Author: Jane F. Fulcher
Publisher: Oxford University Press
ISBN: 0195353072
Category : Music
Languages : en
Pages : 304
Book Description
This book draws upon both musicology and cultural history to argue that French musical meanings and values from 1898 to 1914 are best explained not in terms of contemporary artistic movements but of the political culture. During these years, France was undergoing many subtle yet profound political changes. Nationalist leagues forged new modes of political activity, as Jane F. Fulcher details in this important study, and thus the whole playing field of political action was enlarged. Investigating this transitional period in light of several recent insights in the areas of French history, sociology, political anthropology, and literary theory, Fulcher shows how the new departures in cultural politics affected not only literature and the visual arts but also music. Having lost the battle of the Dreyfus affair (legally, at least), the nationalists set their sights on the art world, for they considered France's artistic achievements the ideal means for furthering their conception of "French identity." French Cultural Politics and Music: From the Dreyfus Affair to the First World War illustrates the ways in which the nationalists effectively targeted the music world for this purpose, employing critics, educational institutions, concert series, and lectures to disseminate their values by way of public and private discourses on French music. Fulcher then demonstrates how both the Republic and far Left responded to this challenge, using programs and institutions of their own to launch counterdiscourses on contemporary musical values. Perhaps most importantly, this book fully explores the widespread influence of this politicized musical culture on such composers as d'Indy, Charpentier, Magnard, Debussy, and Satie. By viewing this fertile cultural milieu of clashing sociopolitical convictions against the broader background of aesthetic rivalry and opposition, this work addresses the changing notions of "tradition" in music--and of modernism itself. As Fulcher points out, it was the traditionalist faction, not the Impressionist one, that eventually triumphed in the French musical realm, as witnessed by their "defeat" of Stravinsky's Rite of Spring.
French Cultural Politics and Music
Author: Jane F. Fulcher
Publisher: Oxford University Press
ISBN: 0195353072
Category : Music
Languages : en
Pages : 304
Book Description
This book draws upon both musicology and cultural history to argue that French musical meanings and values from 1898 to 1914 are best explained not in terms of contemporary artistic movements but of the political culture. During these years, France was undergoing many subtle yet profound political changes. Nationalist leagues forged new modes of political activity, as Jane F. Fulcher details in this important study, and thus the whole playing field of political action was enlarged. Investigating this transitional period in light of several recent insights in the areas of French history, sociology, political anthropology, and literary theory, Fulcher shows how the new departures in cultural politics affected not only literature and the visual arts but also music. Having lost the battle of the Dreyfus affair (legally, at least), the nationalists set their sights on the art world, for they considered France's artistic achievements the ideal means for furthering their conception of "French identity." French Cultural Politics and Music: From the Dreyfus Affair to the First World War illustrates the ways in which the nationalists effectively targeted the music world for this purpose, employing critics, educational institutions, concert series, and lectures to disseminate their values by way of public and private discourses on French music. Fulcher then demonstrates how both the Republic and far Left responded to this challenge, using programs and institutions of their own to launch counterdiscourses on contemporary musical values. Perhaps most importantly, this book fully explores the widespread influence of this politicized musical culture on such composers as d'Indy, Charpentier, Magnard, Debussy, and Satie. By viewing this fertile cultural milieu of clashing sociopolitical convictions against the broader background of aesthetic rivalry and opposition, this work addresses the changing notions of "tradition" in music--and of modernism itself. As Fulcher points out, it was the traditionalist faction, not the Impressionist one, that eventually triumphed in the French musical realm, as witnessed by their "defeat" of Stravinsky's Rite of Spring.
