Author: Christine A. Jones
Publisher: Rutgers University Press
ISBN: 1644530740
Category : Art
Languages : en
Pages : 315
Book Description
Shapely Bodies: The Image of Porcelain in Eighteenth-Century France constructs the first cultural history of porcelain making in France. It takes its title from two types of “bodies” treated in this study: the craft of porcelain making shaped clods of earth into a clay body to produce high-end commodities and the French elite shaped human bodies into social subjects with the help of makeup, stylish patterns, and accessories. These practices crossed paths in the work of artisans, whose luxury objects reflected and also influenced the curves of fashion in the eighteenth century. French artisans began trials to reproduce fine Chinese porcelain in the 1660s. The challenge proved impossible until they found an essential ingredient, kaolin, in French soil in the 1760s. Shapely Bodies differs from other studies of French porcelain in that it does not begin in the 1760s at the Sèvres manufactory when it became technically possible to produce fine porcelain in France, but instead ends there. Without the secret of Chinese porcelain, artisans in France turned to radical forms of experimentation. Over the first half of the eighteenth century, they invented artificial alternatives to Chinese porcelain, decorated them with French style, and, with equal determination, shaped an identity for their new trade that distanced it from traditional guild-crafts and aligned it with scientific invention. The back story of porcelain making before kaolin provides a fascinating glimpse into the world of artisanal innovation and cultural mythmaking. To write artificial porcelain into a history of “real” porcelain dominated by China, Japan, and Meissen in Saxony, French porcelainiers learned to describe their new commodity in language that tapped into national pride and the mythic power of French savoir faire. Artificial porcelain cut such a fashionable image that by the mid-eighteenth century, Louis XV appropriated it for the glory of the crown. When the monarchy ended, revolutionaries reclaimed French porcelain, the fruit of a century of artisanal labor, for the Republic. Tracking how the porcelain arts were depicted in documents and visual arts during one hundred years of experimentation, Shapely Bodies reveals the politics behind the making of French porcelain’s image. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Shapely Bodies
Author: Christine A. Jones
Publisher: Rutgers University Press
ISBN: 1644530740
Category : Art
Languages : en
Pages : 315
Book Description
Shapely Bodies: The Image of Porcelain in Eighteenth-Century France constructs the first cultural history of porcelain making in France. It takes its title from two types of “bodies” treated in this study: the craft of porcelain making shaped clods of earth into a clay body to produce high-end commodities and the French elite shaped human bodies into social subjects with the help of makeup, stylish patterns, and accessories. These practices crossed paths in the work of artisans, whose luxury objects reflected and also influenced the curves of fashion in the eighteenth century. French artisans began trials to reproduce fine Chinese porcelain in the 1660s. The challenge proved impossible until they found an essential ingredient, kaolin, in French soil in the 1760s. Shapely Bodies differs from other studies of French porcelain in that it does not begin in the 1760s at the Sèvres manufactory when it became technically possible to produce fine porcelain in France, but instead ends there. Without the secret of Chinese porcelain, artisans in France turned to radical forms of experimentation. Over the first half of the eighteenth century, they invented artificial alternatives to Chinese porcelain, decorated them with French style, and, with equal determination, shaped an identity for their new trade that distanced it from traditional guild-crafts and aligned it with scientific invention. The back story of porcelain making before kaolin provides a fascinating glimpse into the world of artisanal innovation and cultural mythmaking. To write artificial porcelain into a history of “real” porcelain dominated by China, Japan, and Meissen in Saxony, French porcelainiers learned to describe their new commodity in language that tapped into national pride and the mythic power of French savoir faire. Artificial porcelain cut such a fashionable image that by the mid-eighteenth century, Louis XV appropriated it for the glory of the crown. When the monarchy ended, revolutionaries reclaimed French porcelain, the fruit of a century of artisanal labor, for the Republic. Tracking how the porcelain arts were depicted in documents and visual arts during one hundred years of experimentation, Shapely Bodies reveals the politics behind the making of French porcelain’s image. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Publisher: Rutgers University Press
ISBN: 1644530740
Category : Art
Languages : en
Pages : 315
Book Description
Shapely Bodies: The Image of Porcelain in Eighteenth-Century France constructs the first cultural history of porcelain making in France. It takes its title from two types of “bodies” treated in this study: the craft of porcelain making shaped clods of earth into a clay body to produce high-end commodities and the French elite shaped human bodies into social subjects with the help of makeup, stylish patterns, and accessories. These practices crossed paths in the work of artisans, whose luxury objects reflected and also influenced the curves of fashion in the eighteenth century. French artisans began trials to reproduce fine Chinese porcelain in the 1660s. The challenge proved impossible until they found an essential ingredient, kaolin, in French soil in the 1760s. Shapely Bodies differs from other studies of French porcelain in that it does not begin in the 1760s at the Sèvres manufactory when it became technically possible to produce fine porcelain in France, but