Frans Floris (1519/20–1570): Imagining a Northern Renaissance PDF Download

Author: Edward H. Wouk
Publisher: BRILL
ISBN: 9004343253
Category : Art
Languages : en
Pages : 858

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Book Description
Frans Floris de Vriendt was among the most celebrated Netherlandish artists of the sixteenth-century, more renowned in his day than Bruegel the Elder. This book relates Floris’s hybridizing art to the social, religious, and political crises reshaping his society.

Author: Edward H. Wouk
Publisher: Brill's Studies in Intellectua
ISBN: 9789004307254
Category : Art
Languages : en
Pages : 808

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Book Description
"A crucial aim of the present study is to consider how Floris, an artist of international renown in his own day, could see his fortunes reversed and end up marginalized by a history he had helped to craft."--Introduction, p. 32.

Author: Dominicus Lampsonius
Publisher: Getty Publications
ISBN: 1606067419
Category : Art
Languages : en
Pages : 178

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Book Description
Among the earliest written texts on the history and theory of Netherlandish art, these two key writings are now available together in an English translation. Dominicus Lampsonius’s The Life of Lambert Lombard (1565) is the earliest published biography of a Netherlandish artist. This neo-Latin account of the life of the painter, architect, and draftsman Lambert Lombard of Liège offers a theoretical exposition on the nature and ideal practice of Netherlandish art, emphasizing Lombard’s intellectual curiosity, interest in antiquity, attentive study of the human body, and exemplary generosity as a teacher. This volume offers the first English edition of The Life of Lambert Lombard, complemented by a new translation of the inscriptions Lampsonius composed to accompany the Effigies of Several Famous Painters from the Low Countries (1572), a cycle of twenty-three engraved portraits of Netherlandish artists developed in collaboration with the print publisher Hieronymus Cock. Together, The Life of Lambert Lombard and the Effigies established frameworks for a distinctly Netherlandish history of art. Responding to a growing sense of Netherlandish cultural and political identity on the eve of the Dutch Revolt, these texts proposed a critical alternative to Giorgio Vasari’s Lives of the Artists and its Italian model of art historical development, celebrating local ingenuity and skill. They remain the starting point for any history of the northern Renaissance.

Author:
Publisher: BRILL
ISBN: 9004379592
Category : Art
Languages : en
Pages : 541

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Book Description
A team of 16 experts underline the binds and exchanges between different contexts and artistic techniques that copies established in the Renaissance, and how the history of taste is sophisticated and complex.

Author: Alexis R. Culotta
Publisher: BRILL
ISBN: 9004430482
Category : Art
Languages : en
Pages : 238

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Book Description
Alexis R. Culotta explores how the Renaissance master’s recombination of visual sources ultimately served as a springboard for artistic innovation for his close associates as they collaborated in the years following Raphael’s death.

Author: Barbara A. Kaminska
Publisher: BRILL
ISBN: 9004408401
Category : History
Languages : en
Pages : 254

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Book Description
In Pieter Bruegel the Elder: Religious Art for the Urban Community Barbara Kaminska offers the first book-length study of Bruegel’s biblical paintings, and argues that they were inherently linked to Antwerp’s religious, socio-economic, and cultural transformation.

Author: Robert Couzin
Publisher: BRILL
ISBN: 9004448713
Category : History
Languages : en
Pages : 327

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Book Description
Robert Couzin’s Right and Left in Early Christian and Medieval Art provides the first in-depth study of handedness, position, and direction in the visual culture of Europe and Byzantium from the fourth to the fourteenth century.

Author: Marieke J.E. van den Doel
Publisher: BRILL
ISBN: 9004459685
Category : Art
Languages : en
Pages : 390

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Book Description
Did the Florentine philosopher Marsilio Ficino (1433-99) influence the art of his time? This book starts with an exploration of Ficino’s views on the imagination and discusses whether, how and why these ideas may have been received in Italian Renaissance works of art.

Author: Mitchell B. Merback
Publisher: MIT Press
ISBN: 1942130007
Category : Art
Languages : en
Pages : 361

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Book Description
A deft reinterpretation of the most zealously interpreted picture in the Western canon as a therapeutic artifact. Albrecht Dürer's famous portrayal of creative effort in paralysis, the unsurpassed masterpiece of copperplate engraving titled Melencolia I, has stood for centuries as a pictorial summa of knowledge about the melancholic temperament, a dense allegory of the limits of earthbound arts and sciences and the impossibility of attaining perfection. Dubbed the “image of images” for being the most zealously interpreted picture in the Western canon, Melencolia I also presides over the origins of modern iconology, art history's own science of meaning. Yet we are left with a clutter of mutually contradictory theories, a historiographic ruin that confirms the mood of its object. In Perfection's Therapy, Mitchell Merback reopens the case file and argues for a hidden intentionality in Melencolia's opacity, its structural “chaos,” and its resistance to allegorical closure. That intentionality, he argues, points toward a fascinating possibility never before considered: that Dürer's masterpiece is not only an arresting diagnosis of melancholic distress, but an innovative instrument for its undoing. Merback deftly resituates Dürer's image within the long history of the therapeutic artifact. Placing Dürer's therapeutic project in dialogue with that of humanism's founder, Francesco Petrarch, Merback also unearths Dürer's ambition to act as a physician of the soul. Celebrated as the "Apelles of the black line" in his own day, and ever since as Germany's first Renaissance painter-theorist, the Dürer we encounter here is also the first modern Christian artist, addressing himself to the distress of souls, including his own. Melencolia thus emerges as a key reference point in a venture of spiritual-ethical therapy, a work designed to exercise the mind, restore the body's equilibrium, and help in getting on with the undertaking of perfection.

Author: Dominicus Lampsonius
Publisher: Getty Publications
ISBN: 1606067400
Category : Art
Languages : en
Pages : 178

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Book Description
Among the earliest written texts on the history and theory of Netherlandish art, these two key writings are now available together in an English translation. Dominicus Lampsonius’s The Life of Lambert Lombard (1565) is the earliest published biography of a Netherlandish artist. This neo-Latin account of the life of the painter, architect, and draftsman Lambert Lombard of Liège offers a theoretical exposition on the nature and ideal practice of Netherlandish art, emphasizing Lombard’s intellectual curiosity, interest in antiquity, attentive study of the human body, and exemplary generosity as a teacher. This volume offers the first English edition of The Life of Lambert Lombard, complemented by a new translation of the inscriptions Lampsonius composed to accompany the Effigies of Several Famous Painters from the Low Countries (1572), a cycle of twenty-three engraved portraits of Netherlandish artists developed in collaboration with the print publisher Hieronymus Cock. Together, The Life of Lambert Lombard and the Effigies established frameworks for a distinctly Netherlandish history of art. Responding to a growing sense of Netherlandish cultural and political identity on the eve of the Dutch Revolt, these texts proposed a critical alternative to Giorgio Vasari’s Lives of the Artists and its Italian model of art historical development, celebrating local ingenuity and skill. They remain the starting point for any history of the northern Renaissance.