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Author: Philip Conisbee Publisher: Ngw-Stud Hist Art ISBN: Category : Art Languages : en Pages : 328
Book Description
"Fifteen international scholars present their latest research into the contexts and meanings of French genre painting of the eighteenth century, from Jean-Antoine Watteau to Louis-Leopold Boilly. The essays represent a wide range of critical and historical perspectives, from traditional archival research to postructuralist criticism."--Page 4 de la couverture
Author: Philip Conisbee Publisher: Ngw-Stud Hist Art ISBN: Category : Art Languages : en Pages : 328
Book Description
"Fifteen international scholars present their latest research into the contexts and meanings of French genre painting of the eighteenth century, from Jean-Antoine Watteau to Louis-Leopold Boilly. The essays represent a wide range of critical and historical perspectives, from traditional archival research to postructuralist criticism."--Page 4 de la couverture
Author: Colin B. Bailey Publisher: ISBN: 9780888847676 Category : Genre painting, French Languages : en Pages : 412
Book Description
This inviting book offers the first comprehensive survey of French genre painting of the eighteenth century, from Watteau's fetes galantes to Boilly's paintings of modern Parisian life. Showcasing 113 works, the book illustrates the variety and the vitality of genre painting throughout the period. Leading English, German, French, and American scholars shed light on the development of genre painting, its interpretation, its collectors, and its enormous appeal. Here are gathered together masterpieces by such eminent artists as Watteau, Lancret, de Troy, Chardin, Boucher, Greuze, Fragonard, Robert, and Boilly. The wide range of their featured works encompasses military scenes, theatrical subjects, hunt pictures, pastorals, domestic life, moral pictures, fishwife subjects, paintings for the boudoir, and panoramas of the Enlightenment in landscapes and townscapes. Each work is thoroughly catalogued, and an appendix lists all genre paintings shown in the eighteenth-century Salons.
Author: Philip Conisbee Publisher: Ngw-Stud Hist Art ISBN: Category : Art Languages : en Pages : 328
Book Description
"Fifteen international scholars present their latest research into the contexts and meanings of French genre painting of the eighteenth century, from Jean-Antoine Watteau to Louis-Leopold Boilly. The essays represent a wide range of critical and historical perspectives, from traditional archival research to postructuralist criticism."--Page 4 de la couverture
Author: Richard Rand Publisher: Princeton University Press ISBN: 9780691016627 Category : Art Languages : en Pages : 219
Book Description
Paintings by such celebrated eighteenth-century artists as Watteau, Boucher, Chardin, Fragonard, Greuze, and Boilly have long been admired for their charming and intimate subjects--fêtes galantes, pastorals, tableaux de mode, middle-class domestic interiors, and scenes of family life and romantic love--and for their pleasing color schemes. In this lavishly illustrated and produced book, genre painting is explored for the first time within the broader cultural context of Enlightenment France. Through a series of innovative and lively essays dealing largely with aspects of art, gender, and politics in the decades preceding the French Revolution, Intimate Encounters enables us to appreciate genre paintings anew: although they are almost always attractive to the eye, sometimes to the point of appearing fanciful, the paintings also bear the intellectual imprint of turbulent times. the interactions of "ordinary" people--nonhistorical, nonmythic figures--within the family and in romantic encounters. We learn that genre painters tended to infuse their depictions of intimacy with moral and ideological significance. Their imagery coincided with fundamental debates over gender roles and relationships, the family, child-rearing, and illicit versus conjugal love, topics that were crucial to such writers and social commentators as Rousseau, Diderot, and Laclos. Published in conjunction with a major traveling exhibition, Intimate Encounters contains five essays written by specialists from a variety of disciplines, which are followed by fifty-one full catalog entries on the paintings included in the show. The essays delve into such matters as art criticism and the presence of women in cultural life (Richard Rand), the family and the ideology of sentimentalism (Sarah Maza), the influence of innovative theater on genre painting (Mark Ledbury), the debate over women's rights (Virginia Swain), and the production and marketing of prints to a growing art audience (Anne L. Schroder).
Author: Dominique Jarrassé Publisher: Vilo International ISBN: Category : Art Languages : en Pages : 212
Book Description
French eighteenth-century painting is characterized by its immense variety, ranging from the "grand manner" -- history painting -- to so-called minor genres such as still-life and portraiture. Artists such as Boucher and Fragonard drew inspiration from many different sources: famous biblical or mythological episodes, to flutes galantes, and bourgeois domestic scenes. Jarasse explains the key artists and movements within this turbulent century and charts with high-quality, full-color illustrations the progressive emancipation of painters that paralleled the spread of Enlightened thinking. Artists surveyed include Watteau, Fragonard, Boucher, Greuze, Chardin and David as well as lesser-known but equally notable painters including Coypel, Le Moyne, Vernet, Oudry, Nattier and others.
Author: Paula Radisich Publisher: Rutgers University Press ISBN: 1644530562 Category : Art Languages : en Pages : 210
Book Description
Pastiche, Fashion and Galanterie in Chardin’s Genre Subjects seeks to understand how Chardin’s genre subjects were composed and constructed to communicate certain things to the elites of Paris in the 1730s and 1740s. The book argues against the conventional view of Chardin as the transparent imitator of bourgeois life and values so ingrained in art history since the nineteenth century. Instead, it makes the case that these pictures were crafted to demonstrate the artist’s wit (esprit) and taste, traits linked to conventions of seventeenth-century galanterie. Early eighteenth-century Moderns like Jean-Siméon Chardin (1699–1779) embraced an aesthetic grounded upon a notion of beauty that could not be put into words—the je ne sais quoi. Despite its vagueness, this model of beauty was drawn from the present, departed from standards of formal beauty, and could only be known through the critical exercise of taste. Though selecting subjects from the present appears to be a simple matter, it was complicated by the fact that the modernizers expressed themselves through the vehicles of older, established forms. In Chardin’s case, he usually adapted the forms of seventeenth-century Dutch and Flemish genre painting in his genre subjects. This gambit required an audience familiar enough with the conventions of Lowlands art to grasp the play involved in a knowing imitation, or pastiche. Chardin’s first group of enthusiasts accordingly were collectors who bought works of living French artists as well as Dutch and Flemish masters from the previous century, notably aristocratic connoisseurs like the chevalier Antoine de la Roque and Count Carl-Gustaf Tessin. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Author: Philip Conisbee
Author: Philip Conisbee
Author: Colin B. Bailey
Author: Musée des beaux-arts du Canada (Ottawa)
Author: Philip Conisbee
Author: Richard Rand
Author: Dominique Jarrassé
Author: Paula Rea Radisich
Author: Keira R. Lyman
Author: David Wakefield
Author: Paula Radisich