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Author: Lucy Mazdon Publisher: Berghahn Books ISBN: 0857453793 Category : Performing Arts Languages : en Pages : 248
Book Description
In a market long dominated by Hollywood, French films are consistently the most widely distributed non-English language works. French cinema, however, appears to undergo a transformation as it reaches Britain, becoming something quite different to that experienced by audiences at home. Drawing on extensive archival research the authors examine in detail the discourses, debates and decisions which have determined the place accorded to French cinema in British film culture. In so doing they provide a fascinating account of this particular instance of transnational cinematic traffic while simultaneously shedding new light on British film history. From the early days of the Film Society, via the advent of the X certificate to the new possibilities of video and DVD, this book reveals the complex and detailed history of the distribution, exhibition, marketing and reception of French cinema in Britain.
Author: Michael Temple Publisher: Bloomsbury Publishing ISBN: 1838718869 Category : Performing Arts Languages : en Pages : 781
Book Description
This thoroughly revised and expanded edition of a key textbook offers an innovative and accessible account of the richness and diversity of French film history and culture from the 1890s to the present day. The contributors, who include leading historians and film scholars, provide an indispensable introduction to key topics and debates in French film history. Each chronological section addresses seven key themes – people, business, technology, forms, representations, spectators and debates, providing an essential overview of the cinema industry, the people who worked in it, including technicians and actors as well as directors, and the culture of cinema going in France from the beginnings of cinema to the contemporary period.
Author: Lucy Mazdon Publisher: Berghahn Books ISBN: 0857453793 Category : Performing Arts Languages : en Pages : 248
Book Description
In a market long dominated by Hollywood, French films are consistently the most widely distributed non-English language works. French cinema, however, appears to undergo a transformation as it reaches Britain, becoming something quite different to that experienced by audiences at home. Drawing on extensive archival research the authors examine in detail the discourses, debates and decisions which have determined the place accorded to French cinema in British film culture. In so doing they provide a fascinating account of this particular instance of transnational cinematic traffic while simultaneously shedding new light on British film history. From the early days of the Film Society, via the advent of the X certificate to the new possibilities of video and DVD, this book reveals the complex and detailed history of the distribution, exhibition, marketing and reception of French cinema in Britain.
Author: Marcel Lucont Publisher: Fox Chapel Publishing ISBN: 1780091168 Category : Social Science Languages : en Pages : 158
Book Description
Marcel Lucont, France's premier misanthropist and lover, introduces the reader to the British character as seen through the eyes of the French. From food and weather to television and pets, he shares his disdainful opinion on all things British and offers advice on just why the French do it so much better. The book features: "Dans La Rue", an eye-spy parody set on the British high street; "Tits of the Brits", a poem concerning the large British bust vs the petite French cup; "Stolen French", a guide to words the British have stolen from the French; "The British Joke", Marcel's take on British humour; and, "The Monarchy", including why the French got rid of theirs.
Author: Margaret Butler Publisher: Bloomsbury Publishing ISBN: 0857712640 Category : History Languages : en Pages : 265
Book Description
Relations between France and Britain have always been uneasy and ambivelant. But in cinema, WWII changed all that for a time. Although the two countries' wartime fortunes differed, post-war both were busy reintegrating returning servicemen and prisoners of war, and accomodating the changed aspirations of women. Margaret Butler examines these subjects and more in her comparative study of the cinemas of Britain and France during and after the war. Using the concept of continuity, she shows how cinema dealt directly with ideas of belonging and alienation, inclusion and exclusion, unity and division. She also draws on contemporary debates and offers a perceptive reading of key films, to reveal the meaning and appeal of French classics like "Les Enfants du Paradis" and notable British productions like "Waterloo Road".
Author: Michael Scriven Publisher: Berghahn Books ISBN: 9781571819468 Category : Performing Arts Languages : en Pages : 270
Book Description
This is the first study devoted to the highly significant roles played by France and Britain in the formulation of European audiovisual policy, providing a truly comparative analysis of the contemporary audiovisual scene in the two countries.
Author: Michael Scriven Publisher: Berghahn Books ISBN: 1800735081 Category : Social Science Languages : en Pages : 192
Book Description
Advances in audiovisual technology, most notably the advent of the popular usage of digital technology in the last few years, have altered the face of popular television. Thanks to cable, satellite and now digital technology, television broadcasts can reach an international audience. The reaction from cultural critics has been mixed. As the debate concerning the effects of new telecommunications and audiovisual technology continues unabated, this book examines the underlying hypothesis that collective allegiances are moving away from the national paradigm towards the global/local model and provides a balanced appraisal of the depiction of a select number of group identities on television in Britain and France.
