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Author: Geraldine Morris Publisher: Dance Books Limited ISBN: 9781852731595 Category : Ballet Languages : en Pages : 0
Book Description
In this ground-breaking study of style in six ballets by Sir Frederick Ashton, Geraldine Morris examines the contribution they have made to twentieth century dance and art. Central to the discussion are questions about performance and its connection with style. What do we mean by style in dance? How do we identify it? How can it be retained? Can choreographed movement be distinguished from the danse d'ecole? Does any of this matter? Having considered the nature of style and its relationship to early twentieth century training in Britain, Morris goes on to discuss the six works: A Wedding Bouquet, Illuminations, Birthday Offering, Jazz Calendar, Daphnis and Chloe and A Month in the Country. Delivered with verve and enthusiasm, her analysis and examination of Ashton's role, together with that of the dancers, designers, writers and musicians, is both innovative and thought-provoking. The book is intended for dancers, students and dance enthusiasts who have enjoyed these great works and wish to understand them more fully. Having danced with the Royal Ballet during the years when Ashton was the company's Director, the author brings inside knowledge, informed and enlivened by years of studying the dances. The result is exhilarating and enlightening but also controversial. Geraldine Morris is a Senior Lecturer in Dance Studies at the University of Roehampton.
Author: Geraldine Morris Publisher: Dance Books Limited ISBN: 9781852731595 Category : Ballet Languages : en Pages : 0
Book Description
In this ground-breaking study of style in six ballets by Sir Frederick Ashton, Geraldine Morris examines the contribution they have made to twentieth century dance and art. Central to the discussion are questions about performance and its connection with style. What do we mean by style in dance? How do we identify it? How can it be retained? Can choreographed movement be distinguished from the danse d'ecole? Does any of this matter? Having considered the nature of style and its relationship to early twentieth century training in Britain, Morris goes on to discuss the six works: A Wedding Bouquet, Illuminations, Birthday Offering, Jazz Calendar, Daphnis and Chloe and A Month in the Country. Delivered with verve and enthusiasm, her analysis and examination of Ashton's role, together with that of the dancers, designers, writers and musicians, is both innovative and thought-provoking. The book is intended for dancers, students and dance enthusiasts who have enjoyed these great works and wish to understand them more fully. Having danced with the Royal Ballet during the years when Ashton was the company's Director, the author brings inside knowledge, informed and enlivened by years of studying the dances. The result is exhilarating and enlightening but also controversial. Geraldine Morris is a Senior Lecturer in Dance Studies at the University of Roehampton.
Author: Geraldine Morris Publisher: Oxford University Press ISBN: 0197747116 Category : Biography & Autobiography Languages : en Pages : 297
Book Description
The second edition of Frederick Ashton's Ballets: Style, Performance, Choreography adds two further ballets to this ground-breaking study of Frederick Ashton's choreography. It not only examines the contribution these ballets made to twentieth century dance art, but also presents a detailed account of Ashton's work and dances, demonstrating his remarkable choreographic and artistic talent. Having danced with the Royal Ballet Company during the years Ashton was Director, author, Geraldine Morris also draws on her years as an academic in the field. As well as highlighting the dances, the book explores the contribution made by Ashton's collaborators, both designers and musicians. Central is the issue of identity and how style can be retained in dance, despite alterations in training. It considers the problem of how the values of ballet training change, thereby affecting contemporary performances of his works. Through eight works Morris examines the various sources that Ashton used, whether they were dances with words, or those influenced by dancers' movement style, jazz dance, abstraction, mysticism, or narrative. With this new material, the second edition makes a significant contribution to dance scholarship.
Author: Julie Kavanagh Publisher: ISBN: 9780571143528 Category : Choreographers Languages : en Pages : 675
Book Description
A biography of the choreographer Frederick Ashton which traces his progress from Peruvian childhood and unhappy schooldays, through initiation into a homosexual artistic coterie, to a varied career in dance, culminating in public and royal acclaim.
Author: David Vaughan Publisher: ISBN: Category : Performing Arts Languages : en Pages : 586
Book Description
This revised edition of Vaughan's seminal work includes a new final chapter and an updated chronology of work. It should be useful for both historians of 20th-century ballet and for lovers of Ashton's work.
