Author: William M. Bussey
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 320
Book Description
French and Italian Influence on the Zarzuela
Author: William M. Bussey
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 320
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 320
Book Description
A Short History of Opera
Author: Donald J. Grout
Publisher: Columbia University Press
ISBN: 0231507720
Category : Music
Languages : en
Pages : 1047
Book Description
When first published in 1947, A Short History of Opera immediately achieved international status as a classic in the field. Now, more than five decades later, this thoroughly revised and expanded fourth edition informs and entertains opera lovers just as its predecessors have. The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day. A Short History of Opera examines not only the standard performance repertoire, but also works considered important for the genre's development. Its expanded scope investigates opera from Eastern European countries and Finland. The section on twentieth-century opera has been reorganized around national operatic traditions including a chapter devoted solely to opera in the United States, which incorporates material on the American musical and ties between classical opera and popular musical theater. A separate section on Chinese opera is also included. With an extensive multilanguage bibliography, more than one hundred musical examples, and stage illustrations, this authoritative one-volume survey will be invaluable to students and serious opera buffs. New fans will also find it highly accessible and informative. Extremely thorough in its coverage, A Short History of Opera is now more than ever the book to turn to for anyone who wants to know about the history of this art form.
Publisher: Columbia University Press
ISBN: 0231507720
Category : Music
Languages : en
Pages : 1047
Book Description
When first published in 1947, A Short History of Opera immediately achieved international status as a classic in the field. Now, more than five decades later, this thoroughly revised and expanded fourth edition informs and entertains opera lovers just as its predecessors have. The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day. A Short History of Opera examines not only the standard performance repertoire, but also works considered important for the genre's development. Its expanded scope investigates opera from Eastern European countries and Finland. The section on twentieth-century opera has been reorganized around national operatic traditions including a chapter devoted solely to opera in the United States, which incorporates material on the American musical and ties between classical opera and popular musical theater. A separate section on Chinese opera is also included. With an extensive multilanguage bibliography, more than one hundred musical examples, and stage illustrations, this authoritative one-volume survey will be invaluable to students and serious opera buffs. New fans will also find it highly accessible and informative. Extremely thorough in its coverage, A Short History of Opera is now more than ever the book to turn to for anyone who wants to know about the history of this art form.
Zarzuela
Author: Janet Lynn Sturman
Publisher: University of Illinois Press
ISBN: 9780252025969
Category : Zarzuela
Languages : en
Pages : 286
Book Description
Once the most popular form of Spanish entertainment short of the bullfight, the zarzuela boasts a long history of bridging the categories of classical and popular art. It is neither opera nor serious drama, yet it requires both trained singers and good actors. The content is neither purely folkloric nor high art; it is too popular for some and too classical for others. In Zarzuela, Janet L. Sturman assesses the political as well as the musical significance of this chameleon of music-drama. Sturman traces the zarzuela's colorful history from its seventeenth-century origins as a Spanish court entertainment to its adaptation in Spain's colonial outposts in the New World. She examines Cuba's pivotal role in transmitting the zarzuela to Latin America and the Caribbean and draws distinctions among the ways in which various Spanish-speaking communities have reformulated zarzuela, combining elements of the Spanish model with local characters, music, dances, and political perspectives. The settings Sturman considers include Argentina, Mexico, Puerto Rico, and the American cities of El Paso, Miami, and New York. Sturman also demonstrates how the zarzuela plays a role in defining American urban ethnicity. She offers a glimpse into two longstanding theaters in New York, Repertorio Espa ol and the Thalia Spanish Theatre, that have fostered the tradition of zarzuela, mounting innovative productions and cultivating audiences. Sturman constructs a profile of the audience that supports modern zarzuela and examines the extensive personal network that sustains it financially. Just as the zarzuela afforded an opportunity in the past for Spaniards to assert their individuality in the face of domination by Italian and central European musical standards, it continues to stand for a distinctive Hispanic legacy. Zarzuela provides a major advance in recognizing the enduring cultural and social significance of this resilient and adaptable genre.
