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Author: John Herbert Publisher: New York : Grove Press ISBN: Category : American drama Languages : en Pages : 100
Book Description
"In the single setting of a prison cell and its outside corridor, four young men, prisoners, and a middle-aged guard live out the Christmas season in an atmosphere of anger, violence and desire. Two characters, Queenie and Mona, are openly homosexual and the other two prisoners, Rocky and Smitty, fight to preserve their masculinity within a system that encourages homosexuality by its very nature. The guard, called Holy-Face by the prisoners, detests all convicts and is a racist and sexist bigot who exploits prisoners for money. Before the play is over, we see the first-time offender, Smitty, changed forever by a corrupting experience"--Http://www.npconsultants.com/johnherbert.
Author: John Herbert Publisher: New York : Grove Press ISBN: Category : American drama Languages : en Pages : 100
Book Description
"In the single setting of a prison cell and its outside corridor, four young men, prisoners, and a middle-aged guard live out the Christmas season in an atmosphere of anger, violence and desire. Two characters, Queenie and Mona, are openly homosexual and the other two prisoners, Rocky and Smitty, fight to preserve their masculinity within a system that encourages homosexuality by its very nature. The guard, called Holy-Face by the prisoners, detests all convicts and is a racist and sexist bigot who exploits prisoners for money. Before the play is over, we see the first-time offender, Smitty, changed forever by a corrupting experience"--Http://www.npconsultants.com/johnherbert.
Author: Nadifa Mohamed Publisher: Knopf ISBN: 0593534360 Category : Fiction Languages : en Pages : 321
Book Description
BOOKER PRIZE FINALIST • Based on a true event, this novel is “a blues song cut straight from the heart ... about the unjust death of an innocent Black man caught up in a corrupt system” (Walter Mosley, best-selling author of Devil in a Blue Dress). In Cardiff, Wales in 1952, Mahmood Mattan, a young Somali sailor, is accused of a crime he did not commit: the brutal killing of Violet Volacki, a shopkeeper from Tiger Bay. At first, Mahmood believes he can ignore the fingers pointing his way; he may be a gambler and a petty thief, but he is no murderer. He is a father of three, secure in his innocence and his belief in British justice. But as the trial draws closer, his prospect for freedom dwindles. Now, Mahmood must stage a terrifying fight for his life, with all the chips stacked against him: a shoddy investigation, an inhumane legal system, and, most evidently, pervasive and deep-rooted racism at every step. Under the shadow of the hangman's noose, Mahmood begins to realize that even the truth may not be enough to save him. A haunting tale of miscarried justice, this book offers a chilling look at the dark corners of our humanity.
Author: William Shakespeare Publisher: DigiCat ISBN: Category : Poetry Languages : en Pages : 16
Book Description
'The Phoenix and the Turtle' is an allegorical poem about the death of ideal love by William Shakespeare. It is widely considered to be one of his most obscure works and has led to many conflicting interpretations. The poem describes a funeral arranged for the deceased Phoenix and Turtledove, respectively emblems of perfection and of devoted love. Some birds are invited, but others excluded. It goes on to state that the love of the birds created a perfect unity which transcended all logic and material fact. It concludes with a prayer for the dead lovers.
Author: Publisher: BRILL ISBN: 9004445080 Category : History Languages : en Pages : 359
Book Description
Usages of the Past in Roman Historiography contains 11 articles on how the Ancient Roman historians used, and manipulated, the past. Key themes include the impact of autocracy, the nature of intertextuality, and the frontiers between history and other genres.
Author: Robert Gould Shaw Publisher: University of Georgia Press ISBN: 0820342777 Category : History Languages : en Pages : 481
Book Description
On the Boston Common stands one of the great Civil War memorials, a magnificent bronze sculpture by Augustus Saint-Gaudens. It depicts the black soldiers of the Fifty-fourth Massachusetts Infantry marching alongside their young white commander, Colonel Robert Gould Shaw. When the philosopher William James dedicated the memorial in May 1897, he stirred the assembled crowd with these words: "There they march, warm-blooded champions of a better day for man. There on horseback among them, in the very habit as he lived, sits the blue-eyed child of fortune." In this book Shaw speaks for himself with equal eloquence through nearly two hundred letters he wrote to his family and friends during the Civil War. The portrait that emerges is of a man more divided and complex--though no less heroic--than the Shaw depicted in the celebrated film Glory. The pampered son of wealthy Boston abolitionists, Shaw was no abolitionist himself, but he was among the first patriots to respond to Lincoln's call for troops after the attack on Fort Sumter. After Cedar Mountain and Antietam, Shaw knew the carnage of war firsthand. Describing nightfall on the Antietam battlefield, he wrote, "the crickets chirped, and the frogs croaked, just as if nothing unusual had happened all day long, and presently the stars came out bright, and we lay down among the dead, and slept soundly until daylight. There were twenty dead bodies within a rod of me." When Federal war aims shifted from an emphasis on restoring the Union to the higher goal of emancipation for four million slaves, Shaw's mother pressured her son into accepting the command of the North's vanguard black regiment, the Fifty-fourth Massachusetts. A paternalist who never fully reconciled his own prejudices about black inferiority, Shaw assumed the command with great reluctance. Yet, as he trained his recruits in Readville, Massachusetts, during the early months of 1963, he came to respect their pluck and dedication. "There is not the least doubt," he wrote his mother, "that we shall leave the state, with as good a regiment, as any that has marched." Despite such expressions of confidence, Shaw in fact continued to worry about how well his troops would perform under fire. The ultimate test came in South Carolina in July 1863, when the Fifty-fourth led a brave but ill-fated charge on Fort Wagner, at the approach to Charleston Harbor. As Shaw waved his sword and urged his men forward, an enemy bullet felled him on the fort's parapet. A few hours later the Confederates dumped his body into a mass grave with the bodies of twenty of his men. Although the assault was a failure from a military standpoint, it proved the proposition to which Shaw had reluctantly dedicated himself when he took command of the Fifty-fourth: that black soldiers could indeed be fighting men. By year's end, sixty new black regiments were being organized. A previous selection of Shaw's correspondence was privately published by his family in 1864. For this volume, Russell Duncan has restored many passages omitted from the earlier edition and has provided detailed explanatory notes to the letters. In addition he has written a lengthy biographical essay that places the young colonel and his regiment in historical context.
Author: John Herbert
Author: John Herbert
Author: Phoenix Theatre Archives
Author: Nadifa Mohamed
Author: William Shakespeare
Author: Josephine Preston Peabody
Author: Josephine Preston Peabody
Author: Theatre Aquarius Archives (University of Guelph)
Author: Josephine Preston Peabody
Author: 
Author: Robert Gould Shaw