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Author: Stephan Beissel Publisher: Parkstone International ISBN: 1783107596 Category : Art Languages : en Pages : 384
Book Description
Secluded within cloister walls, a painter and a monk, and brother of the order of the Dominicans, Angelico devoted his life to religious paintings. Little is known of his early life except that he was born at Vicchio, in the broad fertile valley of the Mugello, not far from Florence, that his name was Guido de Pietro, and that he passed his youth in Florence, probably in some bottegha, for at twenty he was recognised as a painter. In 1418 he entered in a Dominican convent in Fiesole with his brother. They were welcomed by the monks and, after a year’s novitiate, admitted to the brotherhood, Guido taking the name by which he was known for the rest of his life, Fra Giovanni da Fiesole; for the title of Angelico, the “Angel,” or Il Beato, “The Blessed,” was conferred on him after his death. Henceforth he became an example of two personalities in one man: he was all in all a painter, but also a devout monk; his subjects were always religious ones and represented in a deeply religious spirit, yet his devotion as a monk was no greater than his absorption as an artist. Consequently, though his life was secluded within the walls of the monastery, he kept in touch with the art movements of his time and continually developed as a painter. His early work shows that he had learned of the illuminators who inherited the Byzantine traditions, and had been affected by the simple religious feeling of Giotto’s work. Also influenced by Lorenzo Monaco and the Sienese School, he painted under the patronage of Cosimo de Medici. Then he began to learn of that brilliant band of sculptors and architects who were enriching Florence by their genius. Ghiberti was executing his pictures in bronze upon the doors of the Baptistery; Donatello, his famous statue of St. George and the dancing children around the organ-gallery in the Cathedral; and Luca della Robbia was at work upon his frieze of children, singing, dancing and playing upon instruments. Moreover, Masaccio had revealed the dignity of form in painting. Through these artists the beauty of the human form and of its life and movement was being manifested to the Florentines and to the other cities. Angelico caught the enthusiasm and gave increasing reality of life and movement to his figures.
Author: Stephan Beissel Publisher: Parkstone International ISBN: 1783107596 Category : Art Languages : en Pages : 384
Book Description
Secluded within cloister walls, a painter and a monk, and brother of the order of the Dominicans, Angelico devoted his life to religious paintings. Little is known of his early life except that he was born at Vicchio, in the broad fertile valley of the Mugello, not far from Florence, that his name was Guido de Pietro, and that he passed his youth in Florence, probably in some bottegha, for at twenty he was recognised as a painter. In 1418 he entered in a Dominican convent in Fiesole with his brother. They were welcomed by the monks and, after a year’s novitiate, admitted to the brotherhood, Guido taking the name by which he was known for the rest of his life, Fra Giovanni da Fiesole; for the title of Angelico, the “Angel,” or Il Beato, “The Blessed,” was conferred on him after his death. Henceforth he became an example of two personalities in one man: he was all in all a painter, but also a devout monk; his subjects were always religious ones and represented in a deeply religious spirit, yet his devotion as a monk was no greater than his absorption as an artist. Consequently, though his life was secluded within the walls of the monastery, he kept in touch with the art movements of his time and continually developed as a painter. His early work shows that he had learned of the illuminators who inherited the Byzantine traditions, and had been affected by the simple religious feeling of Giotto’s work. Also influenced by Lorenzo Monaco and the Sienese School, he painted under the patronage of Cosimo de Medici. Then he began to learn of that brilliant band of sculptors and architects who were enriching Florence by their genius. Ghiberti was executing his pictures in bronze upon the doors of the Baptistery; Donatello, his famous statue of St. George and the dancing children around the organ-gallery in the Cathedral; and Luca della Robbia was at work upon his frieze of children, singing, dancing and playing upon instruments. Moreover, Masaccio had revealed the dignity of form in painting. Through these artists the beauty of the human form and of its life and movement was being manifested to the Florentines and to the other cities. Angelico caught the enthusiasm and gave increasing reality of life and movement to his figures.
