Forbidden Laughter PDF Download

Author:
Publisher: Almanac-Press
ISBN:
Category : Fiction
Languages : en
Pages : 84

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Author: Emil Draitser
Publisher:
ISBN:
Category : Humor
Languages : en
Pages : 114

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Author: Mary Lee Townsend
Publisher:
ISBN:
Category : History
Languages : en
Pages : 288

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Book Description
Describes the integral role of humor in the sociopolitical climate of nineteenth-century Prussia.

Author: Anca Parvulescu
Publisher: MIT Press
ISBN: 0262514745
Category : Philosophy
Languages : en
Pages : 227

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Book Description
Uncovering an archive of laughter, from the forbidden giggle to the explosive guffaw. Most of our theories of laughter are not concerned with laughter. Rather, their focus is the laughable object, whether conceived of as the comic, the humorous, jokes, the grotesque, the ridiculous, or the ludicrous. In Laughter, Anca Parvulescu proposes a return to the materiality of the burst of laughter itself. She sets out to uncover an archive of laughter, inviting us to follow its rhythms and listen to its tones. Historically, laughter—especially the passionate burst of laughter—has often been a faux pas. Manuals for conduct, abetted by philosophical treatises and literary and visual texts, warned against it, offering special injunctions to ladies to avoid jollity that was too boisterous. Returning laughter to the history of the passions, Parvulescu anchors it at the point where the history of the grimacing face meets the history of noise. In the civilizing process that leads to laughter's “falling into disrepute,” as Nietzsche famously put it, we can see the formless, contorted face in laughter being slowly corrected into a calm, social smile. How did the twentieth century laugh? Parvulescu points to a gallery of twentieth-century laughers and friends of laughter, arguing that it is through Georges Bataille that the century laughed its most distinct laugh. In Bataille's wake, laughter becomes the passion at the heart of poststructuralism. Looking back at the century from this vantage point, Parvulescu revisits four of its most challenging projects: modernism, the philosophical avant-gardes, feminism, and cinema. The result is an overview of the twentieth century as seen through the laughs that burst at some of its most convoluted junctures.

Author: Emil Draitser
Publisher: McFarland
ISBN: 147669298X
Category : Biography & Autobiography
Languages : en
Pages : 232

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Book Description
A sequel to the author's autobiographical trilogy--Shush! Growing up Jewish under Stalin, In the Jaws of the Crocodile, and Farewell, Mama Odessa--this book is part memoir and part cultural study about the challenges of immigration and American accculturation. With self-deprecating humor, the author, a former Soviet satirist who was punished for trespassing the boundaries of public criticism, recollects his growing pains as he overcame his indoctrinated upbringing in a totalitarian society to embrace America's defining values.

Author: Emil Draitser
Publisher: CreateSpace
ISBN: 9781494472559
Category : Humor
Languages : en
Pages : 94

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Book Description
The first bilingual (English/Russian) sampling of authentic Soviet underground jokes--mostly political, but also ethnic, and at times erotic--published in the United States at the height of the Cold War. Illustrated.

Author: Emil Draitser
Publisher: Wayne State University Press
ISBN: 9780814323274
Category : Joking
Languages : en
Pages : 206

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Book Description
Draitser uses humor as a means of understanding the attitudes and customs, beliefs and idiosyncrasies, and inter- and intra-group relationships of this multinational society. In analyzing the jokes, he seeks to determine what makes them funny, why certain groups are targeted, and even why a mediocre joke can be received with great enthusiasm.

Author: Jefferson S. Chase
Publisher: Walter de Gruyter
ISBN: 3110813831
Category : Literary Criticism
Languages : en
Pages : 340

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Author: Joseph Boskin
Publisher: Syracuse University Press
ISBN: 9780815627487
Category : History
Languages : en
Pages : 268

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Book Description
Rebellious Laughter changes the way we think about the ordinary joke. Claiming that humor in America is a primary cultural weapon, Boskin surveys the multitude of joke cycles that have swept the country during the last fifty years. Dumb Blonde jokes. Elephant jokes. Jewish-American Princess jokes. Lightbulb jokes. Readers will enjoy humor from many diverse sources: whites, blacks, women, and Hispanics; conservatives and liberals; public workers and university students; the powerless and power brokers. Boskin argues that jokes provide a cultural barometer of concerns and anxieties, frequently appearing in our day-to-day language long before these issues become grist for stand-up comics.

Author: V. Raskin
Publisher: Springer Science & Business Media
ISBN: 9400964722
Category : Language Arts & Disciplines
Languages : en
Pages : 302

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Book Description
GOAL This is the funniest book I have ever written - and the ambiguity here is deliberate. Much of this book is about deliberate ambiguity, described as unambiguously as possible, so the previous sentence is probably the fIrst, last, and only deliberately ambiguous sentence in the book. Deliberate ambiguity will be shown to underlie much, if not all, of verbal humor. Some of its forms are simple enough to be perceived as deliberately ambiguous on the surface; in others, the ambiguity results from a deep semantic analysis. Deep semantic analysis is the core of this approach to humor. The book is the fIrst ever application of modem linguistic theory to the study of humor and it puts forward a formal semantic theory of verbal humor. The goal of the theory is to formulate the necessary and sufficient conditions, in purely semantic terms, for a text to be funny. In other words, if a formal semantic analysis of a text yields a certain set of semantic proptrties which the text possesses, then the text is recognized as a joke. As any modem linguistic theory, this semantic theory of humor attempts to match a natural intuitive ability which the native speaker has, in this particular case, the ability to perceive a text as funny, i. e. , to distinguish a joke from a non-joke.