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Author: Jane A. Nelson Publisher: ISBN: Category : Literary Criticism Languages : en Pages : 238
Book Description
Form and Image in the Fiction of Henry Miller is a study of allegorical patterns in Miller's major fiction. The cities, characters, and scenes of his fictional world are described as "events" in the development and integration of the self. The analysis, which draws on several disciplines for its insights, especially on the psychoanalytic studies of C. G. Jung, is a deliberate and detailed attempt to explore the extent to which such insights can successfully support and assist a literary analysis. Consequently no biographical context for the explications is provided. Neither Miller's knowledge of psychoanalytic theory nor the details of his personal life are the concern of this study. The focus is on the fiction itself and the actions of the mind it may dramatize. The great Miller cities of Paris and New York are seen as projections or images in which the psychic landscape of the developing self has been given fictional form. The characters are not discussed as characters familiar to readers of the novel, but as figures of the mind which borrow only their superficial characteristics from the twentieth-century scene. The nature of their form shows that many of them are aspects of one archetype against which the I of millers fiction struggles. The development of this I provides the allegorical dimension in the fictional world of Miller and becomes the subject of his confession. The frankly described sexual adventures that prevented many of Miller's works from being distributed in this country until fairly recently are identified as parts of the archetypal world. Other analyses can satisfactorily defend Miller's obscenity but recognizing the relationship between the sexual imagery and other archetypal images provides a reading that reveals the allegorical character of his fiction and the unity of its action.
Author: Jane A. Nelson Publisher: ISBN: Category : Literary Criticism Languages : en Pages : 238
Book Description
Form and Image in the Fiction of Henry Miller is a study of allegorical patterns in Miller's major fiction. The cities, characters, and scenes of his fictional world are described as "events" in the development and integration of the self. The analysis, which draws on several disciplines for its insights, especially on the psychoanalytic studies of C. G. Jung, is a deliberate and detailed attempt to explore the extent to which such insights can successfully support and assist a literary analysis. Consequently no biographical context for the explications is provided. Neither Miller's knowledge of psychoanalytic theory nor the details of his personal life are the concern of this study. The focus is on the fiction itself and the actions of the mind it may dramatize. The great Miller cities of Paris and New York are seen as projections or images in which the psychic landscape of the developing self has been given fictional form. The characters are not discussed as characters familiar to readers of the novel, but as figures of the mind which borrow only their superficial characteristics from the twentieth-century scene. The nature of their form shows that many of them are aspects of one archetype against which the I of millers fiction struggles. The development of this I provides the allegorical dimension in the fictional world of Miller and becomes the subject of his confession. The frankly described sexual adventures that prevented many of Miller's works from being distributed in this country until fairly recently are identified as parts of the archetypal world. Other analyses can satisfactorily defend Miller's obscenity but recognizing the relationship between the sexual imagery and other archetypal images provides a reading that reveals the allegorical character of his fiction and the unity of its action.
Author: Katy Masuga Publisher: Camden House ISBN: 1571134840 Category : Literary Collections Languages : en Pages : 242
Book Description
Miller as a writer whose work does something more profound and violent to literary conventions than produce novel effects: it announces the possibility of difference and instability within language itself. Henry Miller is a cult figure in the world of fiction, in part due to having been banned for obscenity for nearly thirty years. Alongside the liberating effect of his explicit treatment of sexuality, however, Miller developed a provocative form of writing that encourages the reader to question language as a stable communicative tool and to consider the act of writing as an ongoing mode of creation, always in motion, perpetually establishing itself and creating meaning through that very motion. Katy Masuga provides a new reading of Miller that is alert to the aggressively and self-consciously writerly form of his work. Critiquing the categorization of Miller into specific literary genres through an examination of the small body of critical texts on his oeuvre, Masuga draws on Deleuze and Guattari's concept of a minor literature, Blanchot's "infinite curve," and Bataille's theory of puerile language, while also considering Miller in relation to other writers, including Proust, Rilke, and William Carlos Williams. She shows how Miller defies conventional modes of writing, subverting language from within. Katy Masuga is Adjunct Professor of British and American literature, cinema, and the arts in the Cultural Studies Department at the University of Paris III: Sorbonne Nouvelle.
Author: James M. Decker Publisher: Bloomsbury Publishing USA ISBN: 1501326465 Category : Literary Criticism Languages : en Pages : 257
Book Description
Scholarly responses to Henry Miller's works have never been numerous and for many years Miller was not a fashionable writer for literary studies. In fact, there exist only three collections of essays concerning Henry Miller's oeuvre. Since these books appeared, a new generation of international Miller scholars has emerged, one that is re-energizing critical readings of this important American Modernist. Henry Miller: New Perspectives presents new essays on carefully chosen themes within Miller and his intellectual heritage to form the most authoritative collection ever published on this author.
Author: Henry Miller Publisher: New Directions Publishing ISBN: 9780811212441 Category : Biography & Autobiography Languages : en Pages : 126
Book Description
"A perfect expression of Miller's moral perspective as well as one of his outstanding demonstrations of narrative skill. It provides a wonderful cinematic view of two indomitable egotists in deadly conflict." --The Nation
Author: Finn Jensen Publisher: Springer Nature ISBN: 3030331652 Category : Literary Criticism Languages : en Pages : 315
Book Description
Henry Miller and Modernism: The Years in Paris, 1930–1939 represents a major reevaluation of Henry Miller, focusing on the Paris texts from 1930 to 1939. Finn Jensen analyzes Miller in the light of European modernism, in particular considering the many impulses Miller received in Paris. Jensen draws on theories of urban modernity to connect Miller’s narratives of a male protagonist alone in a modern metropolis with his time in Paris where he experienced a self-discovery as a writer. The book highlights several sources of inspiration for Miller including Nietzsche, Rimbaud, Hamsun, Strindberg and the American Transcendentalists. Jensen considers the key movements of modernity and analyzes their importance for Miller, studying Eschatology, the Avant-Garde, Dada, Surrealism, Expressionism, and Anarchism.
Author: Henry Miller Publisher: New Directions Publishing ISBN: 9780811201087 Category : Biography & Autobiography Languages : en Pages : 324
Book Description
In this unique work, Henry Miller gives an utterly candid and self-revealing account of the reading he did during his formative years.
Author: Jane A. Nelson
Author: Jane A. Nelson
Author: Jane Armstrong Nelson
Author: Katy Masuga
Author: James M. Decker
Author: Henry Miller
Author: Finn Jensen
Author: Henry Miller
Author: Henry Miller
Author: Henry Miller
Author: Lawrence J. Shifreen