Author: Giulio Gabbiani Publisher: Academic Press ISBN: 0323906591 Category : Science Languages : en Pages : 134
Book Description
Wound Healing, and the Myofibroblast: A Historical and Biological Perspective is the fruit of an interdisciplinary and international collaboration involving a historian of medicine (Dr. Zampieri), a physician (Dr. Coen), and a researcher (Prof. Gabbiani, world-renowned for his discovery of the myofibroblast). This book aims to draw a concise yet complete description of the conceptual evolution of wound healing, fibrosis and fibrosis-related pathologies from antiquity to present time, as well as commenting on the role of the myofibroblast and the key cell type essential for tissue repair and fibrosis (from its identification in 1971 throughout its 50-years-old history).By viewing this complex and century-long history from different perspectives, the book's authors aim to draw an exhaustive overview, with the hope of inspiring new and fruitful basic and clinical research. - Interdisciplinary collaboration: complementary views from medical historian, a physician and a researcher - A concise but detailed history of fibrosis, readers can discover the major scientific breakthroughs along this history - Includes the pathophysiology of various fibrotic diseases - Explores the role of myofibroblast in fibrosis development
Author: Fra Angelico Publisher: Delphi Classics ISBN: 1801700796 Category : Art Languages : en Pages : 470
Book Description
One of the most celebrated painters of the fifteenth century, Fra Angelico is the only artist to be canonised as a saint, whose works embody a serene religious attitude and strong Classical influence. Part saint, part artist, Angelico was placed at the forefront of innovation, helping to develop the basic techniques and devices that would become staples of the Italian Renaissance. He gave emphasis to realistic perspective and modelling of figures in space, following on from the innovations of Masaccio. His dedication to naturalism anticipated the Renaissance love for classicism, producing innovative works that broke down the restraints of rigidly partitioned Gothic altarpieces. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Fra Angelico’s complete works in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Fra Angelico – over 300 images, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Angelico’s celebrated works in detail, as featured in traditional art books * Hundreds of images in colour – highly recommended for viewing on tablets and smartphones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings * Easily locate the artworks you wish to view * Features two bonus biographies, including Vasari’s legendary account – discover Angelico's world Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights Fiesole Altarpiece (1425) The Last Judgment (c. 1425) Annalena Altarpiece (c. 1430) Annunciation (1433) Linaiuoli Triptych (1433) Deposition (1434) Perugia Triptych (1437) San Marco Altarpiece (c. 1440) Annunciation (c. 1441) Noli me tangere (c. 1443) Coronation of the Virgin (1443) Chapel of Pope Nicholas V Frescoes (1447-1448) Bosco ai Frati Altarpiece (c. 1450) Coronation of the Virgin (c. 1450) Flight into Egypt (c. 1451) Adoration of the Magi (1453) The Paintings The Complete Paintings Alphabetical List of Paintings The Biographies Fra Giovanni da Fiesole (1550) by Giorgio Vasari Fra Angelico (1911) by William Michael Rossetti Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set
Author: William Hogarth Publisher: Parkstone International ISBN: 1783107928 Category : Art Languages : en Pages : 404
Book Description
William Hogarth wrote his Analysis of Beauty in 1753, during the Age of Enlightenment. Through this captivating text, he tends to define the notion of beauty in painting and states that it is linked, per se, to the use of the serpentine lines in pictorial compositions. He calls it the line of beauty . His essay is thus dedicated to the study of the composition of paintings, depending on the correct use of the pictorial lines, light, colour, and the figure's attitudes. These timeless concepts have been applied by several artists through the centuries. Paintings from every period have here been chosen to support this demonstration. They allow us to explore the various manners in which beauty can be expressed in painting.
Author: Steven Cartwright Publisher: BRILL ISBN: 9004236724 Category : History Languages : en Pages : 521
Book Description
Over the last twenty years, increasing attention has been given to the interpretation of St. Paul in the Middle Ages. This is one of the first scholarly volumes to look broadly at the understanding and use of Paul in medieval Europe. It focuses not only on the interpretation of the Apostle by patristic and medieval exegetes, but also on the use of his teachings by church reformers, canon lawyers, and spiritual teachers, and his portrayal in art and vernacular literature and culture. By bringing together both exegetical studies of Pauline interpretation with explorations of newer themes, this book provides a more complete view of the medieval Paul than has previously been available. Contributors include Csaba Nemeth, Ian Levy, Thomas Scheck, Joshua Papsdorf, Valerie Heuchan, Ann collins, Lisa Fagin Davis, James Morey, Ken Grant, Colt Anderson, Franklin Harkins, Steven Cartwright, and Aaron Canty.
Author: Marilyn Aronberg Lavin Publisher: University of Chicago Press ISBN: 9780226469560 Category : Art Languages : en Pages : 446
Book Description
Looking at more than two hundred Italian medieval and Renaissance mural cycles, Lavin examines—with the aid of computer technology—the "rearranged" chronologies of familiar religious stories found therein. "Like many masterpieces, Lavin's book builds upon a simple idea . . . it is possible to do a computer analysis of . . . visual narratives. . . . This is the first computer-based study of the visual arts of which I am aware that illustrates how those technologies can utterly transform the study of old master art. An extremely important book, one likely to become the most influential recent study of art of this period, The Place of Narrative is also a beautiful artifact."—David Carrier, Leonardo "Covering over a millennium and dealing with the whole of Italy, Lavin makes pioneering use of new methodology employing a computer database . . . [and] novel terminology to describe the disposition of scenes of church and chapel walls. . . . We should recognize this as a book of high seriousness which reaches out into new areas and which will fruitfully stimulate much thought on a neglected subject of very considerable significance."—Julian Gardner, Burlington Magazine
Author: Stephan Beissel
Author: Stephan Beissel
Author: Giulio Gabbiani
Author: Fra Angelico
Author: William Hogarth
Author: Angelico (fra)
Author: Steven Cartwright
Author: Johannes Wilde
Author: Marilyn Aronberg Lavin
Author: Giorgio Vasari
Author: