Frankly Feminine PDF Download

Author: Gloria Hope Hawley
Publisher:
ISBN: 9780872394551
Category : Biography & Autobiography
Languages : en
Pages : 132

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Author: Eileen McCarthy
Publisher:
ISBN:
Category : Home economics
Languages : en
Pages : 0

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Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 430

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ISBN:
Category :
Languages : en
Pages : 64

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New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Author: Carolyn W. de la L. Oulton
Publisher: Victorian Secrets
ISBN: 1906469415
Category : Biography & Autobiography
Languages : en
Pages : 400

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Jerome K. Jerome (1859-1927) was the author of Three Men in a Boat, one of the best-loved books in the English language, but much of his prolific career has been left unexplored. Over a period of forty years, Jerome was variously a humourist, novelist, journalist, essayist and dramatist, leaving behind him a prodigious quantity of work, belying his famous quote "I like work. It fascinates me. I could sit and look at it for hours." In this major new biography, Carolyn Oulton unearths hitherto unknown details of Jerome's early life in Walsall with his Micawberish father and God-fearing mother, and follows his momentous move to the Fairy City of London, where a formative encounter with Charles Dickens influenced his choice of profession. Although famous for his unerring ability to capture middle-class experience in comic form, Oulton also reveals Jerome's serious side as campaigner on animal rights, champion of the underdog, and fierce opponent of the New Woman. Jerome was desperate to shake off the persistent association with larking about on the Thames, but never quite achieved it in his own lifetime. Jerome K. Jerome is revealed in Oulton's book as a complex figure worthy of reassessment, with his contradictions, idiosyncrasies and, above all, his exquisite wit. This edition also includes a Foreword by Jeremy Nicholas, President of the Jerome K. Jerome Society.

Author: Linda Rosenkrantz
Publisher: Macmillan
ISBN: 9780312974626
Category : Family & Relationships
Languages : en
Pages : 420

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This classic baby-naming bible is updated for the new millennium, with 95 percent new material, including new chapters, new trends, naming pitfalls, and more boy and girl names than ever--from traditional to trendy. Includes comprehensive name Index. Martin's Press.

Author: Liz Curtis Higgs
Publisher: WaterBrook
ISBN: 0307731979
Category : Religion
Languages : en
Pages : 290

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Ten of the Bible’s best-known femmes fatales parade across the pages of this popular and unforgettable study with situations that sound oh-so-familiar. Women everywhere marvel at those “good girls” in Scripture–Sarah, Mary, Esther–but on most days, that’s not who they see when they look in the mirror. Most women (if they’re honest) see the selfishness of Sapphira or the deception of Delilah. They catch of glimpse of Jezebel’s take-charge pride or Eve’s disastrous disobedience. Like Bathsheba, Herodias, and the rest, today’s modern woman is surrounded by temptations, exhausted by the demands of daily living, and burdened by her own desires. So what’s a good girl to do? Learn from their lives, says beloved Bible study teacher and speaker Liz Curtis Higgs, and choose a better path. Whether they were “Bad to the Bone,” “Bad for a Season, but Not Forever” or only “Bad for a Moment,” these infamous sisters show women how not to handle the challenges of life. With her trademark humor and encouragement, Higgs combines a contemporary retelling of the stories of these “other women” in Scripture with a solid, verse-by-verse study to teach us how to avoid their tragic mistakes and joyfully embrace grace. Let these Bad Girls show you why studying the Bible has never been more fun! Includes Discussion Questions and Study Guide

Author: Reginald Brimley Johnson
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 344

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Author: William Dean Howells
Publisher: Prabhat Prakashan
ISBN:
Category : Fiction
Languages : en
Pages : 3407

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Complete Works of William Dean Howells by William Dean Howells: This comprehensive collection brings together the complete works of William Dean Howells, one of the foremost American authors and literary critics of the 19th and early 20th centuries. From novels and short stories to essays and literary criticism, the anthology showcases Howells' mastery of realism and his keen observations of American society. Readers can immerse themselves in the captivating narratives and thought-provoking commentaries of this influential literary figure. Key Aspects of the Book "Complete Works of William Dean Howells": Realism in American Literature: Howells' works exemplify the realist literary movement, providing authentic portrayals of everyday life and the social dynamics of his time. Insightful Social Commentary: The anthology includes essays and critiques that offer Howells' astute observations on various aspects of American society and culture. Varied Literary Genres: Readers can explore Howells' versatility as a writer through his novels, short stories, and essays, each showcasing his distinctive style. William Dean Howells was a prominent American author, editor, and literary critic, born in 1837. As a leading figure of literary realism, he played a pivotal role in shaping American literature during the late 19th and early 20th centuries. His works often explored themes of social justice, morality, and the complexities of human relationships. Through the "Complete Works of William Dean Howells," readers can delve into the literary legacy of this influential figure and gain insights into the cultural landscape of his era.