Author: Daniel Hucker Publisher: Routledge ISBN: 1317073533 Category : History Languages : en Pages : 349
Book Description
The 1930s policy of appeasement is still fiercely debated by historians, critics and contemporary political commentators, more than 70 years after the signing of the 1938 Munich Agreement. What is less well-understood, however, is the role of public opinion on the formation of British and French policy in the period between Munich and the outbreak of the Second World War; not necessarily what public opinion was but how it was perceived to be by those in power and how this contributed to the policymaking process. It therefore fills a considerable gap in an otherwise vast literature, seeking to ascertain the extent to which public opinion can be said to have influenced the direction of foreign policy in a crucial juncture of British and French diplomatic history. Employing an innovative and unique methodological framework, the author distinguishes between two categories of representation: firstly, 'reactive' representations of opinion, the immediate and spontaneous reactions of the public to circumstances and events as they occur; and secondly, 'residual' representations, which can be defined as the remnants of previous memories and experiences, the more general tendencies of opinion considered characteristic of previous years, even previous decades. It is argued that the French government of Édouard Daladier was consistently more attuned to the evolution of 'reactive' representations than the British government of Neville Chamberlain and, consequently, it was the French rather than the British who first pursued a firmer policy towards the European dictatorships. This comparative approach reveals a hitherto hidden facet of the diplomatic prelude to the Second World War; that British policy towards France and French policy towards Britain were influenced by their respective perceptions of public opinion in the other country. A sophisticated analysis of a crucial period in international history, this book will be essential reading for scholars of the origins of World War II, the political scenes of late 1930s Britain and France, and the study of public opinion and its effects on policy.
Author: Dr Daniel Hucker Publisher: Ashgate Publishing, Ltd. ISBN: 1409482030 Category : History Languages : en Pages : 308
Book Description
The 1930s policy of appeasement is still fiercely debated by historians, critics and contemporary political commentators, more than 70 years after the signing of the 1938 Munich Agreement. What is less well-understood, however, is the role of public opinion on the formation of British and French policy in the period between Munich and the outbreak of the Second World War; not necessarily what public opinion was but how it was perceived to be by those in power and how this contributed to the policymaking process. It therefore fills a considerable gap in an otherwise vast literature, seeking to ascertain the extent to which public opinion can be said to have influenced the direction of foreign policy in a crucial juncture of British and French diplomatic history. Employing an innovative and unique methodological framework, the author distinguishes between two categories of representation: firstly, 'reactive' representations of opinion, the immediate and spontaneous reactions of the public to circumstances and events as they occur; and secondly, 'residual' representations, which can be defined as the remnants of previous memories and experiences, the more general tendencies of opinion considered characteristic of previous years, even previous decades. It is argued that the French government of Édouard Daladier was consistently more attuned to the evolution of 'reactive' representations than the British government of Neville Chamberlain and, consequently, it was the French rather than the British who first pursued a firmer policy towards the European dictatorships. This comparative approach reveals a hitherto hidden facet of the diplomatic prelude to the Second World War; that British policy towards France and French policy towards Britain were influenced by their respective perceptions of public opinion in the other country. A sophisticated analysis of a crucial period in international history, this book will be essential reading for scholars of the origins of World War II, the political scenes of late 1930s Britain and France, and the study of public opinion and its effects on policy.
Author: Leila Wimmer Publisher: Peter Lang ISBN: 9783039113606 Category : Art Languages : en Pages : 320
Book Description
This book is the first ever full-length study of the reception of British cinema in post-war France, challenging François Truffaut's infamous dismissal of British cinema as 'a contradiction in terms', a comment which has been, and still is, widely reproduced, yet has until now remained critically unexplored. A historical account, the book gathers together well-known episodes (such as Cahiers du cinéma in the 1950s) and critics (André Bazin, François Truffaut, Jean-Luc Godard), along with original new material, and thus throws new light on a topic which, given the influential nature of French film criticism and cinephilia, continues to be at the core of film culture.
Author: Lucy Mazdon
Author: Michael Temple
Author: Lucy Mazdon
Author: Marcel Lucont
Author: Margaret Butler
Author: Lucy Mazdon
Author: Michael Scriven
Author: Michael Scriven
Author: Daniel Hucker
Author: Dr Daniel Hucker
Author: Leila Wimmer