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Author: Robert Craig Bunch Publisher: Texas A&M University Press ISBN: 1623494087 Category : Art Languages : en Pages : 692
Book Description
In this first book of interviews with visual artists from across Texas, more than sixty artists reflect on topics from formative influences and inspirations to their common engagement with found materials. Beyond the art itself, no source is more primary to understanding art and artist than the artist’s own words. After all, who can speak with more authority about the artist’s influences, motivations, methods, philosophies, and creations? Since 2010, Robert Craig Bunch has interviewed sixty-four of Texas’ finest artists, who have responded with honesty, clarity, and—naturally—great insight into their own work. None of these interviews has been previously published, even in part. Incorporating a striking, full-color illustration of each artist’s work, these absorbing self-examinations will stand collectively as a reference of lasting value.
Author: Robert Craig Bunch Publisher: Texas A&M University Press ISBN: 1623494087 Category : Art Languages : en Pages : 692
Book Description
In this first book of interviews with visual artists from across Texas, more than sixty artists reflect on topics from formative influences and inspirations to their common engagement with found materials. Beyond the art itself, no source is more primary to understanding art and artist than the artist’s own words. After all, who can speak with more authority about the artist’s influences, motivations, methods, philosophies, and creations? Since 2010, Robert Craig Bunch has interviewed sixty-four of Texas’ finest artists, who have responded with honesty, clarity, and—naturally—great insight into their own work. None of these interviews has been previously published, even in part. Incorporating a striking, full-color illustration of each artist’s work, these absorbing self-examinations will stand collectively as a reference of lasting value.
Author: Julia Kelly Publisher: Routledge ISBN: 1351566830 Category : Art Languages : en Pages : 217
Book Description
Taking its departure point from the 1933 surrealist photographs of ?involuntary sculptures? by Brassa?nd Dal?Found Sculpture and Photography from Surrealism to Contemporary Art offers fresh perspectives on the sculptural object by relating it to both surrealist concerns with chance and the crucial role of photography in framing the everyday. This collection of essays questions the nature of sculptural practice, looking to forms of production and reproduction that blur the boundaries between things that are made and things that are found. One of the book?s central themes is the interplay of presence and absence in sculpture, as it is highlighted, disrupted, or multiplied through photography?s indexical nature. The essays examine the surrealist three-dimensional object, its relation to and transformation through photographs, as well as the enduring legacies of such concerns for the artwork?s materiality and temporality in performance and conceptual practices from the 1960s through the present. Found Sculpture and Photography sheds new light on the shifts in status of the art object, challenging the specificity of visual practices, pursuing a radical interrogation of agency in modern and contemporary practices, and exploring the boundaries between art and everyday life.
Author: Jeanette Winterson Publisher: Vintage Canada ISBN: 0307363635 Category : Art Languages : en Pages : 151
Book Description
In ten interlocking essays, the acclaimed author of Written on the Body and Art & Lies reveals art as an active force in the world--neither elitist nor remote, available to those who want it and affecting those who don't. Original, personal, and provocative, these essays are not so much a point of view as they are a way of life, revealing "a brilliant and deeply feeling artist at work" (San Francisco Chronicle).
Author: Crystal B. Lake Publisher: Johns Hopkins University Press ISBN: 1421436507 Category : Literary Criticism Languages : en Pages : 272
Book Description
A literary history of the old, broken, rusty, dusty, and moldy stuff that people dug up in England during the long eighteenth century. In the eighteenth century, antiquaries—wary of the biases of philosophers, scientists, politicians, and historians—used old objects to establish what they claimed was a true account of history. But just what could these small, fragmentary, frequently unidentifiable things, whose origins were unknown and whose worth or meaning was not self-evident, tell people about the past? In Artifacts, Crystal B. Lake unearths the four kinds of old objects that were most frequently found and cataloged in Enlightenment-era England: coins, manuscripts, weapons, and grave goods. Following these prized objects as they made their way into popular culture, Lake develops new interpretations of works by Joseph Addison, John Dryden, Horace Walpole, Jonathan Swift, Tobias Smollett, Lord Byron, and Percy Bysshe Shelley, among others. Rereading these authors with the artifact in mind uncovers previously unrecognized allusions that unravel works we thought we knew well. In this new history of antiquarianism and, by extension, historiography, Lake reveals that artifacts rarely acted as agents of fact, as those who studied them would have claimed. Instead, she explains, artifacts are objects unlike any other. Fragmented and from another time or place, artifacts invite us to fill in their shapes and complete their histories with our imaginations. Composed of body as well as spirit and located in the present as well as the past, artifacts inspire speculative reconstructions that frequently contradict one another. Lake's history and theory of the artifact will be of particular importance to scholars of material culture and forms. This fascinating book provides curious readers with new ways of evaluating the relationships that exist between texts and objects.
