Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Four Elizabethan dances
The Elizabethan Stage, Vol. 4
Author: E. K. Chambers
Publisher: Good Press
ISBN:
Category : History
Languages : en
Pages : 521
Book Description
"The Elizabethan Stage, Vol. 4" by E. K. Chambers. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Publisher: Good Press
ISBN:
Category : History
Languages : en
Pages : 521
Book Description
"The Elizabethan Stage, Vol. 4" by E. K. Chambers. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Elizabethan Drama, 1558-1642
Author: Felix Emmanuel Schelling
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 708
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 708
Book Description
Elizabethan Jacobean Drama
Author: Blakemore G. Evans
Publisher: New Amsterdam Books
ISBN: 1461710790
Category : Performing Arts
Languages : en
Pages : 434
Book Description
The purpose of this absorbing collection is to illuminate the world of the theatre by setting it squarely in its historical context. To that end, Professor Evans draws on the whole spectrum of Elizabethan-Jacobean writing, from official documents to diaries and letters. Part I, The Theatre and the World, deals, through contemporary writings, with the drama itself, the audiences and their responses, theatrical companies, acting and actors, and buildings and technical matters. Part II, The Worlds and the Theatre, illustrates how the problems of everyday life, complicated as they were by moral, religious, social, political, and economic issues, provided an ever-fruitful source of materials to the dramatists who practiced their craft during this extraordinarily creative period.
Publisher: New Amsterdam Books
ISBN: 1461710790
Category : Performing Arts
Languages : en
Pages : 434
Book Description
The purpose of this absorbing collection is to illuminate the world of the theatre by setting it squarely in its historical context. To that end, Professor Evans draws on the whole spectrum of Elizabethan-Jacobean writing, from official documents to diaries and letters. Part I, The Theatre and the World, deals, through contemporary writings, with the drama itself, the audiences and their responses, theatrical companies, acting and actors, and buildings and technical matters. Part II, The Worlds and the Theatre, illustrates how the problems of everyday life, complicated as they were by moral, religious, social, political, and economic issues, provided an ever-fruitful source of materials to the dramatists who practiced their craft during this extraordinarily creative period.
The New Elizabethan Age
Author: Irene Morra
Publisher: Bloomsbury Publishing
ISBN: 0857728342
Category : History
Languages : en
Pages : 360
Book Description
In the first half of the twentieth century, many writers and artists turnedto the art and received example of the Elizabethans as a means ofarticulating an emphatic (and anti-Victorian) modernity. By the middleof that century, this cultural neo-Elizabethanism had become absorbedwithin a broader mainstream discourse of national identity, heritage andcultural performance. Taking strength from the Coronation of a new, youngQueen named Elizabeth, the New Elizabethanism of the 1950s heralded anation that would now see its 'modern', televised monarch preside over animminently glorious and artistic age.This book provides the first in-depth investigation of New Elizabethanismand its legacy. With contributions from leading cultural practitioners andscholars, its essays explore New Elizabethanism as variously manifestin ballet and opera, the Coronation broadcast and festivities, nationalhistoriography and myth, the idea of the 'Young Elizabethan', celebrations ofair travel and new technologies, and the New Shakespeareanism of theatreand television. As these essays expose, New Elizabethanism was muchmore than a brief moment of optimistic hyperbole. Indeed, from moderndrama and film to the reinternment of Richard III, from the London Olympicsto the funeral of Margaret Thatcher, it continues to pervade contemporaryartistic expression, politics, and key moments of national pageantry.
Publisher: Bloomsbury Publishing
ISBN: 0857728342
Category : History
Languages : en
Pages : 360
Book Description
In the first half of the twentieth century, many writers and artists turnedto the art and received example of the Elizabethans as a means ofarticulating an emphatic (and anti-Victorian) modernity. By the middleof that century, this cultural neo-Elizabethanism had become absorbedwithin a broader mainstream discourse of national identity, heritage andcultural performance. Taking strength from the Coronation of a new, youngQueen named Elizabeth, the New Elizabethanism of the 1950s heralded anation that would now see its 'modern', televised monarch preside over animminently glorious and artistic age.This book provides the first in-depth investigation of New Elizabethanismand its legacy. With contributions from leading cultural practitioners andscholars, its essays explore New Elizabethanism as variously manifestin ballet and opera, the Coronation broadcast and festivities, nationalhistoriography and myth, the idea of the 'Young Elizabethan', celebrations ofair travel and new technologies, and the New Shakespeareanism of theatreand television. As these essays expose, New Elizabethanism was muchmore than a brief moment of optimistic hyperbole. Indeed, from moderndrama and film to the reinternment of Richard III, from the London Olympicsto the funeral of Margaret Thatcher, it continues to pervade contemporaryartistic expression, politics, and key moments of national pageantry.
