Author: National Art Library (Great Britain)Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1140
Book Description
Universal Catalogue of Books on Art: L to Z
Author: National Art Library (Great Britain)Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1140
Book Description
First Proofs of the Universal Catalogue of Books on Art
Author: National Art Library (Great Britain)Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1142
Book Description
Universal catalogue of books on art. Quarterly issue of pages extracted from 'Notes and queries'. A-BAENA. (Proof sheets circulated for the purpose of obtaining additions and corrections).
Author: Universal catalogueNotes and Queries
Author: The Monthly Literary Advertiser
Author: Catalogue of the Eastlake Library in the National Gallery
Author: AnonymousPublisher: BoD – Books on Demand
ISBN: 3382193191
Category : Fiction
Languages : en
Pages : 170
Book Description
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
A Catalogue of Books in the Library of the Royal Academy of Arts, London
Author: AnonymousPublisher: BoD – Books on Demand
ISBN: 3385540747
Category :
Languages : en
Pages : 326
Book Description
Zurbarán
Author: Jeannine BaticlePublisher: Metropolitan Museum of Art
ISBN: 0870995022
Category : Painting, Modern
Languages : en
Pages : 352
Book Description
French Connections
Author: Andrew N. WegmannPublisher: LSU Press
ISBN: 0807174564
Category : History
Languages : en
Pages : 276
Book Description
French Connections examines how the movement of people, ideas, and social practices contributed to the complex processes and negotiations involved in being and becoming French in North America and the Atlantic World between the years 1600 and 1875. Engaging a wide range of topics, from religious and diplomatic performance to labor migration, racialization, and both imagined and real conceptualizations of “Frenchness” and “Frenchification,” this volume argues that cultural mobility was fundamental to the development of French colonial societies and the collective identities they housed. Cases of cultural formation and dislocation in places as diverse as Quebec, the Illinois Country, Detroit, Haiti, Acadia, New England, and France itself demonstrate the broad variability of French cultural mobility that took place throughout this massive geographical space. Nevertheless, these communities shared the same cultural root in the midst of socially and politically fluid landscapes, where cultural mobility came to define, and indeed sustain, communal and individual identities in French North America and the Atlantic World. Drawing on innovative new scholarship on Louisiana and New Orleans, the editors and contributors to French Connections look to refocus the conversation surrounding French colonial interconnectivity by thinking about mobility as a constitutive condition of culture; from this perspective, separate “spheres” of French colonial culture merge to reveal a broader, more cohesive cultural world. The comprehensive scope of this collection will attract scholars of French North America, early American history, Atlantic World history, Caribbean studies, Canadian studies, and frontier studies. With essays from established, award-winning scholars such as Brett Rushforth, Leslie Choquette, Jay Gitlin, and Christopher Hodson as well as from new, progressive thinkers such as Mairi Cowan, William Brown, Karen L. Marrero, and Robert D. Taber, French Connections promises to generate interest and value across an extensive and diverse range of concentrations.
French Painting 1774-1830: the Age of Revolution
Author: Grand Palais (Paris, France)Publisher:
ISBN:
Category : Painting, French
Languages : en
Pages : 740
Book Description