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Author: Martin Picker
Publisher: A-R Editions, Inc.
ISBN: 0895791536
Category :
Languages : en
Pages : 136

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xxv + 104 pp.

Author: Honey Meconi
Publisher: Routledge
ISBN: 1135577943
Category : Art
Languages : en
Pages : 200

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First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 524

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Author: Michael Spitzer
Publisher: Oxford University Press
ISBN: 0190061766
Category : Music
Languages : en
Pages : 457

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Book Description
When asked to describe what music means to them, most people talk about its power to express or elicit emotions. As a melody can produce a tear, tingle the spine, or energize athletes, music has a deep impact on how we experience and encounter the world. Because of the elusiveness of these musical emotions, however, little has been written about how music creates emotions and how musical emotion has changed its meaning for listeners across the last millennium. In this sweeping landmark study, author Michael Spitzer provides the first history of musical emotion in the Western world, from Gregorian chant to Beyoncé. Combining intellectual history, music studies, philosophy, and cognitive psychology, A History of Emotion in Western Music introduces current approaches to the study of emotion and formulates an original theory of how musical emotion works. Diverging from psychological approaches that center listeners' self-reports or artificial experiments, Spitzer argues that musical emotions can be uncovered in the techniques and materials of composers and performers. Together with its extensive chronicle of the historical evolution of musical style and emotion, this book offers a rich union of theory and history.

Author: Emily Zazulia
Publisher: Oxford University Press
ISBN: 0197551939
Category : Music
Languages : en
Pages : 345

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The main function of western musical notation is incidental: it prescribes and records sound. But during the fourteenth and fifteenth centuries, notation began to take on an aesthetic life all its own. In the early fifteenth century, a musician might be asked to sing a line slower, faster, or starting on a different pitch than what is written. By the end of the century composers had begun tasking singers with solving elaborate puzzles to produce sounds whose relationship to the written notes is anything but obvious. These instructions, which appear by turns unnecessary and confounding, challenge traditional conceptions of music writing that understand notation as an incidental consequence of the desire to record sound. This book explores innovations in late-medieval music writing as well as how modern scholarship on notation has informedsometimes erroneouslyideas about the premodern era. Drawing on both musical and music-theoretical evidence, this book reframes our understanding of late-medieval musical notation as a system that was innovative, cutting-edge, and dynamicone that could be used to generate music, not just preserve it.

Author: David Fallows
Publisher: Taylor & Francis
ISBN: 1040243355
Category : Music
Languages : en
Pages : 335

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The essays in this volume are concerned with song repertories and performance practice in 15th-century Europe. The first group of studies arises from the author's long-term fascination with the widely dispersed traces of English song and , in particular, with the most successful song by any English composer, O rosa bella. This leads to a set of enquiries into the distribution and international currents of the song repertory in Italy and Spain. The essays in the final section, taken together, represent an extended discussion of the problems of performance, both of voice and instrument, what they performed and how.

Author: Jesse Rodin
Publisher: Oxford University Press
ISBN: 0199844305
Category : Music
Languages : en
Pages : 422

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Book Description
Josquin's Rome offers a new reading of the works composed by Josquin des Prez during his time as a singer and composer for the pope's private choir.

Author: Philippe Vendrix
Publisher: Brepols Publishers
ISBN:
Category : Music
Languages : en
Pages : 922

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Book Description
JOHANNES OCKEGHEM (1410/1425-1497) est depuis la Renaissance au centre des préoccupations de théoriciens, d'amateurs, de musicologues qui se penchent sur le XVe siècle. Jugé par les uns compositeur difficile, voire énigmatique, hautement intellectuel ou même mystique, d'autres perçoivent dans sa technique musicale des éléments irrationnels que certains interprètent comme les traces d'une rationalité aboutie. Selon Erasme, il était " summo musico " et possédait une " aurea vox ". " Roy sur tous les chantres " aux dires de Nicole Le Vestu ou encore " Sol lucens super omnes " pour Molinet. Cosimo Bartoli n'hésite pas à le comparer à Donatello et le qualifie " homme de la Renaissance ". Né dans le Hainaut, il travaille quelques années à Anvers et à Moulins avant de s'installer à Tours où il exercera plusieurs fonctions officielles : premier chapelain du roi ainsi que chanoine et trésorier de la basilique Saint-Martin, il fut également mainte de chapelle à la cour de Charles VII et Louis XI. Ce volume réunit les contributions au XIe Colloque d'études humanistes qui s'est tenu au Centre d'Etudes Supérieures de la Renaissance en février 1997 à l'occasion du cinquième centenaire de la mort du compositeur.

Author: Modern Language Association of America
Publisher:
ISBN:
Category : Philology, Modern
Languages : en
Pages : 992

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Author: Eleanor E. Tremayne
Publisher:
ISBN:
Category : Netherlands
Languages : en
Pages : 434

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