Music in Elizabethan Court Politics
Author: Katherine Butler (Music tutor)
Publisher: Boydell & Brewer Ltd
ISBN: 1843839814
Category : Biography & Autobiography
Languages : en
Pages : 273
Book Description
Music and musical entertainments are here shown to be used for different ends, by both monarch and courtiers.
Publisher: Boydell & Brewer Ltd
ISBN: 1843839814
Category : Biography & Autobiography
Languages : en
Pages : 273
Book Description
Music and musical entertainments are here shown to be used for different ends, by both monarch and courtiers.
Four Hundred Songs and Dances from the Stuart Masque
Author: Andrew J. Sabol
Publisher: Brown Publishing Company
ISBN:
Category : Literary Criticism
Languages : en
Pages : 712
Book Description
Publisher: Brown Publishing Company
ISBN:
Category : Literary Criticism
Languages : en
Pages : 712
Book Description
The Early Stuart Masque
Author: Barbara Ravelhofer
Publisher: Oxford University Press
ISBN: 0199286590
Category : Literary Criticism
Languages : en
Pages : 337
Book Description
The Early Stuart Masque studies the complex impact of movements, costumes, words, scenes, music, and special effects in English illusionistic theatre of the Renaissance. It will be a valuable resource for all who are interested in English drama, dance, and music of the early modern period, including scholars and students within English literature, as well as modern artists, directors, and producers.
Publisher: Oxford University Press
ISBN: 0199286590
Category : Literary Criticism
Languages : en
Pages : 337
Book Description
The Early Stuart Masque studies the complex impact of movements, costumes, words, scenes, music, and special effects in English illusionistic theatre of the Renaissance. It will be a valuable resource for all who are interested in English drama, dance, and music of the early modern period, including scholars and students within English literature, as well as modern artists, directors, and producers.
Renaissance music for flute
Author: Steve Rosenberg
Publisher:
ISBN:
Category : Flute and piano music, Arranged
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category : Flute and piano music, Arranged
Languages : en
Pages : 40
Book Description
Music in Shakespeare
Author: Christopher R. Wilson
Publisher: A&C Black
ISBN: 1472557522
Category : Literary Criticism
Languages : en
Pages : 418
Book Description
With an A-Z of over 300 entries, Music in Shakespeare is the most comprehensive study of all the musical terms found in Shakespeare's complete works. It includes a definition of each musical term in its historical and theoretical context, and explores the diverse extent of musical imagery across the full range of Shakespeare's dramatic and poetic work, as well as analysing the usage of instruments and sound effects on the Shakespearean stage. This is a comprehensive reference guide for scholars and students with interests in the thematic and allegorical relevance of music in Shakespeare, and the history of performance. Identifying all musical terms found in the Shakespeare canon, it will also be of use to the growing number of directors and actors concerned with recovering the staging conditions of the early modern theatre.
Publisher: A&C Black
ISBN: 1472557522
Category : Literary Criticism
Languages : en
Pages : 418
Book Description
With an A-Z of over 300 entries, Music in Shakespeare is the most comprehensive study of all the musical terms found in Shakespeare's complete works. It includes a definition of each musical term in its historical and theoretical context, and explores the diverse extent of musical imagery across the full range of Shakespeare's dramatic and poetic work, as well as analysing the usage of instruments and sound effects on the Shakespearean stage. This is a comprehensive reference guide for scholars and students with interests in the thematic and allegorical relevance of music in Shakespeare, and the history of performance. Identifying all musical terms found in the Shakespeare canon, it will also be of use to the growing number of directors and actors concerned with recovering the staging conditions of the early modern theatre.