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Author: Stefan Gruber Publisher: ISBN: Category : Languages : en Pages : 112
Book Description
The complete seven Lute Works (BWV 995-1000 and 1006a) by Johann Sebastian Bach transcribed for guitar in standard notation and tablature. Composed over a period of 30 years, Bach's Lute Works are believed to have originally been written for the lute-harpsichord, a keyboard instrument of the Baroque period. They now belong to the standard repertoire of most concert guitarists. Includes: Suite No.1 in E minor BWV 996 Suite No.2 in A minor (orig. G minor) BWV 995 Suite No.3 in A minor (orig. C minor) BWV 997 Suite No.4 in E major BWV 1006a Prélude, Fugue and Allegro in D major (orig. Eb major) BWV 998 Prélude in A minor (orig. C minor) BWV 999 Fugue in E minor (orig. G minor) BWV 1000 Bonus: Downloadable audio files for all the pieces in this book.
Author: Stefan Gruber Publisher: ISBN: Category : Languages : en Pages : 112
Book Description
The complete seven Lute Works (BWV 995-1000 and 1006a) by Johann Sebastian Bach transcribed for guitar in standard notation and tablature. Composed over a period of 30 years, Bach's Lute Works are believed to have originally been written for the lute-harpsichord, a keyboard instrument of the Baroque period. They now belong to the standard repertoire of most concert guitarists. Includes: Suite No.1 in E minor BWV 996 Suite No.2 in A minor (orig. G minor) BWV 995 Suite No.3 in A minor (orig. C minor) BWV 997 Suite No.4 in E major BWV 1006a Prélude, Fugue and Allegro in D major (orig. Eb major) BWV 998 Prélude in A minor (orig. C minor) BWV 999 Fugue in E minor (orig. G minor) BWV 1000 Bonus: Downloadable audio files for all the pieces in this book.
Author: David Starkweather Publisher: ISBN: 9781429105590 Category : Languages : en Pages :
Book Description
This edition of the Bach Cello Suites is appealing to both the scholar and the performer. The genesis of this edition was the alignment of the relevant manuscripts for easy comparison and study using a line-by-line layout. It has resulted in the ultimate scholarly approach to the study of these manuscripts and has led to many discoveries concerning notes, trills, dots, dynamics, and rhythm. In the scordatura version of "Suite No. 5," pitch names are given above the notes for the re-tuned top string, clarifying confusing elements in the notation. Fingerings and bowings in this edition reflect those used on the DVD set of Starkweather's performance of the suites (item number 730150). Reference to the manuscript edition makes it possible to visually assess the ambiguity of many of the slurs and to reach one's own conclusions.
Author: Eric Siblin Publisher: Open Road + Grove/Atlantic ISBN: 0802197973 Category : Music Languages : en Pages : 328
Book Description
An award-winning journey through Johann Sebastian Bach’s six cello suites and the brilliant musician who revealed their lasting genius. One fateful evening, journalist and pop-music critic Eric Siblin attended a recital of Johann Sebastian Bach’s Cello Suites—an experience that set him on an epic quest to uncover the mysterious history of the entrancing compositions and their miraculous reemergence nearly two hundred years later. In pursuit of his musicological obsession, Siblin would unravel three centuries of intrigue, politics, and passion. Winner of the Mavis Gallant Prize for Non-fiction and the McAuslan First Book Prize, The Cello Suites weaves together three dramatic narratives: the disappearance of Bach’s manuscript in the eighteenth century, Pablo Casals’s discovery and popularization of the music in Spain in the late nineteenth century, and Siblin’s infatuation with the suites in the present day. The search led Siblin to Barcelona, where Casals, just thirteen and in possession of his first cello, roamed the backstreets with his father in search of sheet music and found Bach’s lost suites tucked in a dark corner of a store. Casals played them every day for twelve years before finally performing them in public. Siblin sheds new light on the mysteries that continue to haunt this music more than 250 years after its composer’s death: Why did Bach compose the suites for the cello, then considered a lowly instrument? What happened to the original manuscript? A seamless blend of biography and music history, The Cello Suites is a true-life journey of discovery, fueled by the power of these musical masterpieces. “The ironies of artistic genius and public taste are subtly explored in this winding, entertaining tale of a musical masterpiece.” —Publishers Weekly “Siblin’s writing is most inspired when describing the life of Casals, showing a genuine affection for the cellist, who . . . used his instrument and the suites as weapons of protest and pleas for peace.” —Booklist, starred review
Author: Ruth Tatlow Publisher: Cambridge University Press ISBN: 131635234X Category : Music Languages : en Pages :
Book Description
In eighteenth-century Germany the universal harmony of God's creation and the perfection of its proportions still held philosophical, moral and devotional significance. Reproducing proportions close to the unity (1:1) across compositions could render them beautiful, perfect and even eternal. Using the principles of her groundbreaking theory of proportional parallelism and the latest source study research, Ruth Tatlow reveals how Bach used the number of bars to create numerical perfection across his published collections, and explains why he did so. The first part of the book illustrates the wide-ranging application of belief in the unity, showing how planning a well-proportioned structure was a normal compositional procedure in Bach's time. In the second part Tatlow presents practical demonstrations of this in Bach's works, illustrating the layers of proportion that appear within a movement, a work, between two works in a collection, across a collection and between collections.
