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Author: Robert Chalmers Publisher: Atlantic Monthly Press ISBN: 0802141609 Category : Fiction Languages : en Pages : 395
Book Description
After a series of disastrous events leaves his life in ruins, a tabloid newspaper editor winds up in a small-town in Florida, which is populated by ex-circus freaks, criminals and misfits who teach him how to love, and how to stand up for something he truly believes in.
Author: Robert Chalmers Publisher: Atlantic Monthly Press ISBN: 0802141609 Category : Fiction Languages : en Pages : 395
Book Description
After a series of disastrous events leaves his life in ruins, a tabloid newspaper editor winds up in a small-town in Florida, which is populated by ex-circus freaks, criminals and misfits who teach him how to love, and how to stand up for something he truly believes in.
Author: Richard Rex Publisher: ISBN: Category : Biography & Autobiography Languages : en Pages : 166
Book Description
Many biographies of Elizabeth merely perpetuate the flattery she enjoyed from her courtiers, as if her dramatic repertoire was limited to the role of 'Gloriana'. This biography also reflects more critical voices, such as those of the Irish, the Catholicsand those who lived on the wrong side of the North-South divide.
Author: Tom MacFaul Publisher: Cambridge University Press ISBN: 1139488015 Category : Literary Criticism Languages : en Pages : 287
Book Description
Becoming a father was the main way that an individual in the English Renaissance could be treated as a full member of the community. Yet patriarchal identity was by no means as secure as is often assumed: when poets invoke the idea of paternity in love poetry and other forms, they are therefore invoking all the anxieties that a culture with contradictory notions of sexuality imposed. This study takes these anxieties seriously, arguing that writers such as Sidney and Spenser deployed images of childbirth to harmonize public and private spheres, to develop a full sense of selfhood in their verse, and even to come to new accommodations between the sexes. Shakespeare, Donne and Jonson, in turn, saw the appeal of the older poets' aims, but resisted their more radical implications. The result is a fiercely personal yet publicly-committed poetry that wouldn't be seen again until the time of the Romantics.
Author: Samiran Kumar Paul Publisher: Notion Press ISBN: 1649518676 Category : Literary Criticism Languages : en Pages : 834
Book Description
Dramas and Sonnets of William Shakespeare Vol. 1 is helpful to every learner of William Shakespeare (1564-1616) who, doubtless, saw himself as merely another professional man of the theatre who moved almost casually from play-acting to playwriting. And indeed he was very much a man of his time, a man of the Elizabethan theatre, who learnt to exploit brilliantly the stagecraft, the acting, and the pub¬lic taste of his day. It happens very rarely in the history of literature that a craftsman who has acquired perfect control of his medium, masterly ease in handling the techniques and conventions of his day, is also a universal genius of the highest order, combining with his technical proficiency a unique ability to render experience in poetic language and an uncanny, intuitive understanding of hu¬man psychology. Man of the theatre, poet and expert in the human passions, Shakespeare has appealed equally to those who admire the art with which he renders a story in terms of the acted drama or the insight with which he presents states of mind and complex¬ities of attitude or the unsurpassed brilliance he shows in giving conviction and a new dimension to the utterances of his characters through the poetic speech he puts in their mouths. It is a remark¬able combination of qualities. Yet he was no poetic genius descending on the theatre from above, but a working dramatist who found himself in catering for the public theatre of his day. Unquestionably the greatest poetic dramatist of Europe, he was also Marlowe’s successor, the heir to a tradition of playwriting, which we saw developing in the preceding chapter. His contemporaries saw him as one dramatist among others—a good one, and a popular one, but no transcendent genius who left all others far behind—and to the end of his active life he showed no reluctance to collaborate with other playwrights.
Author: Robert Chalmers
Author: Robert Chalmers
Author: Richard Rex
Author: Tom MacFaul
Author: Gerald Massey
Author: William Shakespeare
Author: William Shakespeare
Author: William Shakespeare
Author: Hezekiah Lord Hosmer
Author: Samiran Kumar Paul
Author: Ignatius Donnelly