safe. Tu Amiga, Rosie Incarcerating our way to safety does not work. Friendships do work. These stories, rooted in caring and respect, offer a warmly satisfying testimony to the power of friending. *****
Author: Jarice Hanson Publisher: Bloomsbury Publishing USA ISBN: 1610697685 Category : Social Science Languages : en Pages : 476
Book Description
Social media shapes the ways in which we communicate, think about friends, and hear about news and current events. It also affects how users think of themselves, their communities, and their place in the world. This book examines the tremendous impact of social media on daily life. When the Internet became mainstream in the early 2000s, everything changed. Now that social media is fully entrenched in daily life, contemporary society has shifted again in how we communicate, behave as consumers, seek out and enjoy entertainment, and express ourselves. Every one of the new applications of social media presents us with a new way of thinking about the economy that supports technological development and communication content and offers new models that challenge us to think about the economic impact of communication in the 21st century. The Social Media Revolution examines the tremendous influence of social media on how we make meaning of our place in the world. The book emphasizes the economic impacts of how we use the Internet and World Wide Web to exchange information, enabling readers to see how social media has taken root and challenged previous media industries, laws, policies, and social practices. Each entry in this useful reference serves to document the history, impact, and criticism of every subject and shows how social media has become a primary tool of the 21st-century world—one that not only contributes to our everyday life and social practices but also affects the future of business. The coverage of topics is extremely broad, ranging from economic models and concepts relevant to social media, such as e-commerce, crowdfunding, the use of cyber currency, and the impact of freeware; to key technologies and devices like Android and Apple iOS, apps, the cloud, streaming, and smartphones and tablets; to major entrepreneurs, inventors, and subjects of social media, such as Julian Assange, Bill Gates, Steve Jobs, Marissa Mayer, Edward Snowden, Steve Wozniak, and Mark Zuckerberg.
Author: Kathy Eden Publisher: University of Chicago Press ISBN: 022652664X Category : History Languages : en Pages : 160
Book Description
In 1345, when Petrarch recovered a lost collection of letters from Cicero to his best friend Atticus, he discovered an intimate Cicero, a man very different from either the well-known orator of the Roman forum or the measured spokesman for the ancient schools of philosophy. It was Petrarch’s encounter with this previously unknown Cicero and his letters that Kathy Eden argues fundamentally changed the way Europeans from the fourteenth through the sixteenth centuries were expected to read and write. The Renaissance Rediscovery of Intimacy explores the way ancient epistolary theory and practice were understood and imitated in the European Renaissance.Eden draws chiefly upon Aristotle, Cicero, and Seneca—but also upon Plato, Demetrius, Quintilian, and many others—to show how the classical genre of the “familiar” letter emerged centuries later in the intimate styles of Petrarch, Erasmus, and Montaigne. Along the way, she reveals how the complex concept of intimacy in the Renaissance—leveraging the legal, affective, and stylistic dimensions of its prehistory in antiquity—pervades the literary production and reception of the period and sets the course for much that is modern in the literature of subsequent centuries. Eden’s important study will interest students and scholars in a number of areas, including classical, Renaissance, and early modern studies; comparative literature; and the history of reading, rhetoric, and writing.
Author: James J. Hodge Publisher: U of Minnesota Press ISBN: 1452960585 Category : Art Languages : en Pages : 235
Book Description
A phenomenological investigation into new media artwork and its relationship to history What does it mean to live in an era of emerging digital technologies? Are computers really as antihistorical as they often seem? Drawing on phenomenology’s investigation of time and history, Sensations of History uses encounters with new media art to inject more life into these questions, making profound contributions to our understanding of the digital age in the larger scope of history. Sensations of History combines close textual analysis of experimental new media artworks with in-depth discussions of key texts from the philosophical tradition of phenomenology. Through this inquiry, author James J. Hodge argues for the immense significance of new media art in examining just what historical experience means in a digital age. His beautiful, aphoristic style demystifies complex theories and ideas, making perplexing issues feel both graspable and intimate. Highlighting underappreciated, vibrant work in the fields of digital art and video, Sensations of History explores artists like Paul Chan, Phil Solomon, John F. Simon, and Barbara Lattanzi. Hodge’s provocative interpretations, which bring these artists into dialogue with well-known works, are perfect for scholars of cinema, media studies, art history, and literary studies. Ultimately, Sensations of History presents the compelling case that we are not witnessing the end of history—we are instead seeing its rejuvenation in a surprising variety of new media art.
Author: Matthew Kilbane Publisher: JHU Press ISBN: 1421448130 Category : Literary Criticism Languages : en Pages : 272
Book Description
Redefines modern lyric poetry at the intersection of literary and media studies. In The Lyre Book, Matthew Kilbane urges literary scholars to consider lyric not as a genre or a reading practice but as a media condition: the generative tension between writing and sound. In addition to clarifying issues central to the study of modern poetry—including its proximity to popular song, hallowed objecthood, and seeming autonomy from historical determination—this revisionary theory of lyric presents a new history of modern US poetry as one sonorous practice among many clamorous others. Focusing on the mid-twentieth century, Kilbane traces the impact of new sound technologies on a diverse array of literary and musical works by Lorine Niedecker, Harry Partch, Louis and Celia Zukofsky, Sterling Brown, John Wheelwright, Langston Hughes, Marianne Moore, Russell Atkins, and Helen Adam. Kilbane shows how literary critics can look to media history to illuminate poetry's social life, and how media scholars can read poetry for insight into the cultural history of technology. In this book, the lyric poem emerges as a sensitive barometer of technological change.
Author: Alan Liu
Author: Alan Liu
Author: Adam Hammond
Author: Alan Liu
Author: Ted Underwood
Author: Paul Jaussen
Author: Judith Wright Favor
Author: Jarice Hanson
Author: Kathy Eden
Author: James J. Hodge
Author: Matthew Kilbane