Frederick Wiseman PDF Download

Author: Liz Ellsworth
Publisher:
ISBN: 9780860432395
Category :
Languages : en
Pages :

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Author: Liz Ellsworth
Publisher: Hall Reference Books
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 232

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Author: Thomas W. Benson
Publisher: SIU Press
ISBN: 9780809324385
Category : Motion picture producers and directors
Languages : en
Pages : 422

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Book Description
Rather than write briefly about each of the many documentary films Wiseman has made over the past 20 years, Benson (rhetoric and communication arts and sciences, Pennsylvania State U.) and Anderson (communication, U. of Massachusetts-Amherst) choose a few representative examples. They interpret the films, look at the rhetorical structures, and explore the people and processes. The first edition was published in 1989. Annotation copyrighted by Book News, Inc., Portland, OR

Author: Ian Aitken
Publisher: Routledge
ISBN: 1136512063
Category : Performing Arts
Languages : en
Pages : 1104

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Book Description
The Concise Routledge Encyclopedia of the Documentary Film is a fully international reference work on the history of the documentary film from the Lumière brothers' Workers Leaving the Lumière Factory (1885) to Michael Moore's Fahrenheit 911 (2004). Previously published in three volumes, entries have been edited and updated for the new, concise edition and three new entries have been added on: India, China and Africa. The Concise Routledge Encyclopedia of the Documentary Film: Discusses individual films and filmmakers including little-known filmmakers from countries such as India, Bosnia, China and others Examines the documentary filmmaking traditions within nations and regions, or within historical periods in places such as Iran, Brazil, Portugal, and Japan Explores themes, issues, and representations in documentary film including human rights, modernism, homosexuality, and World War I, as well as types of documentary film such as newsreels and educational films Elaborates on production companies, organizations, festivals, and institutions such as the American Film Institute, Ceylon Tea Propaganda Board, Hot Docs (Toronto), and the World Union of Documentary Describes styles, techniques, and technical issues such as animation, computer imaging, editing techniques, IMAX, music, and spoken commentary Bringing together all aspects of documentary film, this accessible concise edition provides an invaluable resource for both scholars and students. With film stills from key films, this resource provides the decisive entry point into the history of an art form.

Author: Ian Aitken
Publisher: Routledge
ISBN: 1135206279
Category : Performing Arts
Languages : en
Pages : 1561

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Book Description
The Encyclopedia of the Documentary Film is a fully international reference work on the history of the documentary film from the Lumière brothers' Workers Leaving the Lumière Factory (1885) to Michael Moore's Fahrenheit 911 (2004). This Encyclopedia provides a resource that critically analyzes that history in all its aspects. Not only does this Encyclopedia examine individual films and the careers of individual film makers, it also provides overview articles of national and regional documentary film history. It explains concepts and themes in the study of documentary film, the techniques used in making films, and the institutions that support their production, appreciation, and preservation.

Author: Michael Renov
Publisher: Routledge
ISBN: 1135213097
Category : Social Science
Languages : en
Pages : 276

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Book Description
A key collection of essays that looks at the specific issues related to the documentary form. Questions addressed include `What is documentary?' and `How fictional is nonfiction?'

Author: Carolyn Anderson
Publisher: SIU Press
ISBN: 0809315181
Category : Performing Arts
Languages : en
Pages : 246

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Book Description
A case history of the only American film under court-imposed restrictions for reasons other than obscenity or national security. Titicut Follies is an excoriating depiction of conditions in the Massachusetts Correctional Institution at Bridgewater, a prison-hospital for the criminally insane. The Commonwealth of Massachusetts took Wiseman to court, seeking to prevent the exhibition of Titicut Follies soon after its release in 1967. This account of the Titicut Follies case is based on ten years of research and relies on interviews, journalistic accounts, and especially on the legal record, including the Commonwealth v. Wiseman transcript, to describe the entire process of independent documentary filmmaking. The trials of Titicut Follies raise crucial questions about the relation of social documentary to its subjects and audiences.

Author: Betsy A. McLane
Publisher: Bloomsbury Publishing USA
ISBN: 144118998X
Category : Performing Arts
Languages : en
Pages : 456

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Book Description
A New History of Documentary Film, Second Edition offers a much-needed resource, considering the very rapid changes taking place within documentary media. Building upon the best-selling 2005 edition, Betsy McLane keeps the same chronological examination, factual reliability, ease of use and accessible prose style as before, while also weaving three new threads - Experimental Documentary, Visual Anthropology and Environmental/Nature Films - into the discussion. She provides emphasis on archival and preservation history, present practices, and future needs for documentaries. Along with preservation information, specific problems of copyright and fair use, as they relate to documentary, are considered. Finally, A History of Documentary Film retains and updates the recommended readings and important films and the end of each chapter from the first edition, including the bibliography and appendices. Impossible to talk learnedly about documentary film without an audio-visual component, a companion website will increase its depth of information and overall usefulness to students, teachers and film enthusiasts.

Author: Roger Nygard
Publisher: Rowman & Littlefield
ISBN: 1493086235
Category : Performing Arts
Languages : en
Pages : 319

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Book Description
In this complete guide to making documentaries, readers will find a primer that Library Journal notes "abundantly supplies suggestions for those in the business" and says "casual readers will savor stories about the genre’s history.” “I have a great idea for a documentary. Now what do I do?” The Documentarian: The Way to a Successful and Creative Professional Life is the ultimate go-to source for making documentaries. It explains how to conceive, shoot, and sell a documentary, along with specific advice overall in how to succeed in the independent film business. Included is wisdom from experts like film agents, publicists, festival directors, and award-winning documentary filmmakers such as Davis Guggenheim, Liz Garbus, Rachel Grady, Freida Lee Mock, Errol Morris, Sam Pollard, Michael Tollin, Frederick Wiseman, Marina Zenovich, and others. Author Roger Nygard describes his journey through the film business, including a revealing case study of the documentary Trekkies, sharing what it took to push that film to a record-setting sale to a major studio, with a huge payout for the filmmakers. Whether you’re planning just a short subject or a sweeping survey of a major topic, The Documentarian will arm you with essential knowledge and insights, as well as the inspiration to go forth and make your project a reality.

Author: David LaRocca
Publisher: Lexington Books
ISBN: 1498504523
Category : Philosophy
Languages : en
Pages : 645

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Book Description
The spirit that founded the volume and guided its development is radically inter- and transdisciplinary. Dispatches have arrived from anthropology, communications, English, film studies (including theory, history, criticism), literary studies (including theory, history, criticism), media and screen studies, cognitive cultural studies, narratology, philosophy, poetics, politics, and political theory; and as a special aspect of the volume, theorist-filmmakers make their thoughts known as well. Consequently, the critical reflections gathered here are decidedly pluralistic and heterogeneous, inviting—not bracketing or partitioning—the dynamism and diversity of the arts, humanities, social sciences, and even natural sciences (in so far as we are biological beings who are trying to track our cognitive and perceptual understanding of a nonbiological thing—namely, film, whether celluloid-based or in digital form); these disciplines, so habitually cordoned off from one another, are brought together into a shared conversation about a common object and domain of investigation. This book will be of interest to theorists and practitioners of nonfiction film; to emerging and established scholars contributing to the secondary literature; and to those who are intrigued by the kinds of questions and claims that seem native to nonfiction film, and who may wish to explore some critical responses to them written in engaging language.