Author: Christian Michel
Publisher: Getty Publications
ISBN: 1606065351
Category : Art
Languages : en
Pages : 436
Book Description
The Académie Royale de Peinture et de Sculpture (French Academy of Painting and Sculpture)—perhaps the single most influential art institution in history—governed the arts in France for more than 150 years, from its founding in 1648 until its abolition in 1793. Christian Michel's sweeping study presents an authoritative, in-depth analysis of the Académie’s history and legacy. The Académie Royale assembled nearly all of the important French artists working at the time, maintained a virtual monopoly on teaching and exhibitions, enjoyed a priority in obtaining royal commissions, and deeply influenced the artistic landscape in France. Yet the institution remains little understood today: all commentary on it, during its existence and since its abolition, is based on prejudices, both favorable and critical, that have shaped the way the institution has been appraised. This book takes a different approach. Rather than judging the Académie Royale, Michel unravels existing critical discourse to consider the nuances and complexities of the academy’s history, reexamining its goals, the shifting power dynamics both within the institution and in the larger political landscape, and its relationship with other French academies and guilds.
The Académie Royale de Peinture et de Sculpture
Author: Christian Michel
Publisher: Getty Publications
ISBN: 1606065351
Category : Art
Languages : en
Pages : 436
Book Description
The Académie Royale de Peinture et de Sculpture (French Academy of Painting and Sculpture)—perhaps the single most influential art institution in history—governed the arts in France for more than 150 years, from its founding in 1648 until its abolition in 1793. Christian Michel's sweeping study presents an authoritative, in-depth analysis of the Académie’s history and legacy. The Académie Royale assembled nearly all of the important French artists working at the time, maintained a virtual monopoly on teaching and exhibitions, enjoyed a priority in obtaining royal commissions, and deeply influenced the artistic landscape in France. Yet the institution remains little understood today: all commentary on it, during its existence and since its abolition, is based on prejudices, both favorable and critical, that have shaped the way the institution has been appraised. This book takes a different approach. Rather than judging the Académie Royale, Michel unravels existing critical discourse to consider the nuances and complexities of the academy’s history, reexamining its goals, the shifting power dynamics both within the institution and in the larger political landscape, and its relationship with other French academies and guilds.
Publisher: Getty Publications
ISBN: 1606065351
Category : Art
Languages : en
Pages : 436
Book Description
The Académie Royale de Peinture et de Sculpture (French Academy of Painting and Sculpture)—perhaps the single most influential art institution in history—governed the arts in France for more than 150 years, from its founding in 1648 until its abolition in 1793. Christian Michel's sweeping study presents an authoritative, in-depth analysis of the Académie’s history and legacy. The Académie Royale assembled nearly all of the important French artists working at the time, maintained a virtual monopoly on teaching and exhibitions, enjoyed a priority in obtaining royal commissions, and deeply influenced the artistic landscape in France. Yet the institution remains little understood today: all commentary on it, during its existence and since its abolition, is based on prejudices, both favorable and critical, that have shaped the way the institution has been appraised. This book takes a different approach. Rather than judging the Académie Royale, Michel unravels existing critical discourse to consider the nuances and complexities of the academy’s history, reexamining its goals, the shifting power dynamics both within the institution and in the larger political landscape, and its relationship with other French academies and guilds.
Bourdelle
Lardera
An Account of the Library of the Division of Art at Marlborough House
Author: Museum of Ornamental Art. Library
Publisher: London : George E. Eyre and William Spottiswoode
ISBN:
Category : Art libraries
Languages : en
Pages : 252
Book Description
Publisher: London : George E. Eyre and William Spottiswoode
ISBN:
Category : Art libraries
Languages : en
Pages : 252
Book Description
Dictionnaire Critique Et Documentaire Des Peintres, Sculpteurs, Dessinateurs & Graveurs de Tous Les Temps Et de Tous Les Pays: A.C
Author: Emmanuel Bénézit
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 1200
Book Description
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 1200
Book Description
A History of French Painting from Its Earliest to Its Latest Practice
Author: Clara Cornelia Harrison Stranahan
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 592
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 592
Book Description
The Naturalists' Directory (International).
The Naturalist's Directory
The Naturalists' Directory
Dictionnaire Critique Et Documentaire Des Peintres, Sculpteurs, Dessinateurs & Graveurs de Tous Les Temps Et de Tous Les Pays: D-K
Author: Emmanuel Bénézit
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 948
Book Description
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 948
Book Description