Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : String trios
Languages : en
Pages :
Book Description
Four Preludes and Fugues for Violin, Viola and Cello
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : String trios
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : String trios
Languages : en
Pages :
Book Description
Four Preludes and Fugues
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Canons, fugues, etc. (String trio)
Languages : en
Pages : 44
Book Description
Publisher:
ISBN:
Category : Canons, fugues, etc. (String trio)
Languages : en
Pages : 44
Book Description
Four preludes and fugues
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Canons, fugues, etc. (String trio)
Languages : en
Pages : 64
Book Description
Publisher:
ISBN:
Category : Canons, fugues, etc. (String trio)
Languages : en
Pages : 64
Book Description
Two preludes and fugues for violin, viola, and cello
Author: Johann Sebastian Bach
Publisher:
ISBN:
Category : Canons, fugues, etc. (String trio), Arranged
Languages : en
Pages : 36
Book Description
Publisher:
ISBN:
Category : Canons, fugues, etc. (String trio), Arranged
Languages : en
Pages : 36
Book Description
Max Reger - Fugue Op.56 N.4b for two Violins and Cello
Author: Cristiano Vecchi
Publisher: Cristiano Vecchi
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 12
Book Description
A lively and humorous fugue from "Five easy Preludes and Fugues" Op.56 (1904) by Max Reger, arranged for two Violins and Cello (with an extra Viola part included to replace the 2nd violin) and transposed a fifth above for a brighter sound. Also available for Woodwind Trio, String Trio (Violin, Viola, Cello, in the original key of C Major). Duration: 1'20". SCORE and PARTS.
Publisher: Cristiano Vecchi
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 12
Book Description
A lively and humorous fugue from "Five easy Preludes and Fugues" Op.56 (1904) by Max Reger, arranged for two Violins and Cello (with an extra Viola part included to replace the 2nd violin) and transposed a fifth above for a brighter sound. Also available for Woodwind Trio, String Trio (Violin, Viola, Cello, in the original key of C Major). Duration: 1'20". SCORE and PARTS.
Two Preludes and Fugues for Violin, Viola and Cello
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Canons, fugues, etc. (String trio), Arranged
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Canons, fugues, etc. (String trio), Arranged
Languages : en
Pages :
Book Description
Divertimento, for violin, viola and cello
Author: Karl Ditters von Dittersdorf
Publisher:
ISBN:
Category : Suites (String trio)
Languages : en
Pages : 26
Book Description
Publisher:
ISBN:
Category : Suites (String trio)
Languages : en
Pages : 26
Book Description
Trio No. 1 in B-flat Major
Author: Franz Schubert
Publisher: Alfred Music
ISBN: 9781457476532
Category : Music
Languages : en
Pages : 16
Book Description
A string trios for Violin, Viola, and Cello composed by Franz Schubert.
Publisher: Alfred Music
ISBN: 9781457476532
Category : Music
Languages : en
Pages : 16
Book Description
A string trios for Violin, Viola, and Cello composed by Franz Schubert.
3 Quartets for Two Violins, Viola, and Cello (with Bass Ad Libitum)
Author: Antonio Vivaldi
Publisher:
ISBN:
Category : Quintets (Harpsichord, violins (2), viola, cello)
Languages : en
Pages : 34
Book Description
Publisher:
ISBN:
Category : Quintets (Harpsichord, violins (2), viola, cello)
Languages : en
Pages : 34
Book Description
The Baroque Cello Revival
Author: Paul R. Laird
Publisher: Scarecrow Press
ISBN: 9780810851535
Category : Music
Languages : en
Pages : 402
Book Description
This resource considers the Baroque cello's revival as part of the period instrument movement from the viewpoints of more than forty cellists from three generations and four luthiers who have worked on period cellos. What emerges is a nuanced and detailed picture of the cello in the past and present and the varied instruments now played under the label 'Baroque cello.' Period instruments played with appropriate techniques have become a major presence in classical music. For the cello, which changed substantially between the sixteenth and eighteenth centuries, it is challenging to describe specific traits for certain time periods. Through improvements in strings and the efforts of luthiers such as Stradivari, the cello became smaller and easier to play. Many controversies remain concerning the Baroque cello's form, including aspects of the bass bar, neck, fingerboard, and bridge. Although an uneasy consensus on technical matters has emerged for Baroque cellists today, one still encounters significant questions on important issues. Doubts compound when period performers enter the Classic and Romantic eras. By chronicling the searches of top cellists in England, Europe, and North America, the author reveals the great variety of forms that exist among what cellists call the 'Baroque cello.' This is the first study in which the revival of a single period instrument has been considered in such qualified detail. This book also offers many details concerning the history of the period performance movement in reference to famous ensembles and musicians. This volume will be welcomed by musicologists, luthiers, and anyone interested in string history.
Publisher: Scarecrow Press
ISBN: 9780810851535
Category : Music
Languages : en
Pages : 402
Book Description
This resource considers the Baroque cello's revival as part of the period instrument movement from the viewpoints of more than forty cellists from three generations and four luthiers who have worked on period cellos. What emerges is a nuanced and detailed picture of the cello in the past and present and the varied instruments now played under the label 'Baroque cello.' Period instruments played with appropriate techniques have become a major presence in classical music. For the cello, which changed substantially between the sixteenth and eighteenth centuries, it is challenging to describe specific traits for certain time periods. Through improvements in strings and the efforts of luthiers such as Stradivari, the cello became smaller and easier to play. Many controversies remain concerning the Baroque cello's form, including aspects of the bass bar, neck, fingerboard, and bridge. Although an uneasy consensus on technical matters has emerged for Baroque cellists today, one still encounters significant questions on important issues. Doubts compound when period performers enter the Classic and Romantic eras. By chronicling the searches of top cellists in England, Europe, and North America, the author reveals the great variety of forms that exist among what cellists call the 'Baroque cello.' This is the first study in which the revival of a single period instrument has been considered in such qualified detail. This book also offers many details concerning the history of the period performance movement in reference to famous ensembles and musicians. This volume will be welcomed by musicologists, luthiers, and anyone interested in string history.