Author: Tair Parnes Publisher: Creative Publishing Int'l ISBN: 1616733446 Category : Found objects (Art) Languages : en Pages : 114
Book Description
"Step-by-step instructions and photos for turning a variety of found objects into unique necklaces, rings, earrings, brooches, accessories"--Provided by publisher.
Author: Marjorie Shelley Publisher: Metropolitan Museum of Art ISBN: 1588397122 Category : Art Languages : en Pages : 223
Book Description
The Metropolitan Museum of Art houses one of the world’s largest and most comprehensive collections of works of art from antiquities to modern and contemporary material. Their preservation is a responsibility shared by the many individuals employed at the Museum who oversee and have direct contact with the collection on a daily basis. The Care and Handing of Art Objects—first published in the 1940s and continually updated—offers a guide to the best practices in handling and preserving works of art while on display, in storage and in transit. It explains many of the fundamental principles of conservation that underlie these methods. One of its goals is to make the complexities of caring for a collection readily accessible. The first part offers basic guidelines for the preservation of the diverse types of materials and art objects found in the Met. Each chapter addresses the physical characteristics specific to the particular category, and the environmental, handling and housing factors to which one should be alert to prevent damage and ensure their preservation. Written by experts in the respective specialty, it addresses the Museum’s vast holdings summarizing the most critical preservation issues, many of which are amplified by photographs. As the table of contents makes evident these range from paintings on canvas and works on paper and photographs to furniture and objects made of stone, wood and metals to arms and armor, upholstery, ethnographic materials and many others. Part II succinctly describes factors that affect the collection as a whole: among them, current environmental standards for temperature, relative humidity, light exposure, storage and art in transit. Based on Museum protocols it addresses emergency preparedness and response, and integrated pest management. For easy reference, it includes charts on storage and display conditions, on factors contributing to deterioration, and a glossary of conservation terms, principles, and housing materials referenced in the individual chapters. Drawing upon the knowledge of conservators, scientists, and curators from many different departments, as well as technicians and engineers whose expertise crosses boundaries of culture, chronology, medium and condition, The Care and Handing of Art Objects is primarily directed to staff at the Met. It is, no less, an invaluable resource for students, collectors, small museums, museum study programs, art dealers, and members of the public who want to enhance their understanding of how works of art are safeguarded and the role environment, handling and materials play in making this possible.
Author: Joyce Scott Publisher: Yale University Press ISBN: 0300276206 Category : Art Languages : en Pages : 289
Book Description
"This essential retrospective of genre-defying artist and MacArthur Fellow Joyce J. Scott (b. 1948) showcases her expansive and versatile career. From early textiles and wearables, to performances and public artworks, to celebrated beaded sculptures and signature necklaces, her innovative oeuvre centers on the ancient, global technologies of needle and thread, beadwork, salvage, song, and storytelling. Interviews with Scott and essays from an extraordinary group of artists and scholars explore this dynamic practice, rooted in place, community, and intergenerational knowledge. Extensive new photography and rich archival images reveal a dazzling, provocative body of work that makes difficult subjects intimately felt, confronting racism, sexism, classism, ableism, and histories of trauma through wearable art and exquisite sculpture. With humor and pathos, Scott twists menacing stereotypes into grotesque and tender retorts that spur conversation and reflection, grief and laughter, learning and healing."--Back cover.
Author: Robin Thornes Publisher: Getty Publications ISBN: 0892365722 Category : Art Languages : en Pages : 73
Book Description
The illicit trade in art and other cultural objects now constitutes one of the most prevalent categories of international crime. Law-enforcement agencies have long recognized that documentation is critical to the protection and recovery of these objects. Standards were needed that would make it possible for information on stolen objects to move easily across electronic networks and, at the same time, that would be intelligible to law enforcement and art communities alike. Developed through the collaboration of museums, police and customs agencies, the art trade, the insurance industry, and appraisers of art and antiques, Object ID is an international standard that defines the minimal information needed to identify art, antiques, and antiquities. Introduction to Object ID summarizes the evolution of Object ID, explains its nine categories, and offers guidelines for using them. The book provides suggestions for writing descriptions of objects and includes a brief discussion of five additional categories that some institutions opt to employ. The second part of the book sets out guidelines for choosing viewpoints, selecting backgrounds, and positioning lighting when documenting cultural objects with photography. The Introduction to series acquaints professionals and students with the complex issues and technologies in the production, management, and dissemination of cultural heritage information resources.
Author: Robert Craig Bunch
Author: Robert Craig Bunch
Author: Julia Kelly
Author: 
Author: Jeanette Winterson
Author: Crystal B. Lake
Author: Tair Parnes
Author: Joshua Simon
Author: Marjorie Shelley
Author: Joyce Scott
Author: Robin Thornes