Author: Joanna Gwilt Publisher: Royal Collection Trust ISBN: Category : Antiques & Collectibles Languages : en Pages : 204
Book Description
This book provides a guide to the history of SSvres porcelain as epitomised by seventy of the most important examples in the Royal Collection.
Author: Ashli White Publisher: Yale University Press ISBN: 0300271840 Category : History Languages : en Pages : 393
Book Description
How objects associated with the American, French, and Haitian revolutions drew diverse people throughout the Atlantic world into debates over revolutionary ideals “By excavating the power of material objects and visual images to express the fervor and fear of the revolutionary era, Ashli White brings us closer to more fully embodied, more fully human, figures.”—Richard Rabinowitz, author of Objects of Love and Regret: A Brooklyn Story “In this important, innovative book, Ashli White moves nimbly between North America, Europe, and the Caribbean to capture the richness and complexity of material culture in the Age of Revolutions.”—Michael Kwass, Johns Hopkins University Historian Ashli White explores the circulation of material culture during the American, French, and Haitian revolutions, arguing that in the late eighteenth century, radical ideals were contested through objects as well as in texts. She considers how revolutionary things, as they moved throughout the Atlantic, brought people into contact with these transformative political movements in visceral, multiple, and provocative ways. Focusing on a range of objects—ceramics and furniture, garments and accessories, prints, maps, and public amusements—White shows how material culture held political meaning for diverse populations. Enslaved and free, women and men, poor and elite—all turned to things as a means to realize their varied and sometimes competing visions of revolutionary change.
Author: Christopher Maxwell Publisher: Victoria & Albert Museum ISBN: Category : Art Languages : en Pages : 100
Book Description
Throughout the eighteenth century, France was a place of intense scientific enquiry and innovative research. One of the most exciting discoveries of the period was the successful manufacture of porcelain. Known as 'white gold', porcelain was produced for use in all aspects of fashionable public and private life; from banquets to boudoirs, from tea drinking to the toilette. Of all the factories in France, the most renowned was the Royal Porcelain Manufacture at Sevres. The protection of Louis XV and the patronage of his mistress, Madame de Pompadour, drew to Sevres the best alchemists, designers and artists in Europe. The porcelain they produced was unequalled in quality, design and decoration. French Porcelain explores this extraordinary period through the V+A's own superb collection.
Author: Ernest Simon Auscher Publisher: Theclassics.Us ISBN: 9781230469881 Category : Languages : en Pages : 66
Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1905 edition. Excerpt: ...manufacture of the most sumptuous "garnitures " for the palace of Louveciennes, and on the production in "biscuit" of the famous bust of Madame Dubarry, modelled by Pajou. Although Marie-Antoinette was immediately interested in the productions of the factor', she had no direct influence upon it until after her coronation in 1774. Yet she soon became a patroness of Sevres for, from 1771 to 1774, part of the personnel was employed in making, for her, furniture and garnitures of all kinds analogous to, or identical with, those which had been made for the Dubarry. The director of the works, who was a good courtier, had already produced in 1772 a "biscuit" group, modelled by Pajou, and called " The Marriage of Louis XVI." In this group the Dauphin is on the left, the Dauphiness on the right, clasping their hands on a kind of altar surmounted by a globe ornamented with "fleurs-de-lys." The front of the altar had the inscription "Au bonheur public" while the pedestal bore, in low relief, garlands of flowers, and a royal monogram composed of the initials "L." and "A." intertwined. About 1773, the sculptor Pajou made a bust of MarieAntoinette in which, while we cannot but admire the regal attitude of the daughter of an empress and the wife of a mighty prince, we are still more charmed by the juvenile freshness and grace of the woman, the beauty of her features, and the arrangement of her hair. In this model Pajou certainly produced one of the finest works of the eighteenth century, and it seems like the irony of fate that it can only be compared with the busts of the Dubarry produced by the same sculptor. In the Petit Trianon an example of this bust, doubtless made at...
Author: Ronit Milano Publisher: BRILL ISBN: 9004276254 Category : Art Languages : en Pages : 242
Book Description
In The Portrait Bust and French Cultural Politics in the Eighteenth Century, Ronit Milano probes the rich and complex aesthetic and intellectual charge of a remarkably concise art form, and explores its role as a powerful agent of epistemological change during one of the most seismic moments in French history. The pre-Revolutionary portrait bust was inextricably tied to the formation of modern selfhood and to the construction of individual identity during the Enlightenment, while positioning both sitters and viewers as part of a collective of individuals who together formed French society. In analyzing the contribution of the portrait bust to the construction of interiority and the formulation of new gender roles and political ideals, this book touches upon a set of concerns that constitute the very core of our modernity.
Author: Susan Jaques Publisher: Simon and Schuster ISBN: 1681779404 Category : History Languages : en Pages : 673
Book Description
Napoleon is one of history’s most fascinating figures. But his complex relationship with Rome—both with antiquity and his contemporary conflicts with the Pope and Holy See—have undergone little examination. In The Caesar of Paris, Susan Jaques reveals how Napoleon’s dueling fascination and rivalry informed his effort to turn Paris into “the new Rome”— Europe’s cultural capital—through architectural and artistic commissions around the city. His initiatives and his aggressive pursuit of antiquities and classical treasures from Italy gave Paris much of the classical beauty we know and adore today.Napoleon had a tradition of appropriating from past military greats to legitimize his regime—Alexander the Great during his invasion of Egypt, Charlemagne during his coronation as emperor, even Frederick the Great when he occupied Berlin. But it was ancient Rome and the Caesars that held the most artistic and political influence and would remain his lodestars. Whether it was the Arc de Triopmhe, the Venus de Medici in the Louvre, or the gorgeous works of Antonio Canova, Susan Jaques brings Napoleon to life as never before.