Author: Esmée Quodbach
Publisher: Penn State University Press
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 272
Book Description
Essays by American and Dutch scholars and museum curators explore the collecting and reception of seventeenth-century Dutch painting in America, from the colonial era through the Gilded Age to today.
Holland's Golden Age in America
Frans Hals
Author: Lelia Packer
Publisher: Philip Wilson Publishers
ISBN: 1781301107
Category : ART
Languages : en
Pages : 0
Book Description
Frans Hals is one of the greatest portrait painters of all time and, together with Rembrandt and Vermeer, is one of the most eminent Dutch seventeenth-century artists. Publishing to coincide with the The Wallace Collection exhibition of the same name, Frans Hals: The Male Portrait explores the artist's highly innovative approach to male portraiture in particular, from the beginning of his career in the 1610s until the end of his life in 1666. Through pose and virtuosic painterly technique, Hals completely revolutionised the male portrait into something entirely new and fresh, capturing and revealing his sitters' characters like no one else before him. The book includes the first in-depth study of Hals's great masterpiece, The Laughing Cavalier, from 1624. The extravagantly-dressed young man, confidently posed with his left arm akimbo in the extreme foreground of the picture and seemingly penetrating into the viewer's space, has been charming audiences for over a century. Richly illustrated, this book situates 'The Laughing Cavalier' within the artist's larger oeuvre and demonstrates how, at a relatively early point in his career, Hals was able to achieve his greatest masterpiece. Exhibition: The Wallace Collection, London, UK (22.09.2021 - 30.01.2022)
Publisher: Philip Wilson Publishers
ISBN: 1781301107
Category : ART
Languages : en
Pages : 0
Book Description
Frans Hals is one of the greatest portrait painters of all time and, together with Rembrandt and Vermeer, is one of the most eminent Dutch seventeenth-century artists. Publishing to coincide with the The Wallace Collection exhibition of the same name, Frans Hals: The Male Portrait explores the artist's highly innovative approach to male portraiture in particular, from the beginning of his career in the 1610s until the end of his life in 1666. Through pose and virtuosic painterly technique, Hals completely revolutionised the male portrait into something entirely new and fresh, capturing and revealing his sitters' characters like no one else before him. The book includes the first in-depth study of Hals's great masterpiece, The Laughing Cavalier, from 1624. The extravagantly-dressed young man, confidently posed with his left arm akimbo in the extreme foreground of the picture and seemingly penetrating into the viewer's space, has been charming audiences for over a century. Richly illustrated, this book situates 'The Laughing Cavalier' within the artist's larger oeuvre and demonstrates how, at a relatively early point in his career, Hals was able to achieve his greatest masterpiece. Exhibition: The Wallace Collection, London, UK (22.09.2021 - 30.01.2022)
Dutch Paintings in the Metropolitan Museum of Art
Author: Walter A. Liedtke
Publisher: Metropolitan Museum of Art
ISBN: 1588392732
Category : Painters
Languages : en
Pages : 1109
Book Description
Presents a catalog that surveys the Dutch paintings found in the Metropolitan Museum of Art.
Publisher: Metropolitan Museum of Art
ISBN: 1588392732
Category : Painters
Languages : en
Pages : 1109
Book Description
Presents a catalog that surveys the Dutch paintings found in the Metropolitan Museum of Art.
Frans Hals
Author: Walter A. Liedtke
Publisher: Metropolitan Museum of Art
ISBN: 1588394247
Category : Painting, Dutch
Languages : en
Pages : 50
Book Description
This is a showcase of 11 major works by Frans Hals. The author also discusses the formation of Hals's style and considers his work in the context of broader European trends.
Publisher: Metropolitan Museum of Art
ISBN: 1588394247
Category : Painting, Dutch
Languages : en
Pages : 50
Book Description
This is a showcase of 11 major works by Frans Hals. The author also discusses the formation of Hals's style and considers his work in the context of broader European trends.
Frans Hals
Author: Seymour Slive
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 464
Book Description
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 464
Book Description
Dutch Paintings of the Seventeenth Century
Author: National Gallery of Art (U.S.)
