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Author: James R. Anthony Publisher: Hal Leonard Corporation ISBN: 9781574670219 Category : Music Languages : en Pages : 604
Book Description
First published in 1974, this landmark work quickly established itself as the definitive study of French music from 1581 to 1733, a period that included masters such as Marin Marais, Lully, Couperin, and Rameau. This expanded edition includes a bibliography of more than 1,300 works.
Author: James R. Anthony Publisher: Hal Leonard Corporation ISBN: 9781574670219 Category : Music Languages : en Pages : 604
Book Description
First published in 1974, this landmark work quickly established itself as the definitive study of French music from 1581 to 1733, a period that included masters such as Marin Marais, Lully, Couperin, and Rameau. This expanded edition includes a bibliography of more than 1,300 works.
Author: James R. Anthony Publisher: Cambridge University Press ISBN: 9780521352635 Category : Biography & Autobiography Languages : en Pages : 360
Book Description
This volume of essays on Jean-Baptiste Lully and his musical legacy honours the distinguished French baroque scholar James R. Anthony. Jean-Baptiste Lully, court composer to Louis XIV, served as the principal architect of what would become known as the French style of music in the baroque era. The style he created strongly influenced the great musical figures in England (Purcell and Handel) and Germany (Bach and Telemann), but Lully's music itself has received little attention. Recently, through the efforts of scholars and musicians concerned with the performance practices of Lully's time, Lully's own music has begun to come alive in performance and recording. These essays, all by important baroque specialists, cover significant aspects of Lully's life and works and the French tradition he influenced. They constitute the first post-war collection of studies centred on Lully and form a fitting tribute to Professor Anthony whose own French baroque music provided a stimulus for the work of an emerging generation of scholars.
Author: James Anthony Publisher: W. W. Norton ISBN: 9780393303568 Category : Biography & Autobiography Languages : en Pages : 318
Book Description
Giovanni Battista Lulli, a young Florentine who settled in Paris, intrigued his way into all the major musical appointments at the court of Louis XIV and--as Jean-Baptiste Lully--created the essentials of what we recognize as French music of the late 17th and early 18th centuries. No one dared to rival Lully as a composer of operas or ballet. But in the chapels, the two most gifted French choral composers of the age, Marc-Antoine Charpentier and Michel-Richard de Lalande, brought French sacred music to a new peak of excellence. The leading instrumental composer around Louis XIV's court was Francois Couperin-le-Grand, master of the keyboard miniature. All these traditions were drawn together in the next generation by Jean-Philippe Rameau, theorist, 'philosophe,' and supreme master of the lyric tragedy. Book jacket.
Author: Caroline Wood Publisher: Routledge ISBN: 1317132750 Category : Music Languages : en Pages : 221
Book Description
From the outset, French opera generated an enormous diversity of literature, familiarity with which greatly enhances our understanding of this unique art form. Yet relatively little of that literature is available in English, despite an upsurge of interest in the Lully-Rameau period during the past two decades. This book presents a wide-ranging and informative picture of the organization and evolution of French Baroque opera, its aims and aspirations, its strengths and weaknesses. Drawing on official documents, theoretical writings, letters, diaries, dictionary entries, contemporary reviews and commentaries, it provides an often entertaining insight into Lully’s once-proud Royal Academy of Music and the colourful characters who surrounded it. The translated passages are set in context, and readers are directed to further scholarly and critical writings in English. Readers will find this new, updated edition easier to use with its revised and expanded translations, supplementary explanatory content and new illustrations.
Author: Caroline Wood Publisher: Ashgate Publishing ISBN: Category : Music Languages : en Pages : 184
Book Description
Drawing on official documents, theoretical writings, letters, diaries, dictionary entries, contemporary reviews and commentaries, this book provides an often entertaining insight into Lully's once-proud Royal Academy of Music.
Author: Julie Anne Sadie Publisher: OUP Oxford ISBN: 0198167040 Category : Music Languages : en Pages : 586
Book Description
Not just Bach and Handel, but Vivaldi and Monteverdi, Couperin and Rameau, Purcell and Schutz are familiar and loved figures of the baroque era. This survey offers perspectives on these men, and the times in which they lived. to all those who are attracted by the music of that crucial century and a half, 1600-1750, which we call the Baroque era.
Author: Simon Trezise Publisher: Cambridge University Press ISBN: 1316239616 Category : Music Languages : en Pages : 441
Book Description
France has a long and rich music history that has had a far-reaching impact upon music and cultures around the world. This accessible Companion provides a comprehensive introduction to the music of France. With chapters on a range of music genres, internationally renowned authors survey music-making from the early middle ages to the present day. The first part provides a complete chronological history structured around key historical events. The second part considers opera and ballet and their institutions and works, and the third part explores traditional and popular music. In the final part, contributors analyse five themes and topics, including the early church and its institutions, manuscript sources, the musical aesthetics of the Siècle des Lumières, and music at the court during the ancien régime. Illustrated with photographs and music examples, this book will be essential reading for both students and music lovers.
Author: Annegret Fauser Publisher: Routledge ISBN: 1351541471 Category : Music Languages : en Pages : 458
Book Description
This volume explores the way in which composers, performers, and critics shaped individual and collective identities in music from Europe and the United States from the 1860s to the 1950s. Selected essays and articles engage with works and their reception by Richard Wagner, Georges Bizet (in an American incarnation), Lili and Nadia Boulanger, William Grant Still, and Aaron Copland, and with performers such as Wanda Landowska and even Marilyn Monroe. Ranging in context from the opera house through the concert hall to the salon, and from establishment cultures to counter-cultural products, the main focus is how music permits new ways of considering issues of nationality, class, race, and gender. These essays - three presented for the first time in English translation - reflect the work in both musical and cultural studies of a distinguished scholar whose international career spans the Atlantic and beyond.
Author: James R. Anthony
Author: James R. Anthony
Author: James R. Anthony
Author: James Anthony
Author: James R. Anthony
Author: Caroline Wood
Author: Caroline Wood
Author: Julie Anne Sadie
Author: Simon Trezise
Author: Robert Marshall
Author: Annegret Fauser