instead ends there. Without the secret of Chinese porcelain, artisans in France turned to radical forms of experimentation. Over the first half of the eighteenth century, they invented artificial alternatives to Chinese porcelain, decorated them with French style, and, with equal determination, shaped an identity for their new trade that distanced it from traditional guild-crafts and aligned it with scientific invention. The back story of porcelain making before kaolin provides a fascinating glimpse into the world of artisanal innovation and cultural mythmaking. To write artificial porcelain into a history of “real” porcelain dominated by China, Japan, and Meissen in Saxony, French porcelainiers learned to describe their new commodity in language that tapped into national pride and the mythic power of French savoir faire. Artificial porcelain cut such a fashionable image that by the mid-eighteenth century, Louis XV appropriated it for the glory of the crown. When the monarchy ended, revolutionaries reclaimed French porcelain, the fruit of a century of artisanal labor, for the Republic. Tracking how the porcelain arts were depicted in documents and visual arts during one hundred years of experimentation, Shapely Bodies reveals the politics behind the making of French porcelain’s image. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
French Porcelain of the 18th Century in the Victoria & Albert Museum
Author: Christopher Maxwell
Publisher: Victoria & Albert Museum
ISBN:
Category : Art
Languages : en
Pages : 100
Book Description
Throughout the eighteenth century, France was a place of intense scientific enquiry and innovative research. One of the most exciting discoveries of the period was the successful manufacture of porcelain. Known as 'white gold', porcelain was produced for use in all aspects of fashionable public and private life; from banquets to boudoirs, from tea drinking to the toilette. Of all the factories in France, the most renowned was the Royal Porcelain Manufacture at Sevres. The protection of Louis XV and the patronage of his mistress, Madame de Pompadour, drew to Sevres the best alchemists, designers and artists in Europe. The porcelain they produced was unequalled in quality, design and decoration. French Porcelain explores this extraordinary period through the V+A's own superb collection.
Publisher: Victoria & Albert Museum
ISBN:
Category : Art
Languages : en
Pages : 100
Book Description
Throughout the eighteenth century, France was a place of intense scientific enquiry and innovative research. One of the most exciting discoveries of the period was the successful manufacture of porcelain. Known as 'white gold', porcelain was produced for use in all aspects of fashionable public and private life; from banquets to boudoirs, from tea drinking to the toilette. Of all the factories in France, the most renowned was the Royal Porcelain Manufacture at Sevres. The protection of Louis XV and the patronage of his mistress, Madame de Pompadour, drew to Sevres the best alchemists, designers and artists in Europe. The porcelain they produced was unequalled in quality, design and decoration. French Porcelain explores this extraordinary period through the V+A's own superb collection.
Shapely Bodies
Author: Christine A. Jones
Publisher: University of Delaware
ISBN: 1611494095
Category : Art
Languages : en
Pages : 317
Book Description
Shapely Bodies is the first study of the politics behind the making of porcelain’s fashionable image in eighteenth-century France.
Publisher: University of Delaware
ISBN: 1611494095
Category : Art
Languages : en
Pages : 317
Book Description
Shapely Bodies is the first study of the politics behind the making of porcelain’s fashionable image in eighteenth-century France.
French Porcelain of the Eighteenth Century
Seventeenth and Eighteenth Century French Porcelain
Author: George Savage
Publisher:
ISBN:
Category : Porcelain, French
Languages : en
Pages : 370
Book Description
Publisher:
ISBN:
Category : Porcelain, French
Languages : en
Pages : 370
Book Description
Selections of French Porcelain
Author: Julie Emerson
Publisher:
ISBN:
Category : Porcelain
Languages : en
Pages : 16
Book Description
Publisher:
ISBN:
Category : Porcelain
Languages : en
Pages : 16
Book Description
Eighteenth-century French Porcelain in the Ashmolean Museum
Author: Aileen Dawson
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 88
Book Description
The Ashmolean Museum has a collection of French porcelain which is remarkable both for several individual pieces from famous collections, and also for the way in which it demonstrates the development of porcelain in France, from the late-17th century onwards. The book illustrates and discusses in detail over 50 of the most attractive, rare and important pieces in the collection, from eight known factories, including Vincennes/Sevres, St Cloud, Chantilly, Mennecy and Villeroy.
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 88
Book Description
The Ashmolean Museum has a collection of French porcelain which is remarkable both for several individual pieces from famous collections, and also for the way in which it demonstrates the development of porcelain in France, from the late-17th century onwards. The book illustrates and discusses in detail over 50 of the most attractive, rare and important pieces in the collection, from eight known factories, including Vincennes/Sevres, St Cloud, Chantilly, Mennecy and Villeroy.
A History and Description of French Porcelain
Author: Ernest Simon Auscher
Publisher:
ISBN:
Category : Porcelain
Languages : en
Pages : 418
Book Description
Publisher:
ISBN:
Category : Porcelain
Languages : en
Pages : 418
Book Description
French Eighteenth-century Porcelain at the Wadsworth Atheneum
Author: Linda Horvitz Roth
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 424
Book Description
The definitive catalog of this important collection
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 424
Book Description
The definitive catalog of this important collection