Author: Jacques D'Amboise Publisher: Knopf ISBN: 0307595234 Category : Biography & Autobiography Languages : en Pages : 465
Book Description
“Who am I? I’m a man; an American, a father, a teacher, but most of all, I am a person who knows how the arts can change lives, because they transformed mine. I was a dancer.” In this rich, expansive, spirited memoir, Jacques d’Amboise, one of America’s most celebrated classical dancers, and former principal dancer with the New York City Ballet for more than three decades, tells the extraordinary story of his life in dance, and of America’s most renowned and admired dance companies. He writes of his classical studies beginning at the age of eight at The School of American Ballet. At twelve he was asked to perform with Ballet Society; three years later he joined the New York City Ballet and made his European debut at London’s Covent Garden. As George Balanchine’s protégé, d’Amboise had more works choreographed on him by “the supreme Ballet Master” than any other dancer, among them Tchaikovsky Pas de Deux; Episodes; A Midsummer’s Night’s Dream; Jewels; Raymonda Variations. He writes of his boyhood—born Joseph Ahearn—in Dedham, Massachusetts; his mother (“the Boss”) moving the family to New York City’s Washington Heights; dragging her son and daughter to ballet class (paying the teacher $7.50 from hats she made and sold on street corners, and with chickens she cooked stuffed with chestnuts); his mother changing the family name from Ahearn to her maiden name, d’Amboise (“It’s aristocratic. It has the ‘d’ apostrophe. It sounds better for the ballet, and it’s a better name”). We see him. a neighborhood tough, in Catholic schools being taught by the nuns; on the streets, fighting with neighborhood gangs, and taking ten classes a week at the School of American Ballet . . . being taught professional class by Balanchine and by other teachers of great legend: Anatole Oboukhoff, premier danseur of the Maryinsky; and Pierre Vladimiroff, Pavlova’s partner. D’Amboise writes about Balanchine’s succession of ballerina muses who inspired him to near-obsessive passion and led him to create extraordinary ballets, dancers with whom d’Amboise partnered—Maria Tallchief; Tanaquil LeClercq, a stick-skinny teenager who blossomed into an exquisite, witty, sophisticated “angel” with her “long limbs and dramatic, mysterious elegance . . .”; the iridescent Allegra Kent; Melissa Hayden; Suzanne Farrell, who Balanchine called his “alabaster princess,” her every fiber, every movement imbued with passion and energy; Kay Mazzo; Kyra Nichols (“She’s perfect,” Balanchine said. “Uncomplicated—like fresh water”); and Karin von Aroldingen, to whom Balanchine left most of his ballets. D’Amboise writes about dancing with and courting one of the company’s members, who became his wife for fifty-three years, and the four children they had . . . On going to Hollywood to make Seven Brides for Seven Brothers and being offered a long-term contract at MGM (“If you’re not careful,” Balanchine warned, “you will have sold your soul for seven years”) . . . On Jerome Robbins (“Jerry could be charming and complimentary, and then, five minutes later, attack, and crush your spirit—all to see how it would influence the dance movements”). D’Amboise writes of the moment when he realizes his dancing career is over and he begins a new life and new dream teaching children all over the world about the arts through the magic of dance. A riveting, magical book, as transformative as dancing itself.
Author: Cristina Franchi Publisher: Oberon Books ISBN: 9781840024616 Category : Photography Languages : en Pages : 164
Book Description
2004 marks the centenary of the birth of Frederick Ashton, Founder Choreographer of The Royal Ballet, whose work defined the English style of ballet. Inspired to dance by Anna Pavlova, encouraged by Ninette de Valois (Founder of the Royal Ballet), Ashton's career as dancer, choreographer and director, spans the Company's history from its earliest days. His influence is still seen today in the repertory and style that informs the Company, with ballets such as La Fille mal gardée, Ondine and Façade. This is the first of a series of books in the Royal Opera House Heritage Series, featuring a unique collection of images from the Royal Opera House Archives. The Series celebrates some of the legendary figures from the world of ballet and opera who have been associated with the Royal Opera House and its resident Companies, The Royal Ballet and The Royal Opera.
Author: Lynn Matluck Brooks Publisher: Routledge ISBN: 1134906455 Category : Performing Arts Languages : en Pages : 313
Book Description
Dance is the art least susceptible to preservation since its embodied, kinaesthetic nature has proven difficult to capture in notation and even in still or moving images. However, frameworks have been established and guidance made available for keeping dances, performances, and choreographers’ legacies alive so that the dancers of today and tomorrow can experience and learn from the dances and dancers of the past. In this volume, a range of voices address the issue of dance preservation through memory, artistic choice, interpretation, imagery and notation, as well as looking at relevant archives, legal structures, documentation and artefacts. The intertwining of dance preservation and creativity is a core theme discussed throughout this text, pointing to the essential continuity of dance history and dance innovation. The demands of preservation stretch across time, geographies, institutions and interpersonal connections, and this book focuses on the fascinating web that supports the fragile yet urgent effort to sustain our dancing heritage. The articles in this book were originally published in the journal Dance Chronicle: Studies in Dance and the Related Arts.
Author: Maryrose Wood Publisher: HarperCollins ISBN: 0062110462 Category : Juvenile Fiction Languages : en Pages : 356
Book Description
For fans of Lemony Snicket's Series of Unfortunate Events and Trenton Lee Stewart's Mysterious Benedict Society, here comes the final book in the Incorrigible Children of Ashton Place, the acclaimed and hilarious Victorian mystery series by Maryrose Wood. Unhappy Penelope Lumley is trapped in unhappy Plinkst! Even the beets for which Plinkst is inexplicably famous fail to grow in this utterly miserable Russian village. Penelope anxiously counts the days and wonders how she will ever get back to England in time to save all the Ashtons—who, she now knows, include herself and the Incorrigible children, although their precise location on the family tree is still a mystery—from their accursèd fate. Her daring scheme to escape sends her on a wildly unexpected journey. But time is running out, and the not-really-dead Edward Ashton is still on the loose. His mad obsession with the wolfish curse on the Ashtons puts Penelope and the Incorrigibles in dire peril. As Penelope fights her way back to her beloved pupils, the three brave Incorrigibles endure their gloomy new tutor and worriedly prepare for the arrival of Lady Constance’s baby. Little do they know the danger they’re in! In this action-packed conclusion to the acclaimed series, mysteries are solved and long-lost answers are found. Only one question remains: Will Penelope and the Incorrigibles find a way to undo the family curse in time, or will the next full moon be their last?
Author: Geraldine Morris
Author: Geraldine Morris
Author: Geraldine Morris
Author: Julie Kavanagh
Author: David Vaughan
Author: David Vaughan
Author: Jacques D'Amboise
Author: Cristina Franchi
Author: Frederick Carter
Author: Lynn Matluck Brooks
Author: Maryrose Wood