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Author: Steven Heller Publisher: Chronicle Books (CA) ISBN: Category : Art Languages : en Pages : 144
Book Description
This strikingly designed volume presents French Modern commercial graphic design in all its glory. Every aspect of French life in the lively and turbulent decades of the '20s and '30s is displayed in this rich compendium of highly stylized design concepts, including magazines, posters, brochures, and retail packages. From exhibition affiches proclaiming the dawn of a new cultural era and symbolic advertisements celebrating the marriage of man and machine to seductive perfume packages and exquisitely chic cocktail paraphernalia, this stunning survey offers a wealth of original artifacts - some never before seen in the United States - making it an essential reference for industrial designers, graphic artists, and anyone with an interest in the history of fine design and advertising.
Author: Steven Heller Publisher: Chronicle Books (CA) ISBN: Category : Art Languages : en Pages : 144
Book Description
This strikingly designed volume presents French Modern commercial graphic design in all its glory. Every aspect of French life in the lively and turbulent decades of the '20s and '30s is displayed in this rich compendium of highly stylized design concepts, including magazines, posters, brochures, and retail packages. From exhibition affiches proclaiming the dawn of a new cultural era and symbolic advertisements celebrating the marriage of man and machine to seductive perfume packages and exquisitely chic cocktail paraphernalia, this stunning survey offers a wealth of original artifacts - some never before seen in the United States - making it an essential reference for industrial designers, graphic artists, and anyone with an interest in the history of fine design and advertising.
Author: Stephanie D'Alessandro Publisher: Yale University Press ISBN: 0300228619 Category : Art Languages : en Pages : 385
Book Description
An exploration of the innovative, quintessentially Brazilian painter who merged modernism with the brilliant energy and culture of her homeland Tarsila do Amaral (1886-1973) was a central figure at the genesis of modern art in her native Brazil, and her influence reverberates throughout 20th- and 21st-century art. Although relatively little-known outside Latin America, her work deserves to be understood and admired by a wide contemporary audience. This publication establishes her rich background in European modernism, which included associations in Paris with artists Fernand Léger and Constantin Brancusi, dealer Ambroise Vollard, and poet Blaise Cendrars. Tarsila (as she is known affectionately in Brazil) synthesized avant-garde aesthetics with Brazilian subjects, creating stylized, exaggerated figures and landscapes inspired by her native country that were powerful emblems of the Brazilian modernist project known as Antropofagía. Featuring a selection of Tarsila's major paintings, this important volume conveys her vital role in the emerging modern-art scene of Brazil, the community of artists and writers (including poets Oswald de Andrade and Mário de Andrade) with whom she explored and developed a Brazilian modernism, and how she was subsequently embraced as a national cultural icon. At the same time, an analysis of Tarsila's legacy questions traditional perceptions of the 20th-century art world and asserts the significant role that Tarsila and others in Latin America had in shaping the global trajectory of modernism.
Author: Magdalena Dabrowski Publisher: ABRAMS ISBN: Category : Architecture Languages : en Pages : 148
Book Description
Published on the occasion of the exhibition of the same name held at the Museum of Modern Art, New York, October 27,1999 - March 14, 2000. French landscape is a part of larger exchbition, ModernStarts which is in turn part of a cycle of exchibitions entitled MoMa 2000.
Author: Leah Dickerman Publisher: The Museum of Modern Art ISBN: 0870708287 Category : Art Languages : en Pages : 378
Book Description
This book explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.0Exhibition: MoMA, New York, USA (23.12.2012-15.4.2013).
Author: Esther Adler Publisher: The Museum of Modern Art ISBN: 087070852X Category : Art Languages : en Pages : 145
Book Description
The Museum of Modern Art is known for its prescient focus on the avant-garde art of Europe, but in the first half of the twentieth century it was also acquiring work by Stuart Davis, Georgia O’Keeffe, Charles Sheeler, Alfred Stieglitz, and other, less well-known American artists whose work sometimes fits awkwardly under the avant garde umbrella. American Modern presents a fresh look at MoMA’s holdings of American art from that period. The still lifes, portraits, and urban, rural, and industrial landscapes vary in style, approach, and medium: melancholy images by Edward Hopper and Andrew Wyeth bump against the eccentric landscapes of Charles Burchfield and the Jazz Age sculpture of Elie Nadelman. Yet a distinct sensibility emerges, revealing a side of the Museum that may surprise a good part of its audience and throwing light on the cultural preoccupations of the rapidly changing American society of the day.
Author: Dita Amory Publisher: Metropolitan Museum of Art ISBN: 0300208103 Category : Art Languages : en Pages : 244
Book Description
A new account of Cézanne's complex relationship with his wife, who served as the subject of some of his most iconic portraits Paul Cézanne's (1839-1906) portraits of Hortense Fiquet (1850-1922), his wife and the subject of some of his iconic portraits, rank among the most powerful of their kind in French modernism. Yet, posterity has not been kind to Madame Cézanne. She was called a distraction, blamed for her husband's "lackluster" landscapes, and disdained for her impenetrable expression in the paintings. The reality is more complex, for while Fiquet may not have been the passion of Cézanne's lifetime, she was a willing accomplice, as model, mother of his only son, and unwavering partner against all odds. Madame Cézanne examines this unique relationship as it looks at Cézanne the painter, draftsman, and portraitist. Featuring 24 of Cézanne's oil portraits of Fiquet and most of the known drawings, Madame Cézanne both reevaluates, with insight and compassion, the long-held misconceptions about the Cézannes' unconventional marriage, and shows how Cézanne's portraits of his wife provide a lens through which to better understand his overall technique. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art (11/18/14-03/15/15)
Author: Patrick Frank Publisher: Yale University Press ISBN: 0300133332 Category : Art Languages : en Pages : 283
Book Description
This important and welcome volume is the first English-language anthology of writings on Latin American modern art of the twentieth century. The book includes some fifty seminal essays and documents—including statements, interviews, and manifestoes by artists—that encompass the broad diversity of this emerging field. Many of these materials are difficult to access and some are translated here for the first time. Together the selections explore the breadth and depth of Latin American modern art as well as its distinctive evolution apart from American and European art history. Included in this collection are fascinating ideas and insights on the impact of the avant-garde in the 1920s, the Mexican mural movement, Surrealism and other fantasy-based styles, modern architecture, geometric and optical art, concrete and neo-concrete art, and political conceptualism. For students and scholars of Latin American art, the volume offers an invaluable collection of primary and secondary sources.
Author: Francis Frascina Publisher: Psychology Press ISBN: 9780415228664 Category : Art Languages : en Pages : 400
Book Description
This revised edition features ten new articles and is fully updated to take account of new critical approaches to post-war American art.
Author: Steven Heller
Author: Steven Heller
Author: Stephanie D'Alessandro
Author: Robert Storr
Author: Parke-Bernet Galleries
Author: Magdalena Dabrowski
Author: Leah Dickerman
Author: Esther Adler 
Author: Dita Amory
Author: Patrick Frank
Author: Francis Frascina