Freud: Living and Dying PDF Download

Author: Max Schur
Publisher: Chatto & Windus
ISBN:
Category : Psychology
Languages : en
Pages : 618

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Author: Katie Roiphe
Publisher:
ISBN: 0385343590
Category : Biography & Autobiography
Languages : en
Pages : 321

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Book Description
"In this category-defying book, Katie Roiphe takes an unexpected and liberating approach to the most unavoidable of subjects: death. She examines the final days of five great writers and artists--Susan Sontag, Sigmund Freud, John Updike, Dylan Thomas, and Maurice Sendak." --

Author: Stanley Keleman
Publisher:
ISBN: 9780394487878
Category : Social Science
Languages : en
Pages : 184

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Book Description
"This book is about dying, not about death. We are always dying a big, always giving things up, always having things taken away. Is there a person alive who isn't really curious about what dying is for them? Is there a person alive who wouldn't like to go to their dying full of excitement, without fear and without morbidity? This books tells you how." -- Front cover.

Author: Sigmund Freud
Publisher: Penguin UK
ISBN: 0141931663
Category : Psychology
Languages : en
Pages : 362

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Book Description
A collection of some of Freud's most famous essays, including ON THE INTRODUCTION OF NARCISSISM; REMEMBERING, REPEATING AND WORKING THROUGH; BEYOND THE PLEASURE PRINCIPLE; THE EGO AND THE ID and INHIBITION, SYMPTOM AND FEAR.

Author: Armand Nicholi
Publisher: Simon and Schuster
ISBN: 9780743247856
Category : Biography & Autobiography
Languages : en
Pages : 342

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Book Description
Compares and contrasts the beliefs of two famous thinkers, Sigmund Freud and C.S. Lewis, on topics ranging from the existence of God and morality to pain and suffering.

Author: Robert Jay Lifton
Publisher:
ISBN:
Category : Death
Languages : en
Pages : 168

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Book Description
Examines the psychological and cultural significance of death.

Author: Liran Razinsky
Publisher: Cambridge University Press
ISBN: 1107009723
Category : Family & Relationships
Languages : en
Pages : 317

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Book Description
A convincing critique of the neglect of death in psychoanalytic theory, arguing that death has been a repressed subject in psychoanalysis.

Author: Norman Oliver Brown
Publisher: Middletown, Conn. : Wesleyan University Press
ISBN:
Category : Anus (Psychology)
Languages : en
Pages : 392

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Book Description
A shocking and extreme interpretation of the father of psychoanalysis.

Author: Nicholas Fox Weber
Publisher: Bellevue Literary Press
ISBN: 1942658273
Category : Biography & Autobiography
Languages : en
Pages : 292

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Book Description
"[An] unusual meditation on sex, death, art, and Jewishness. . . . Weber weaves in musings on his own sexual and religious experiences, creating a freewheeling psychoanalytic document whose approach would surely delight the doctor, even if its conclusions might surprise him." —New Yorker "Freud's Trip to Orvieto is at once profound and wonderfully diverse, and as gripping as any detective story. Nicholas Fox Weber mixes psychoanalysis, art history, and the personal with an intricacy and spiritedness that Freud himself would have admired." —John Banville, author of The Sea and The Blue Guitar "This is an ingenious and fascinating reading of Freud's response to Signorelli's frescoes at Orvieto. It is also a meditation on Jewish identity, and on masculinity, memory, and the power of the image. It is filled with intelligence, wit, and clear-eyed analysis not only of the paintings themselves, but how we respond to them in all their startling sexuality and invigorating beauty." —Colm Tóibín, author of Brooklyn and Nora Webster After a visit to the cathedral at Orvieto in Italy, Sigmund Freud deemed Luca Signorelli's frescoes the greatest artwork he'd ever encountered; yet, a year later, he couldn't recall the artist's name. When the name came back to him, the images he had so admired vanished from his mind's eye. This is known as the "Signorelli parapraxis" in the annals of Freudian psychoanalysis and is a famous example from Freud's own life of his principle of repressed memory. What was at the bottom of this? There have been many theories on the subject, but Nicholas Fox Weber is the first to study the actual Signorelli frescoes for clues. What Weber finds in these extraordinary Renaissance paintings provides unexpected insight into this famously confounding incident in Freud's biography. As he sounds the depths of Freud's feelings surrounding his masculinity and Jewish identity, Weber is drawn back into his own past, including his memories of an adolescent obsession with a much older woman. Freud's Trip to Orvieto is an intellectual mystery with a very personal, intimate dimension. Through rich illustrations, Weber evokes art's singular capacity to provoke, destabilize, and enchant us, as it did Freud, and awaken our deepest memories, fears, and desires. Nicholas Fox Weber is the director of the Josef and Anni Albers Foundation and author of fourteen books, including biographies of Balthus and Le Corbusier. He has written for the New Yorker, New York Times, Los Angeles Times, Wall Street Journal, Le Monde, ARTnews, Town & Country, and Vogue, among other publications.

Author: Marc Crépon
Publisher: U of Minnesota Press
ISBN: 1452939926
Category : Philosophy
Languages : en
Pages : 150

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Book Description
War lays bare death and our relation to it. And in the wars—or more precisely the memories of war—of the twentieth century, images of the deaths of countless faceless or nameless others eclipse the singularity of each victim’s death as well as the end of the world as such that each death signifies. Marc Crépon’s The Thought of Death and the Memory of War is a call to resist such images in which death is no longer actual death since it happens to anonymous others, and to seek instead a world in which mourning the other whose mortality we always already share points us toward a cosmopolitics. Crépon pursues this path toward a cosmopolitics of mourning through readings of works by Freud, Heidegger, Sartre, Patocka, Levinas, Derrida, and Ricœur, and others. The movement among these writers, Crépon shows, marks a way through—and against—twentieth-century interpretation to argue that no war, genocide, or neglect of people is possible without suspending how one relates to the death of another human being. A history of a critical strain in contemporary thought, this book is, as Rodolphe Gasché says in the Foreword, “a profound meditation on what constitutes evil and a rigorous and illuminating reflection on death, community, and world.” The translation of this work received financial support from the French Ministry of Foreign Affairs.