Author: R. BRIMLEY JOHNSON
Publisher: BEYOND BOOKS HUB
ISBN:
Category : Fiction
Languages : en
Pages : 167

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Although women wrote novels before Defoe, the father of English fiction, or Richardson, the founder of the modern novel, we cannot detect any peculiarly feminine elements in their work, or profitably consider it apart from the general development of prose. In the beginning they copied men, and saw through men’s eyes, because—here and elsewhere—they assumed that men’s dicta and practice in life and art were their only possible guides and examples. Women to-day take up every form of fiction attempted by men, because they assume that their powers are as great, their right to express themselves equally varied. But there was a period, covering about a hundred years, during which women “found themselves” in fiction, and developed the art, along lines of their own, more or less independently. This century may conveniently be divided into three periods, which it is the object of the following pages to analyse: From the publication of Evelina to the publication of Sense and Sensibility, 1778-1811. From the publication of Sense and Sensibility to the publication of Jane Eyre, 1811-1847. From the publication of Jane Eyre to the publication of Daniel Deronda, 1847-1876. It may be noticed, however, in passing to the establishment of a feminine school by Fanny Burney, that individual women did pioneer work; among whom the earliest, and the most important, is “the ingenious Mrs. Aphra Behn” (1640-1689). She is generally believed to have been the first woman “to earn a livelihood in a profession, which, hitherto, had been exclusively monopolized by men,”—“she was, moreover, the first to introduce milk punch into England”! For much of her work she adopted a masculine pseudonym and, with it, a reckless licence no doubt essential to success under the Restoration. Yet she wrote “the first prose story that can be compared with things that already existed in foreign literatures and, allowing for a few rather outspoken descriptive passages, there is nothing peculiarly objectionable in her Oroonoko; or, The History of the Royal Slave. Making use of her own experience of the West Indies, acquired in childhood, she invented the “noble savage,” the “natural man,” long afterwards made fashionable by Rousseau; and boldly contrasted the ingenuous virtues, and honour, of this splendid heathen with Christian treachery and avarice. The “great and just character of Oroonoko,” indeed, would scarcely have satisfied “Revolutionary” ideals of the primitive; since he was inordinately proud of his birth and his beauty, and killed his wife from an “artificial” sense of honour. But there is a naïvely exaggerated simplicity in Mrs. Behn’s narrative; which does faithfully represent, as she herself expresses it, “an absolute idea of the first state of innocence, before man knew how to sin.” Whence she declares “it is most evident and plain, that simple nature is the most harmless, inoffensive, and virtuous mistress. It is she alone, if she were permitted, that better instructs the world than all the inventions of man: religion would here but destroy that tranquility they possess by ignorance; and[Pg 4] laws would but teach them to know offence, of which now they have no notion ... they have a native justice, which knows no fraud; and they understand no vice, or cunning, but when they are taught by the white men.” Our author is quite uncompromising in this matter; and her eulogy of “fig-leaves” should refute the most cynical: “I have seen a handsome young Indian, dying for love of a beautiful Indian maid; but all his courtship was, to fold his arms, pursue her with his eyes, and sighs were all his language: while she, as if no such lover were present, or rather as if she desired none such, carefully guarded her eyes from beholding him; and never approached him, but she looked down with all the blushing modesty I have seen in the most severe and cautious of our world.” The actual story of Oroonoko will hardly move us to-day; and the final scene, where that Prince and gentleman is seen smoking a pipe (!) as the horrid Christians “hack off” his limbs one by one, comes dangerously near the ludicrous. Still we may “hope,” with the modest authoress, that “the reputation of her pen is considerable enough to make his glorious name to survive all ages.” It should finally be remarked that Aphra forestalls one more innovation of the next century, by introducing slight descriptions of scenery; and that here, as always, she arrested her readers’ attention by plunging straight into the story. Two other professional women of that generation deserve mention: Mrs. Manley (1672-1724), author of the scurrilous New Atalantis, and Mrs. Heywood (or Haywood) (1693-1756), editor of the Female Spectator. Both were employed by their betters for the secret promotion of vile libels—the former political, the latter literary; and both wrote novels of some vigour, but deservedly forgotten: although the latest, and best, of Mrs. Manley’s were written after Pamela, and bear striking witness to the influence of Richardson. A few more years bring us to the true birth of the modern novel; when Sarah Fielding (1710-1768), whose David Simple, in an unfortunate attempt to combine sentiment with the picaresque, revealed some of her brother’s humour and the decided influence of Richardson. And though The Female Quixote of Charlotte Lennox (1720-1804) has been pronounced “more absurd than any of the romances which it was designed[Pg 6] to ridicule,” Macaulay himself allows it “great merit, when considered as a wild satirical harlequinade”; and it remains an early, if not the first, example of conscious revolt against the artificial tyrannies of “Romance,” of which the evil influences on the art of fiction were soon to be triumphantly abolished for ever by a sister-authoress...