Author: Linda Konheim Kramer
Publisher:
ISBN: 9781555950880
Category : Drawing
Languages : en
Pages : 144
Book Description
French Nineteenth-century Drawings and Watercolors at the Brooklyn Museum
Author: Linda Konheim Kramer
Publisher:
ISBN: 9781555950880
Category : Drawing
Languages : en
Pages : 144
Book Description
Publisher:
ISBN: 9781555950880
Category : Drawing
Languages : en
Pages : 144
Book Description
French Nineteenth-century Drawings and Watercolors at the Brooklyn Museum
Author: Brooklyn Museum
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 152
Book Description
"In 1900 the more than five hundred gouaches and ink drawings made by James Jacques Joseph Tissot for his Life of Christ were purchased by public subscription by The Brooklyn Museum, and in 1992 a sketchbook by Tissot, related to this series, was also purchased for the collection. Over the intervening years nearly one hundred other works on paper by nineteenth-century French artists entered the collection. Many of them are by artists now considered to be the major masters of their time; but there are also works by other artists, both academic and avant-garde, less familiar to the American public today, who deserve recognition. This collection - which spans a century of creativity and a subsequent century of collecting, thus preserving a portion of our cultural and artistic heritage - is one of the significant holdings of works on paper at this great museum." "This volume is part of an ongoing series devoted to the Museum's outstanding and encyclopedic collection of works on paper. It presents ninety-three drawings, watercolors, and pastels by some fifty artists, ranging from Fragonard through Corot, Millet, Daumier, and Rodin; the Impressionists Degas, Manet, Morisot, and Pissarro; the Post-Impressionists Cezanne, Gauguin, Toulouse-Lautrec, and van Gogh; and the modernist pioneers Picasso and Gris." "Through an examination of these works and the fascinating texts that accompany them, we can gain an understanding not only of the aesthetic attitudes of each artist and his society, but also of the history, politics, and social mores of the time and place in which each work was created. These works on paper, thanks to their intimacy and directness not found in the more formal media of oil painting and sculpture, help us to understand better the art and the artist's thoughts at the moment of creation."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 152
Book Description
"In 1900 the more than five hundred gouaches and ink drawings made by James Jacques Joseph Tissot for his Life of Christ were purchased by public subscription by The Brooklyn Museum, and in 1992 a sketchbook by Tissot, related to this series, was also purchased for the collection. Over the intervening years nearly one hundred other works on paper by nineteenth-century French artists entered the collection. Many of them are by artists now considered to be the major masters of their time; but there are also works by other artists, both academic and avant-garde, less familiar to the American public today, who deserve recognition. This collection - which spans a century of creativity and a subsequent century of collecting, thus preserving a portion of our cultural and artistic heritage - is one of the significant holdings of works on paper at this great museum." "This volume is part of an ongoing series devoted to the Museum's outstanding and encyclopedic collection of works on paper. It presents ninety-three drawings, watercolors, and pastels by some fifty artists, ranging from Fragonard through Corot, Millet, Daumier, and Rodin; the Impressionists Degas, Manet, Morisot, and Pissarro; the Post-Impressionists Cezanne, Gauguin, Toulouse-Lautrec, and van Gogh; and the modernist pioneers Picasso and Gris." "Through an examination of these works and the fascinating texts that accompany them, we can gain an understanding not only of the aesthetic attitudes of each artist and his society, but also of the history, politics, and social mores of the time and place in which each work was created. These works on paper, thanks to their intimacy and directness not found in the more formal media of oil painting and sculpture, help us to understand better the art and the artist's thoughts at the moment of creation."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Jean-François Millet
Author: Alexandra R. Murphy
Publisher: Yale University Press
ISBN: 9780300079258
Category : Art
Languages : en
Pages : 164
Book Description
Examines and discusses the pastels, watercolors, and drawings of the nineteenth-century French painter
Publisher: Yale University Press
ISBN: 9780300079258
Category : Art
Languages : en
Pages : 164
Book Description
Examines and discusses the pastels, watercolors, and drawings of the nineteenth-century French painter
