Intellectual Foundations of China PDF Download

Author: Frederick W. Mote
Publisher:
ISBN:
Category : China
Languages : en
Pages :

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Author: Jing Liu
Publisher: Stone Bridge Press
ISBN: 1611729181
Category : Comics & Graphic Novels
Languages : en
Pages : 158

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Book Description
A fun way to learn about China in a visual, informative comic-style history. Who founded China? Are Chinese people religious? What is Chinese culture and how has it changed over time? The accessible and fun Understanding China Through Comics series answers those questions and more. For all ages, Foundations of Chinese Civilization covers China's early history in comic form, introducing philosophies like Confucianism and Daoism, the story of the Silk Road, famous emperors like Han Wudi, and the process of China's unification. Includes a handy timeline. This is volume one of the Understanding China Through Comics series. Jing Liu is a Beijing native now living in Davis, California. A successful designer and entrepreneur who helped brands tell their stories, Jing currently uses his artistry to tell the story of China.

Author: Guangren Sun
Publisher: PMPH-USA
ISBN: 7117187263
Category : Medicine, Chinese
Languages : en
Pages : 480

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The Fundamentals of Chinese Medicine is an international collaboration of Chinese medicine experts from both China and the west, and co-written by an experienced practitioner who has been teaching the subject in western schools. This book covers the theory of traditional Chinese medicine and discusses the topic in greater depth than any English language textbook available today. An abundance of classical references are also included here. The material in this text comprises course material for a professional course of training in TCM, which is also the basic material for studying and comprehension of other more advanced courses in TCM. The main contents include the physiological basis of essence-qi, yin-yang and the five phases, followed by the theories of essence, qi and blood, fluids, and spirit. Organ manifestation, channel and collateral theory, constitutional theory, etiology and patho-mechanism, and also principles of prevention and treatment are expounded upon. The knowledge in this textbook is approximately equal to that for students of TCM colleges in China, and coincides with the requirements in the Examination Syllabus for TCM Professional Practitioners Worldwide.

Author: Michael Saffle
Publisher: University of Michigan Press
ISBN: 0472122711
Category : Music
Languages : en
Pages : 345

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Western music reached China nearly four centuries ago, with the arrival of Christian missionaries, yet only within the last century has Chinese music absorbed its influence. As China and the West demonstrates, the emergence of “Westernized” music from China—concurrent with the technological advances that have made global culture widely accessible—has not established a prominent presence in the West. China and the West brings together essays on centuries of Sino-Western musical exchange by musicologists, ethnomusicologists, and music theorists from around the world. It opens with a look at theoretical approaches of prior studies of musical encounters and a comprehensive survey of the intercultural and cross-cultural theoretical frameworks—exoticism, orientalism, globalization, transculturation, and hybridization—that inform these essays. Part I focuses on the actual encounters between Chinese and European musicians, their instruments and institutions, and the compositions inspired by these encounters, while Part II examines theatricalized and mediated East-West cultural exchanges, which often drew on stereotypical tropes, resulting in performances more inventive than accurate. Part III looks at the musical language, sonority, and subject matters of “intercultural” compositions by Eastern and Western composers. Essays in Part IV address reception studies and consider the ways in which differences are articulated in musical discourse by actors serving different purposes, whether self-promotion, commercial marketing, or modes of nationalistic—even propagandistic—expression. The volume’s extensive bibliography of secondary sources will be invaluable to scholars of music, contemporary Chinese culture, and the globalization of culture.

Author: Peter M. Chang
Publisher: Scarecrow Press
ISBN: 9780810852969
Category : Biography & Autobiography
Languages : en
Pages : 272

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A comprehensive account of the life of composer Chou Wen-Chung, including biographical information, cultural and musical analysis of his approach and compositions, and ethnomusicological insights.

Author: Curt Sachs
Publisher: Courier Corporation
ISBN: 0486466612
Category : Music
Languages : en
Pages : 338

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An eminent scholar explores the evolution of music, from the ecstatic singing of early civilizations to the development of more structured styles in Egypt, East Asia, Rome, and other regions.

Author:
Publisher: Paradigm Publications
ISBN: 9780912111445
Category : Health & Fitness
Languages : en
Pages : 548

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Book Description
This revised edition includes a glossary of terms and a materia medica and formulary sufficient to practice the treatments described in the text. As such it is not only a unique, absoloutely-defined and referenced text, but also a self-contained and inexpensive course of study. As a basic text produced to a multi-author, multi-publisher voluntary standard, this revised edition is a unique key for scholars and clinicians alike.

Author: Confucius
Publisher: Amber Books
ISBN: 9781782749448
Category : Religion
Languages : en
Pages : 0

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Claimed by some to have been compiled by Confucius in the 5th century BCE, the Book of Songs is an ancient anthology of Chinese poetry. Produced using traditional Chinese bookbinding techniques, this newly-translated edition is a selected anthology of 25 classic poems presented in an exquisite dual-language edition.

Author: Nancy Yunhwa Rao
Publisher: University of Illinois Press
ISBN: 0252099001
Category : Performing Arts
Languages : en
Pages : 434

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Awards: Irving Lowens Award, Society for American Music (SAM), 2019 Music in American Culture Award, American Musicological Society (AMS), 2018 Certificate of Merit for Best Historical Research in Recorded Country, Folk, Roots, or World Music, Association for Recorded Sound Collections (ARSC), 2018 Outstanding Achievement in Humanities and Cultural Studies: Media, Visual, and Performance Studies, Association for Asian American Studies (AAAS), 2019 The Chinatown opera house provided Chinese immigrants with an essential source of entertainment during the pre–World War II era. But its stories of loyalty, obligation, passion, and duty also attracted diverse patrons into Chinese American communities Drawing on a wealth of new Chinese- and English-language research, Nancy Yunhwa Rao tells the story of iconic theater companies and the networks and migrations that made Chinese opera a part of North American cultures. Rao unmasks a backstage world of performers, performance, and repertoire and sets readers in the spellbound audiences beyond the footlights. But she also braids a captivating and complex history from elements outside the opera house walls: the impact of government immigration policy; how a theater influenced a Chinatown's sense of cultural self; the dissemination of Chinese opera music via recording and print materials; and the role of Chinese American business in sustaining theatrical institutions. The result is a work that strips the veneer of exoticism from Chinese opera, placing it firmly within the bounds of American music and a profoundly American experience.

Author: Samuel Horlor
Publisher: Cambridge University Press
ISBN: 1108913105
Category : Music
Languages : en
Pages : 119

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Musical community is a notion commonly evoked in situations of intensive collective activity and fervent negotiation of identities. Passion Square shows, the daily singing of Chinese pop classics in parks and on street corners in the city of Wuhan, have an ambivalent relationship with these ideas. They inspire modest outward signs of engagement and are guided by apparently individualistic concerns; singers are primarily motivated by making a living through the relationships they build with patrons, and reflection on group belonging is of lesser concern. How do these orientations help complicate the foundations of typical musical community discourses? This Element addresses community as a quality rather than as an entity to which people belong, exploring its ebbs and flows as associations between people, other bodies and the wider street music environment intersect with its various theoretical implications. A de-idealised picture of musical community better acknowledges the complexities of everyday musical experiences.