Publisher: Oxford University Press
ISBN: 0195353072
Category : Music
Languages : en
Pages : 304
Book Description
This book draws upon both musicology and cultural history to argue that French musical meanings and values from 1898 to 1914 are best explained not in terms of contemporary artistic movements but of the political culture. During these years, France was undergoing many subtle yet profound political changes. Nationalist leagues forged new modes of political activity, as Jane F. Fulcher details in this important study, and thus the whole playing field of political action was enlarged. Investigating this transitional period in light of several recent insights in the areas of French history, sociology, political anthropology, and literary theory, Fulcher shows how the new departures in cultural politics affected not only literature and the visual arts but also music. Having lost the battle of the Dreyfus affair (legally, at least), the nationalists set their sights on the art world, for they considered France's artistic achievements the ideal means for furthering their conception of "French identity." French Cultural Politics and Music: From the Dreyfus Affair to the First World War illustrates the ways in which the nationalists effectively targeted the music world for this purpose, employing critics, educational institutions, concert series, and lectures to disseminate their values by way of public and private discourses on French music. Fulcher then demonstrates how both the Republic and far Left responded to this challenge, using programs and institutions of their own to launch counterdiscourses on contemporary musical values. Perhaps most importantly, this book fully explores the widespread influence of this politicized musical culture on such composers as d'Indy, Charpentier, Magnard, Debussy, and Satie. By viewing this fertile cultural milieu of clashing sociopolitical convictions against the broader background of aesthetic rivalry and opposition, this work addresses the changing notions of "tradition" in music--and of modernism itself. As Fulcher points out, it was the traditionalist faction, not the Impressionist one, that eventually triumphed in the French musical realm, as witnessed by their "defeat" of Stravinsky's Rite of Spring.
A Frequency Dictionary of French
Author: Deryle Lonsdale
Publisher: Routledge
ISBN: 1135973512
Category : Foreign Language Study
Languages : en
Pages : 315
Book Description
A Frequency Dictionary of French is an invaluable tool for all learners of French, providing a list of the 5000 most frequently used words in the language. Users can access the top 5000 words either through the main frequency listing or through an alphabetical index. Throughout the frequency listing there are thematically-organized lists of the top words from a variety of key topics such as sports, weather, clothing, and family terms.
Publisher: Routledge
ISBN: 1135973512
Category : Foreign Language Study
Languages : en
Pages : 315
Book Description
A Frequency Dictionary of French is an invaluable tool for all learners of French, providing a list of the 5000 most frequently used words in the language. Users can access the top 5000 words either through the main frequency listing or through an alphabetical index. Throughout the frequency listing there are thematically-organized lists of the top words from a variety of key topics such as sports, weather, clothing, and family terms.
The French Symphony at the Fin de Siècle
Author: Andrew Deruchie
Publisher: Boydell & Brewer
ISBN: 1580463827
Category : Music
Languages : en
Pages : 308
Book Description
In this first full-length study of the symphony in late nineteenth- and early twentieth-century France, Andrew Deruchie provides extended critical discussion of seven of the most influential and frequently performed works of the era, by Camille Saint-Sa ns, C sar Franck, douard Lalo, Vincent d'Indy, and Paul Dukas. The volume explores how these symphonists modernized the art form yet preserved many of the formal and rhetorical conventions of the canon, reconciling, in particular, Beethoven's symphonic legacy with the musical culture, intellectual environment, and political milieu of fin-de-si cle France. Drawing on contemporary criticism, music histories, composers' prose, and unpublished sketches, Deruchie's readings offer fresh insights on issues of musical form and technique, and also move beyond the notes to consider questions of meaning. Andrew Deruchie is a lecturer in musicology at the University of Otago (New Zealand).
Publisher: Boydell & Brewer
ISBN: 1580463827
Category : Music
Languages : en
Pages : 308
Book Description
In this first full-length study of the symphony in late nineteenth- and early twentieth-century France, Andrew Deruchie provides extended critical discussion of seven of the most influential and frequently performed works of the era, by Camille Saint-Sa ns, C sar Franck, douard Lalo, Vincent d'Indy, and Paul Dukas. The volume explores how these symphonists modernized the art form yet preserved many of the formal and rhetorical conventions of the canon, reconciling, in particular, Beethoven's symphonic legacy with the musical culture, intellectual environment, and political milieu of fin-de-si cle France. Drawing on contemporary criticism, music histories, composers' prose, and unpublished sketches, Deruchie's readings offer fresh insights on issues of musical form and technique, and also move beyond the notes to consider questions of meaning. Andrew Deruchie is a lecturer in musicology at the University of Otago (New Zealand).
French Vernacular Books / Livres vernaculaires français (FB) (2 vols.)
Author: Andrew Pettegree
Publisher: BRILL
ISBN: 9047422449
Category : Reference
Languages : en
Pages : 1638
Book Description
This work offers for the first time a complete list of all books published wholly or partially in the French language before 1601. Based on twelve years of investigations in libraries in France, the United Kingdom, the United States, Germany, the Netherlands and elsewhere, it provides an analytical short-title catalogue of over 52,000 bibliographically distinct items, with reference to surviving copies in over 1,600 libraries worldwide. Many of the items described are editions and even complete texts fully unknown and re-discovered by the project. French Vernacular Books is an invaluable research tool for all students and scholars interested in the history, culture and literature of France, as well as historians of the early modern book world. For vols. III & IV please go to French Books III & IV.