Portraits by Ingres
Author: Jean-Auguste-Dominique Ingres
Publisher: Metropolitan Museum of Art
ISBN: 0870998919
Category : Drawing, French
Languages : en
Pages : 610
Book Description
Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)
Publisher: Metropolitan Museum of Art
ISBN: 0870998919
Category : Drawing, French
Languages : en
Pages : 610
Book Description
Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)
Fragonard
Author: Perrin Stein
Publisher: Metropolitan Museum of Art
ISBN: 1588396010
Category : Art
Languages : en
Pages : 326
Book Description
One of the most forward-looking artists of the eighteenth century, Jean Honoré Fragonard (1732–1806) was a virtuoso draftsman whose works on paper count among the great achievements of his time. This book showcases Fragonard's mastery and experimentation in a range of media, from vivid red chalk to luminous brown wash, as well as etching, watercolor, and gouache. With essays that focus on the role of drawing in his creative process and provide a modern reevaluation of his graphic work, the book offers fresh perspectives on this innovative and independent artist, who began his career in the Rococo era but lived through and adapted to changing times in France, and who chose to leave the more defined path of official patronage in order to work for private clients. Unlike many earlier painters who used drawings primarily as preparatory tools, Fragonard explored their potential as works of art in their own right, ones that permitted him to work with great freedom and allowed his genius to shine. The 100 featured works come from New York collections, public and private, balancing a mix of well-loved masterpieces, new discoveries, and works that have long been out of the public eye. Fragonard: Drawing Triumphant illuminates the approach of a ceaselessly inventive artist whose draftsmanship was at the core of his remarkable body of work.
Publisher: Metropolitan Museum of Art
ISBN: 1588396010
Category : Art
Languages : en
Pages : 326
Book Description
One of the most forward-looking artists of the eighteenth century, Jean Honoré Fragonard (1732–1806) was a virtuoso draftsman whose works on paper count among the great achievements of his time. This book showcases Fragonard's mastery and experimentation in a range of media, from vivid red chalk to luminous brown wash, as well as etching, watercolor, and gouache. With essays that focus on the role of drawing in his creative process and provide a modern reevaluation of his graphic work, the book offers fresh perspectives on this innovative and independent artist, who began his career in the Rococo era but lived through and adapted to changing times in France, and who chose to leave the more defined path of official patronage in order to work for private clients. Unlike many earlier painters who used drawings primarily as preparatory tools, Fragonard explored their potential as works of art in their own right, ones that permitted him to work with great freedom and allowed his genius to shine. The 100 featured works come from New York collections, public and private, balancing a mix of well-loved masterpieces, new discoveries, and works that have long been out of the public eye. Fragonard: Drawing Triumphant illuminates the approach of a ceaselessly inventive artist whose draftsmanship was at the core of his remarkable body of work.
Madame Cézanne
Author: Dita Amory
Publisher: Metropolitan Museum of Art
ISBN: 0300208103
Category : Art
Languages : en
Pages : 244
Book Description
A new account of Cézanne's complex relationship with his wife, who served as the subject of some of his most iconic portraits Paul Cézanne's (1839-1906) portraits of Hortense Fiquet (1850-1922), his wife and the subject of some of his iconic portraits, rank among the most powerful of their kind in French modernism. Yet, posterity has not been kind to Madame Cézanne. She was called a distraction, blamed for her husband's "lackluster" landscapes, and disdained for her impenetrable expression in the paintings. The reality is more complex, for while Fiquet may not have been the passion of Cézanne's lifetime, she was a willing accomplice, as model, mother of his only son, and unwavering partner against all odds. Madame Cézanne examines this unique relationship as it looks at Cézanne the painter, draftsman, and portraitist. Featuring 24 of Cézanne's oil portraits of Fiquet and most of the known drawings, Madame Cézanne both reevaluates, with insight and compassion, the long-held misconceptions about the Cézannes' unconventional marriage, and shows how Cézanne's portraits of his wife provide a lens through which to better understand his overall technique. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art (11/18/14-03/15/15)
Publisher: Metropolitan Museum of Art
