Franchino Gafori practica musicae PDF Download

Author:
Publisher:
ISBN:
Category : Music theory
Languages : it
Pages : 244

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Author: Franchinus Gaffurius
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 326

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Author: Franchinus Gaffurius
Publisher:
ISBN:
Category : Music theory
Languages : la
Pages : 244

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Author: Franchino Gaffurio
Publisher:
ISBN:
Category : Music theory
Languages : it
Pages :

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Author: Franchino Gaffurio
Publisher:
ISBN: 9780835735001
Category :
Languages : en
Pages : 0

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Author: Franchinus Gaffurius
Publisher: American Institute of Musicology
ISBN: 9781595512574
Category :
Languages : en
Pages : 0

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Franchinus Gaffurius (1451-1522), also Gafurius. For more information, see http: //www.corpusmusicae.com/msd/msd_cc020.htm

Author: William Oliver Strunk
Publisher: W. W. Norton & Company
ISBN: 9780393037524
Category : Music
Languages : en
Pages : 1584

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The definitive collection of great writings on music from ancient Greece through the twentieth century.

Author: Franchinus Gaffurius
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 258

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Author: Mary Kay Duggan
Publisher: Univ of California Press
ISBN: 0520334183
Category : Music
Languages : en
Pages : 585

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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1992. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived

Author: Ruth Katz
Publisher: Transaction Publishers
ISBN: 9781412838498
Category : Music
Languages : en
Pages : 254

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In this cultural history, Ruth Katz conceives of opera as a laboratory dedicated to exploration of the powers hidden in the interaction between words and music. Opera combines not only music and libretto, but the sensuality, acting out, and lyricism that characterize the popular culture of the Italians. The Powers of Music is thus a contribution to cultural studies, providing unique insight into the social meaning of opera in Italy. According to Katz, opera's origins in Renaissance Italy can be traced to numerous characteristics of life at that time. Among them are: the belief of the Humanists that the magical properties of music could be harnessed; the transition from polyphony to monody that gave musical expression to individualism; the melodramatic propensity of Italian culture reflected in its literary and theatrical arts; and the salons of Florentine aristocrats, scientists, and artists whose agenda included the challenge to rediscover how the ancient Greeks succeeded in heightening the rhetorical power of words by allying them with music. Katz discusses each of these factors in detail. In her new introduction, Katz reconsiders her original work by discussing three topics. The first has to do with the perception that there has been a major change in the academic climate for this kind of analysis. The second relates to her concern with the eighteenth-century expansion of the Florentine comparison of the attributes of the arts, from which music emerges as the purest of all, for being freest of external reference. Third, she reconsiders her initial impression that opera was on the wane. The Powers of Music is an intriguing study that will be of interest to sociologists, cultural historians, and scholars of communication and popular culture.