Publisher: BRILL
ISBN: 9047422449
Category : Reference
Languages : en
Pages : 1638
Book Description
This work offers for the first time a complete list of all books published wholly or partially in the French language before 1601. Based on twelve years of investigations in libraries in France, the United Kingdom, the United States, Germany, the Netherlands and elsewhere, it provides an analytical short-title catalogue of over 52,000 bibliographically distinct items, with reference to surviving copies in over 1,600 libraries worldwide. Many of the items described are editions and even complete texts fully unknown and re-discovered by the project. French Vernacular Books is an invaluable research tool for all students and scholars interested in the history, culture and literature of France, as well as historians of the early modern book world. For vols. III & IV please go to French Books III & IV.
Biographie Universelle Classique. Biographie Universelle, Ou Dictionnaire Historique, Etc
The Musical Sounds of Medieval French Cities
Author: Gretchen Peters
Publisher: Cambridge University Press
ISBN: 1107010616
Category : Music
Languages : en
Pages : 299
Book Description
Based upon newly uncovered archival evidence, this book establishes urban musical traditions of over twenty cities in late medieval France.
Publisher: Cambridge University Press
ISBN: 1107010616
Category : Music
Languages : en
Pages : 299
Book Description
Based upon newly uncovered archival evidence, this book establishes urban musical traditions of over twenty cities in late medieval France.
The Keys to French Opera in the Nineteenth Century
Author: Hervé Lacombe
Publisher: Univ of California Press
ISBN: 9780520217195
Category : Music
Languages : en
Pages : 440
Book Description
A lively history of French opera in its cultural and historical context by one of France's leading musicologists.
Publisher: Univ of California Press
ISBN: 9780520217195
Category : Music
Languages : en
Pages : 440
Book Description
A lively history of French opera in its cultural and historical context by one of France's leading musicologists.
Subject Catalog
Author: Library of Congress
Publisher:
ISBN:
Category : Subject catalogs
Languages : en
Pages : 808
Book Description
Publisher:
ISBN:
Category : Subject catalogs
Languages : en
Pages : 808
Book Description
Journals
Author: Canada. Legislature. Legislative Assembly
Publisher:
ISBN:
Category :
Languages : en
Pages : 656
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 656
Book Description
Fraternity Among the French Peasantry
Author: Alan R. H. Baker
Publisher: Cambridge University Press
ISBN: 9780521602716
Category : Business & Economics
Languages : en
Pages : 402
Book Description
The individualism of the French peasantry during the nineteenth century has frequently been asserted as one of its most striking characteristics. In this 1999 book, Alan Baker challenges this orthodox view and demonstrates the extent to which peasants continued with traditional, and developed new, forms of collective action. He examines representations of the peasantry and discusses the discourse of fraternity in nineteenth-century France in general before considering specifically the historical development, geographical diffusion and changing functions of fraternal voluntary associations in Loir-et-Cher between 1815 and 1914. Alan Baker focuses principally upon associations aimed at reducing risk and uncertainty and upon associations intended to provide agricultural protection. A wide range of new voluntary associations were established in Loir-et-Cher - and indeed throughout rural France - during the nineteenth century. Their historical geography throws new light upon the sociability, upon the changing mentalités, of French peasants, and upon the role of fraternal associations in their struggle for survival.
Publisher: Cambridge University Press
ISBN: 9780521602716
Category : Business & Economics
Languages : en
Pages : 402
Book Description
The individualism of the French peasantry during the nineteenth century has frequently been asserted as one of its most striking characteristics. In this 1999 book, Alan Baker challenges this orthodox view and demonstrates the extent to which peasants continued with traditional, and developed new, forms of collective action. He examines representations of the peasantry and discusses the discourse of fraternity in nineteenth-century France in general before considering specifically the historical development, geographical diffusion and changing functions of fraternal voluntary associations in Loir-et-Cher between 1815 and 1914. Alan Baker focuses principally upon associations aimed at reducing risk and uncertainty and upon associations intended to provide agricultural protection. A wide range of new voluntary associations were established in Loir-et-Cher - and indeed throughout rural France - during the nineteenth century. Their historical geography throws new light upon the sociability, upon the changing mentalités, of French peasants, and upon the role of fraternal associations in their struggle for survival.