Author: Rob MacKillop Publisher: Mel Bay Publications ISBN: 1619116731 Category : Music Languages : en Pages : 101
Book Description
This book is aimed at beginner lute and guitar players interested in playing Renaissance lute music on either instrument. Lute and guitar tablature are included, along with notes on technique, biographies of lute composers from the 16th century, and general advice on buying, stringing and tuning a lute. The book starts with single-line melodies, before progressing to two-part and full repertoire pieces. Selections include works by great Renaissance composers such as John Dowland, Francesco da Milano, Alonso Mudarra, Francesco Spinacino and others, with music from England, Scotland, Italy, France and Germany. A useful chord chart is also included. Every piece in the book has been recorded for download by Rob MacKillop--in itself, an album worth owning. Includes access to online audio.
Author: Steven Isserlis Publisher: Faber & Faber ISBN: 0571366260 Category : Music Languages : en Pages : 163
Book Description
A unique Companion to J S Bach's iconic Cello Suites from internationally-renowned cellist Steven Isserlis. 'Isserlis is the master of the material, yet always able to make it accessible . . . It is an absolute treat to be led to this sublime music by such an ethusiastic expert.' MICHAEL PALIN 'The book I've always wanted: an accessible, eloquent guide to the world's greatest - and maybe most elusive - pieces of music. And written by the man I'd want to tell me about it. This is such a delight.' DERREN BROWN 'Illuminating.' OBSERVER 'Striking.' THE SPECTATOR Bach's six Cello Suites are among the most cherished of all the works in the classical music literature. Shrouded in mystery - they were largely unknown for some two hundred years after their composition - they have acquired a magical aura which continues to attract and fascinate audiences the world over. To cellists they represent a musical bible, to listeners, scarcely less. Through what are on the surface simple dance suites, Bach takes us on a spiritual journey like no other, leading us from joy to tragedy, concluding in jubilation, even triumph. Award-winning international cellist Steven Isserlis, whose recent recording of the Suites met with the highest critical acclaim, goes deep into that emotional journey, bringing to bear all his many years' experience of performing the Suites. His book is intended as a rewarding companion for all music lovers, ranging from the casual listener to the performing musician. By offering his own very personal observations of the music, Isserlis's aim is to take the reader further into the world of the Suites in order to enhance the experience of hearing some of the greatest works ever composed. Praise for Steven Isserlis' BACH: THE CELLO SUITES 'The most wonderful cello-playing, surely among the most consistently beautiful to have been heard in this demanding music.' GRAMOPHONE 'Isserlis has done the impossible. He has given the listener something new, and indeed something outstandingly good . . . This recording can sit proudly on the shelf alongside the great recordings of Casals and Rostropovich. In fact, I may find myself picking it up as the favourite.' BBC RADIO 3
Author: Library of Congress. Office for Subject Cataloging Policy Publisher: ISBN: Category : Subject headings, Library of Congress Languages : en Pages : 1698
Author: Marin Marais Publisher: A-R Editions, Inc. ISBN: 0895790696 Category : Music Languages : en Pages : 154
Book Description
"The solo works for viole de gambe by Marais occupy, in French instrumental music of the late Baroque era, a position comparable with those for clavecin by François Couperin, his younger contemporary and colleague at the French court. This selection of suites offers, for the first time in a modern scholarly edition, some of the more attractive items from this large body of music." --
Author: Stefan Gruber
Author: Stefan Gruber
Author: David Starkweather
Author: Eric Siblin
Author: Ruth Tatlow
Author: Rob MacKillop
Author: Steven Isserlis
Author: J.S. Bach
Author: Library of Congress
Author: Library of Congress. Office for Subject Cataloging Policy
Author: Marin Marais