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Author: Michael Meere Publisher: Rowman & Littlefield ISBN: 1611495490 Category : Literary Criticism Languages : en Pages : 369
Book Description
The fifteen articles in this volume highlight the richness, diversity, and experimental nature of French and Francophone drama before the advent of what would become known as neoclassical French theater of the seventeenth century. In essays ranging from conventional stage plays (tragedies, comedies, pastoral, and mystery plays) to court ballets, royal entrances, and meta- and para-theatrical writings of the period from 1485 to 1640, French Renaissance and Baroque Drama: Text, Performance, Theory seeks to deepen and problematize our knowledge of texts, co-texts, and performances of drama from literary-historical, artistic, political, social, and religious perspectives. Moreover, many of the articles engage with contemporary theory and other disciplines to study this drama, including but not limited to psychoanalysis, gender studies, anthropology, and performance theory. The diversity of the essays in their methodologies and objects of study, none of which is privileged over any other, bespeaks the various types of drama and the numerous ways we can study them.
Author: Michael Meere Publisher: Rowman & Littlefield ISBN: 1611495490 Category : Literary Criticism Languages : en Pages : 369
Book Description
The fifteen articles in this volume highlight the richness, diversity, and experimental nature of French and Francophone drama before the advent of what would become known as neoclassical French theater of the seventeenth century. In essays ranging from conventional stage plays (tragedies, comedies, pastoral, and mystery plays) to court ballets, royal entrances, and meta- and para-theatrical writings of the period from 1485 to 1640, French Renaissance and Baroque Drama: Text, Performance, Theory seeks to deepen and problematize our knowledge of texts, co-texts, and performances of drama from literary-historical, artistic, political, social, and religious perspectives. Moreover, many of the articles engage with contemporary theory and other disciplines to study this drama, including but not limited to psychoanalysis, gender studies, anthropology, and performance theory. The diversity of the essays in their methodologies and objects of study, none of which is privileged over any other, bespeaks the various types of drama and the numerous ways we can study them.
Author: Geoffrey Brereton Publisher: Routledge ISBN: 1000579018 Category : Literary Criticism Languages : en Pages : 286
Book Description
Originally published in 1973, the history of French tragedy and tragicomedy from their origins in the sixteenth century to the last years of Louis XIV’s reign is here surveyed in a single volume. Beginning with a brief account of the development of drama from the Middle Ages to the Renaissance, Dr Brereton examines the plays as types of drama, the circumstances in which they were produced and their reception by contemporaries. The traditionally great figures of Corneille and Racine are treated at some length, but their work is seen in perspective against the plays of their predecessors and of their own time. Garnier and Montchrestien are discussed, among others, as notable writers of Renaissance humanist tragedy. Sections are devoted to secondary but still important dramatists such as Mairet, Rotrou, Du Ryer, Tristan L’Hermite, Thomas Corneille and Quinault. A long chapter on Alexandre Hardy reviews the work of this neglected author and stresses his interest as a transitional link between the two centuries and as a vigorous pioneer of a type of drama which flourished for several decades after him concurrently with French ‘classical’ tragedy. The main currents of critical theory, social attitudes and stage history are described in their relation to the development of the drama. Well over a hundred plays are discussed or summarized; and the author has constantly referred back to the original material and has avoided an over-simplification of a vast subject which contains more exceptions and anomalies than has generally been recognized in the past. Chronological tables of the works of major dramatists, summaries of numerous plays and a bibliography containing modern editions of plays are included.
Author: Thora Burnley Jones Publisher: Cambridge University Press ISBN: 9780521208574 Category : Literary Criticism Languages : en Pages : 200
Book Description
This book, which was originally published in 1976, is an interpretation of the thought of the major neo-classical dramatic critics in Italy, France and England during the period 1560-1770. Commentary is based in every case on a careful reading of original texts (by, for instance, Scaliger, Castelvetro, Corneille, D' Aubignac, Dryden, Johnson, Diderot, Mercier), which have been translated by the authors where necessary and are liberally quoted, and leads to the conclusion that neo-classicism found its natural fulfilment in nineteenth-century naturalism. Far from being academic, artificial, doctrinaire or rigid - pejorative terms usually applied to them - the neo-classical critics were asking fundamental questions about the nature of drama. The book attempts to 'place' a selection of early European dramatic criticism in a fresh context. It brings together a good deal of information not available elsewhere and presents it in a form which non-specialist readers will find easy to assimilate and which specialists will find stimulating as a sophisticated critical interpretation of neo-classicism.
Author: Michael Meere Publisher: Oxford University Press ISBN: 019284413X Category : Drama Languages : en Pages : 250
Book Description
Studies the representation of violence in tragedies written for the French stage during the sixteenth century, and explores its connection with issues such as politics, religion, gender, and militantism to place the plays within their historical, cultural, and theatrical contexts.
Author: Marvin A. Carlson Publisher: Ithaca : Cornell University Press ISBN: Category : Literary Criticism Languages : en Pages : 544
Book Description
**** Expanded edition of the work originally published by Cornell U. Press in 1984 and endorsed by BCL3. Annotation copyright by Book News, Inc., Portland, OR
Author: J. S. Street Publisher: Cambridge University Press ISBN: 0521245370 Category : Drama Languages : en Pages : 356
Book Description
This 1983 book is a comprehensive study of the French sacred theatre at the crucial transition from medieval to modern conception of theatre.
Author: Amy Wygant Publisher: Routledge ISBN: 1317098978 Category : Literary Criticism Languages : en Pages : 255
Book Description
Bringing together the previously disparate fields of historical witchcraft, reception history, poetics, and psychoanalysis, this innovative study shows how the glamour of the historical witch, a spell that she cast, was set on a course, over a span of three hundred years from the sixteenth to the eighteenth centuries, to become a generally broadcast glamour of appearance. Something that a woman does, that is, became something that she has. The antique heroine Medea, witch and barbarian, infamous poisoner, infanticide, regicide, scourge of philanderers, and indefatigable traveller, serves as the vehicle of this development. Revived on the stage of modernity by La Péruse in the sixteenth century, Corneille in the seventeenth, and the operatic composer Cherubini in the eighteenth, her stagecraft and her witchcraft combine, author Amy Wygant argues, to stun her audience into identifying with her magic and making it their own. In contrast to previous studies which have relied upon contemporary printed sources in order to gauge audience participation in and reaction to early modern theater, Wygant argues that psychoanalytic thought about the behavior of groups can be brought to bear on the question of "what happened" when the early modern witch was staged. This cross-disciplinary study reveals the surprising early modern trajectory of our contemporary obsession with magic. Medea figures the movement of culture in history, and in the mirror of the witch on the stage, a mirror both appealing and appalling, our own cultural performances are reflected. It concludes with an analysis of Diderot's claim that the historical process itself is magical, and with the moment in Revolutionary France when the slight and fragile body of the golden-throated singer, Julie-Angélique Scio, became a Medea for modernity: not a witch or a child-murderess, but, as all the press reviews insist, a woman.
Author: Michael Meere
Author: Michael Meere
Author: Harold Walter Lawton
Author: Donald Perret
Author: Geoffrey Brereton
Author: Thora Burnley Jones
Author: Michael Meere
Author: Marvin A. Carlson
Author: J. S. Street
Author: Barrett Harper Clark
Author: Amy Wygant