Publisher: Oxford University Press, USA
ISBN: 9780894682117
Category : Painting
Languages : en
Pages : 0
Book Description
Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.
Publisher: Oxford University Press, USA
ISBN: 9780894682117
Category : Painting
Languages : en
Pages : 0
Book Description
Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.
Frans Hals Portraits
Author: Lawrence W. Nichols
Publisher:
ISBN: 9783777430072
Category : Families
Languages : en
Pages : 0
Book Description
"Frans Hals (1582/83--1666) is one of the foremost portrait painters of the Dutch Golden Age, but he only painted four family groups portraits. This publication unites these family portraits--including one that is now in sections--along with related works by the artist and his contemporaries and examines the topic of Hals's family portraiture as a whole, placing it in the context of his complete oeuvre"--Back cover.
Publisher:
ISBN: 9783777430072
Category : Families
Languages : en
Pages : 0
Book Description
"Frans Hals (1582/83--1666) is one of the foremost portrait painters of the Dutch Golden Age, but he only painted four family groups portraits. This publication unites these family portraits--including one that is now in sections--along with related works by the artist and his contemporaries and examines the topic of Hals's family portraiture as a whole, placing it in the context of his complete oeuvre"--Back cover.
An Inner World
Author: Lara Yeager-Crasselt
Publisher: University of Pennsylvania Press
ISBN: 1734733829
Category : Art
Languages : en
Pages : 80
Book Description
An Inner World, the exhibition co-curated by Lara Yeager-Crasselt of the Leiden Collection and Heather Gibson Moqtaderi, Assistant Director and Associate Curator of the Arthur Ross Gallery, features exceptional paintings by seventeenth-century Dutch artists working in or near the city of Leiden, including nine paintings from the Leiden Collection (New York) and one painting from the Clark Art Institute (Williamstown, MA). Ten rare seventeenth-century books drawn from the collection of University of Pennsylvania's Kislak Center for Special Collections, Rare Books and Manuscripts expand the intellectual and cultural contexts of the exhibition. Works by Gerrit Dou, Gabriel Metsu, Domenicus van Tol, Willem van Mieris, and Jacob Toorenvliet demonstrate how these artists developed a sustained interest in an inner world—figures in interior spaces, and in moments of contemplation or quiet exchange, achieved through their meticulous technique of fine painting. In this lavishly illustrated catalogue, essays penned by specialists in the field of early modern Dutch painting illuminate the exhibition's themes and lesser known artists, and shed new light on the fijnschilders, or fine painters, of Leiden. Yeager-Crasselt's essay explores the central themes of An Inner World through the lens of Leiden as a university city and Dutch artists' interests in the illusionism of space, candlelight, and painted surfaces. Shira Brisman examines the use of candlelight in seventeenth-century paintings and its role as a source of illumination as well as an indicator of the larger issue of the wax trade and the "outer world" of commerce. Last, Eric Jorink reflects on the confluence of art, science, and religion in the Dutch Golden Age.
Publisher: University of Pennsylvania Press
ISBN: 1734733829
Category : Art
Languages : en
Pages : 80
Book Description
An Inner World, the exhibition co-curated by Lara Yeager-Crasselt of the Leiden Collection and Heather Gibson Moqtaderi, Assistant Director and Associate Curator of the Arthur Ross Gallery, features exceptional paintings by seventeenth-century Dutch artists working in or near the city of Leiden, including nine paintings from the Leiden Collection (New York) and one painting from the Clark Art Institute (Williamstown, MA). Ten rare seventeenth-century books drawn from the collection of University of Pennsylvania's Kislak Center for Special Collections, Rare Books and Manuscripts expand the intellectual and cultural contexts of the exhibition. Works by Gerrit Dou, Gabriel Metsu, Domenicus van Tol, Willem van Mieris, and Jacob Toorenvliet demonstrate how these artists developed a sustained interest in an inner world—figures in interior spaces, and in moments of contemplation or quiet exchange, achieved through their meticulous technique of fine painting. In this lavishly illustrated catalogue, essays penned by specialists in the field of early modern Dutch painting illuminate the exhibition's themes and lesser known artists, and shed new light on the fijnschilders, or fine painters, of Leiden. Yeager-Crasselt's essay explores the central themes of An Inner World through the lens of Leiden as a university city and Dutch artists' interests in the illusionism of space, candlelight, and painted surfaces. Shira Brisman examines the use of candlelight in seventeenth-century paintings and its role as a source of illumination as well as an indicator of the larger issue of the wax trade and the "outer world" of commerce. Last, Eric Jorink reflects on the confluence of art, science, and religion in the Dutch Golden Age.