ISBN: 0300208103
Category : Art
Languages : en
Pages : 244
Book Description
A new account of Cézanne's complex relationship with his wife, who served as the subject of some of his most iconic portraits Paul Cézanne's (1839-1906) portraits of Hortense Fiquet (1850-1922), his wife and the subject of some of his iconic portraits, rank among the most powerful of their kind in French modernism. Yet, posterity has not been kind to Madame Cézanne. She was called a distraction, blamed for her husband's "lackluster" landscapes, and disdained for her impenetrable expression in the paintings. The reality is more complex, for while Fiquet may not have been the passion of Cézanne's lifetime, she was a willing accomplice, as model, mother of his only son, and unwavering partner against all odds. Madame Cézanne examines this unique relationship as it looks at Cézanne the painter, draftsman, and portraitist. Featuring 24 of Cézanne's oil portraits of Fiquet and most of the known drawings, Madame Cézanne both reevaluates, with insight and compassion, the long-held misconceptions about the Cézannes' unconventional marriage, and shows how Cézanne's portraits of his wife provide a lens through which to better understand his overall technique. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art (11/18/14-03/15/15)
Unruly Nature
Author: Scott Allan
Publisher: Getty Publications
ISBN: 1606064770
Category : Art
Languages : en
Pages : 228
Book Description
Théodore Rousseau (1812–1867), arguably the most important French landscape artist of the mid-nineteenth century and a leader of the so-called Barbizon School, occupies a crucial moment of transition from the idealizing effects of academic painting to the radically modern vision of the Impressionists. He was an experimental artist who rejected the traditional historical, biblical, or literary subject matter in favor of “unruly nature,” a Romantic naturalism that confounded his contemporaries with its “bizarre” compositional and coloristic innovations. Lavishly illustrated and thoroughly documented, this volume includes five essays by experts in the field. Scott Allan and Édouard Kopp alternately examine Rousseau’s diverse techniques and working procedures as a painter and as a draftsman, as well as his art’s mixed economic and critical fortunes on the art market and at the Salon. Line Clausen Pedersen’s essay focuses on Mont Blanc Seen from La Faucille, Storm Effect, an early touchstone for the artist and a spectacular example of the Romantic sublime in the Ny Carlsberg Glyptotek’s collection. This catalogue accompanies an eponymous exhibition on view at the J. Paul Getty Museum from June 21 to September 11, 2016, and at the Ny Carlsberg Glyptotek from October 13, 2016, to January 8, 2017.
Publisher: Getty Publications
ISBN: 1606064770
Category : Art
Languages : en
Pages : 228
Book Description
Théodore Rousseau (1812–1867), arguably the most important French landscape artist of the mid-nineteenth century and a leader of the so-called Barbizon School, occupies a crucial moment of transition from the idealizing effects of academic painting to the radically modern vision of the Impressionists. He was an experimental artist who rejected the traditional historical, biblical, or literary subject matter in favor of “unruly nature,” a Romantic naturalism that confounded his contemporaries with its “bizarre” compositional and coloristic innovations. Lavishly illustrated and thoroughly documented, this volume includes five essays by experts in the field. Scott Allan and Édouard Kopp alternately examine Rousseau’s diverse techniques and working procedures as a painter and as a draftsman, as well as his art’s mixed economic and critical fortunes on the art market and at the Salon. Line Clausen Pedersen’s essay focuses on Mont Blanc Seen from La Faucille, Storm Effect, an early touchstone for the artist and a spectacular example of the Romantic sublime in the Ny Carlsberg Glyptotek’s collection. This catalogue accompanies an eponymous exhibition on view at the J. Paul Getty Museum from June 21 to September 11, 2016, and at the Ny Carlsberg Glyptotek from October 13, 2016, to January 8, 2017.
Cumulative Book Index
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2264
Book Description
A world list of books in the English language.
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2264
Book Description
A world list of books in the English language.
European Paintings of the 19th Century: Aligny-Gros
Author: Cleveland Museum of Art
Publisher: CLEVELAND MUSEUM OF ART
ISBN:
Category : Painting
Languages : en
Pages : 384
Book Description
Publisher: CLEVELAND MUSEUM OF ART
ISBN:
Category : Painting
Languages : en
Pages : 384
Book Description
New York Magazine
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.