Publisher: University of Illinois Press
ISBN: 9780252025969
Category : Zarzuela
Languages : en
Pages : 286
Book Description
Once the most popular form of Spanish entertainment short of the bullfight, the zarzuela boasts a long history of bridging the categories of classical and popular art. It is neither opera nor serious drama, yet it requires both trained singers and good actors. The content is neither purely folkloric nor high art; it is too popular for some and too classical for others. In Zarzuela, Janet L. Sturman assesses the political as well as the musical significance of this chameleon of music-drama. Sturman traces the zarzuela's colorful history from its seventeenth-century origins as a Spanish court entertainment to its adaptation in Spain's colonial outposts in the New World. She examines Cuba's pivotal role in transmitting the zarzuela to Latin America and the Caribbean and draws distinctions among the ways in which various Spanish-speaking communities have reformulated zarzuela, combining elements of the Spanish model with local characters, music, dances, and political perspectives. The settings Sturman considers include Argentina, Mexico, Puerto Rico, and the American cities of El Paso, Miami, and New York. Sturman also demonstrates how the zarzuela plays a role in defining American urban ethnicity. She offers a glimpse into two longstanding theaters in New York, Repertorio Espa ol and the Thalia Spanish Theatre, that have fostered the tradition of zarzuela, mounting innovative productions and cultivating audiences. Sturman constructs a profile of the audience that supports modern zarzuela and examines the extensive personal network that sustains it financially. Just as the zarzuela afforded an opportunity in the past for Spaniards to assert their individuality in the face of domination by Italian and central European musical standards, it continues to stand for a distinctive Hispanic legacy. Zarzuela provides a major advance in recognizing the enduring cultural and social significance of this resilient and adaptable genre.
Music in Spain During the Eighteenth Century
Author: Malcolm Boyd
Publisher: Cambridge University Press
ISBN: 9780521481397
Category : Music
Languages : en
Pages : 286
Book Description
Traditional musicology has tended to see the Spanish eighteenth century as a period of decline, but this 1998 volume shows it to be rich in interest and achievement. Covering stage genres, orchestral and instrumental music and vocal music (both sacred and secular), it brings together the results of research on such topics as opera, musical instruments, the secular cantata and the villancico and challenges received ideas about how Italian and Austrian music of the period influenced (or was opposed by) Spanish composers and theorists. Two final chapters outline the presence of Spanish musical sources in the New World.
Publisher: Cambridge University Press
ISBN: 9780521481397
Category : Music
Languages : en
Pages : 286
Book Description
Traditional musicology has tended to see the Spanish eighteenth century as a period of decline, but this 1998 volume shows it to be rich in interest and achievement. Covering stage genres, orchestral and instrumental music and vocal music (both sacred and secular), it brings together the results of research on such topics as opera, musical instruments, the secular cantata and the villancico and challenges received ideas about how Italian and Austrian music of the period influenced (or was opposed by) Spanish composers and theorists. Two final chapters outline the presence of Spanish musical sources in the New World.
The Late Baroque Era: Vol 4. From The 1680s To 1740
Author: George J Buelow
Publisher: Springer
ISBN: 1349113034
Category : Architecture
Languages : en
Pages : 531
Book Description
Covers the development of musical life in the great centres of European music - Paris, Vienna, London and the courts of Italy and Germany. The contributions of Handel and Bach, and their lesser colleagues are set in their historical and sociological context.
Publisher: Springer
ISBN: 1349113034
Category : Architecture
Languages : en
Pages : 531
Book Description
Covers the development of musical life in the great centres of European music - Paris, Vienna, London and the courts of Italy and Germany. The contributions of Handel and Bach, and their lesser colleagues are set in their historical and sociological context.
The Cambridge Companion to Eighteenth-Century Opera
Author: Anthony R. DelDonna
Publisher: Cambridge University Press
ISBN: 0521873584
Category : Music
Languages : en
Pages : 343
Book Description
The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.
Publisher: Cambridge University Press
ISBN: 0521873584
Category : Music
Languages : en
Pages : 343
Book Description
The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.
The Development of the Zarzuela and the Performance Practice of the Género Chico
Author: Yanira Idalia Urquhart
Publisher:
ISBN:
Category : Zarzuela
Languages : en
Pages : 240
Book Description
Publisher:
ISBN:
Category : Zarzuela
Languages : en
Pages : 240
Book Description
Dance and Instrumental Diferencias in Spain During the 17th and Early 18th Centuries: History and background, music and dance
Author: Maurice Esses
Publisher: Pendragon Press
ISBN: 9780945193081
Category : Juvenile Nonfiction
Languages : en
Pages : 908
Book Description
V. 1. History and background, music and dance -- v. 2. Musical transcriptions -- v. 3. The notes in Spanish and other languages from the sources.
Publisher: Pendragon Press
ISBN: 9780945193081
Category : Juvenile Nonfiction
Languages : en
Pages : 908
Book Description
V. 1. History and background, music and dance -- v. 2. Musical transcriptions -- v. 3. The notes in Spanish and other languages from the sources.
The Musical
Author: William Everett
Publisher: Routledge
ISBN: 1135947392
Category : Music
Languages : en
Pages : 256
Book Description
First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1135947392
Category : Music
Languages : en
Pages : 256
Book Description
First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Opera
Author: Guy A. Marco
Publisher: Routledge
ISBN: 113557801X
Category : Art
Languages : en
Pages : 655
Book Description
Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.
Publisher: Routledge
ISBN: 113557801X
Category : Art
Languages : en
Pages : 655
Book Description
Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.