Art in America and Elsewhere
The signature style of Frans Hals
Author: Christopher D.M. Atkins
Publisher: Amsterdam University Press
ISBN: 9048514592
Category : Art
Languages : nl
Pages : 326
Book Description
Frans Hals had een karakteristiek gebruik van verf. Welke functie en betekenis had zijn manier van werken? Dit boek is het resultaat van het eerste onderzoek dat daarnaar is gedaan. Christopher Atkins verkent de uniciteit van Frans Hals' aanpak, de relatie tussen zijn werkwijze en de zeventiende- eeuwse esthetiek, de economische motieven en voordelen van zijn methode, de ogenschijnlijke moderniteit van zijn stijl en de wijze waarop die een merknaam werd. Atkins laat zien hoe de door Frans Hals bewust gecultiveerde manier ven van schilderen functioneerde, zowel in zijn eigen tijd als voor latere generaties toeschouwers. Dit biedt een volledig nieuw begrip van het werk van deze Nederlandse grootmeester uit de Gouden Eeuw en een van de meest invloedrijke schilders uit de westerse kunstgeschiedenis. This richly illustrated study is the first consider the manifold functions and meanings of Halss distinctive handling of paint. Atkins explores the uniqueness of Halss approach to painting and the relationship of his manner to seventeenth-century aesthetics. He also investigates the economic motivations and advantages of his methods, the operation of the style as a personal and workshop brand, and the apparent modernity of the artists style. The book seeks to understand the multiple levels on which Halss consciously cultivated manner of painting operated for himself, his pupils and assistants, his clients, and succeeding generations of viewers. As a result, the book offers a wholly new understanding of one of the leading artists of the Dutch Golden Age, and one of the most formative painters in the history of art in the Western tradition. It also provides a much needed interrogation of the interrelationships of subjectivity, style, authorship, methods of artistic and commercial production, economic consumption, and art theory in early modernity.
Publisher: Amsterdam University Press
ISBN: 9048514592
Category : Art
Languages : nl
Pages : 326
Book Description
Frans Hals had een karakteristiek gebruik van verf. Welke functie en betekenis had zijn manier van werken? Dit boek is het resultaat van het eerste onderzoek dat daarnaar is gedaan. Christopher Atkins verkent de uniciteit van Frans Hals' aanpak, de relatie tussen zijn werkwijze en de zeventiende- eeuwse esthetiek, de economische motieven en voordelen van zijn methode, de ogenschijnlijke moderniteit van zijn stijl en de wijze waarop die een merknaam werd. Atkins laat zien hoe de door Frans Hals bewust gecultiveerde manier ven van schilderen functioneerde, zowel in zijn eigen tijd als voor latere generaties toeschouwers. Dit biedt een volledig nieuw begrip van het werk van deze Nederlandse grootmeester uit de Gouden Eeuw en een van de meest invloedrijke schilders uit de westerse kunstgeschiedenis. This richly illustrated study is the first consider the manifold functions and meanings of Halss distinctive handling of paint. Atkins explores the uniqueness of Halss approach to painting and the relationship of his manner to seventeenth-century aesthetics. He also investigates the economic motivations and advantages of his methods, the operation of the style as a personal and workshop brand, and the apparent modernity of the artists style. The book seeks to understand the multiple levels on which Halss consciously cultivated manner of painting operated for himself, his pupils and assistants, his clients, and succeeding generations of viewers. As a result, the book offers a wholly new understanding of one of the leading artists of the Dutch Golden Age, and one of the most formative painters in the history of art in the Western tradition. It also provides a much needed interrogation of the interrelationships of subjectivity, style, authorship, methods of artistic and commercial production, economic consumption, and art theory in early modernity.