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Author: Shaela Nay Rutherford Publisher: ISBN: Category : Languages : en Pages : 172
Book Description
This study investigated the work of design theorist Denman Waldo Ross and his theory of "pure design." During the early twentieth century, Ross delivered lectures, published articles and books, and mused endlessly on the subject of art and design pedagogy. He taught future architects, designers, and art teachers at Harvard University, and acted as a patron to artists and art theorists. He also served on numerous boards and panels, helping to govern the Boston public schools, the Museum of Fine Arts, Boston, and the Academy of Arts and Sciences, among others. His work is not widely known today, but it was influential during a critical moment in American art education history. Arthur Wesley Dow is often credited as initiator of the elements and principles of design--an unfair burden for him to bear. Denman Waldo Ross, too, participated in the development of the language and terminology related to the elements and principles of design in the canon of art education at the turn of the twentieth century.
Author: Shaela Nay Rutherford Publisher: ISBN: Category : Languages : en Pages : 172
Book Description
This study investigated the work of design theorist Denman Waldo Ross and his theory of "pure design." During the early twentieth century, Ross delivered lectures, published articles and books, and mused endlessly on the subject of art and design pedagogy. He taught future architects, designers, and art teachers at Harvard University, and acted as a patron to artists and art theorists. He also served on numerous boards and panels, helping to govern the Boston public schools, the Museum of Fine Arts, Boston, and the Academy of Arts and Sciences, among others. His work is not widely known today, but it was influential during a critical moment in American art education history. Arthur Wesley Dow is often credited as initiator of the elements and principles of design--an unfair burden for him to bear. Denman Waldo Ross, too, participated in the development of the language and terminology related to the elements and principles of design in the canon of art education at the turn of the twentieth century.
Author: George Santayana Publisher: Courier Corporation ISBN: 9780486202389 Category : Philosophy Languages : en Pages : 200
Book Description
The great philosopher, essayist, poet, and novelist masterfully offers his fascinating outline of Aesthetics Theory. Drawing on the art, literature, and social sciences involved, Santayana discusses the nature of beauty, form, and expression.
Author: George Santayana Publisher: ISBN: 9788826017099 Category : Languages : en Pages :
Book Description
It is remarkably appropriate that this work on aesthetics should have been written by George Santayana, who is probably the most brilliant philosophic writer and the philosopher with the strongest sense of beauty since Plato. It is not a dry metaphysical treatise, as works on aesthetics so often are, but is itself a fascinating document: as much a revelation of the beauty of language as of the concept of beauty.This unabridged reproduction of the 1896 edition of lectures delivered at Harvard College is a study of "why, when, and how beauty appears, what conditions an object must fulfill to be beautiful, what elements of our nature make us sensible of beauty, and what the relation is between the constitution of the object and the excitement of our susceptibility."Santayana first analyzes the nature of beauty, finding it irrational, "pleasure regarded as the quality of a thing." He then proceeds to the materials of beauty, showing what all human functions can contribute: love, social instincts, senses, etc. Beauty of form is then analyzed, and finally the author discusses the expression of beauty. Literature, religion, values, evil, wit, humor, and the possibility of finite perfection are all examined. Presentation throughout the work is concrete and easy to follow, with examples drawn from art, history, anthropology, psychology, and similar areas.
Author: Ruth Lorand Publisher: Routledge ISBN: 1134562632 Category : Education Languages : en Pages : 337
Book Description
Aesthetic Order challenges contemporary theories of aesthetics, offering the idea of beauty as quantitative yet different from the traditional discursive order. It will be of importance to all interested in aesthetic theory.
Author: George Santayana Publisher: Routledge ISBN: 1351302787 Category : Social Science Languages : en Pages : 229
Book Description
From antiquity to the present, many have written on the subject of beauty, but precious few have done so with the capacity themselves to write beautifully. The Sense of Beauty is that rare exception. This remarkable early work of the great American philosopher, George Santayana, features a quality of prose that is as wondrous as what he had to say. Indeed, his summation remains a flawless classical statement. "Beauty seems to be the clearest manifestation of perfection, and the best evidence of its possibility. If perfection is, as it should be, the ultimate justification of being, we may understand the ground of the moral dignity of beauty. Be'auty is a pledge of the possible conformity between the soul and nature, and consequently a ground of faith in the supremacy of the good." The editor of this new edition, John McGormick, reminds us that The Sense of Beauty is the first work in aesthetics written in the United States. Santayana was versed in the history of his subject, from Plato and Aristotle to Schopenhauer and Taine in the nineteenth century. Santayana took as his task a complete rethinking of the idea that beauty is embedded in objects. Rather beauty is an emotion, a value, and a sense of the good. In this, aesthetics was unlike ethics: not a correction of evil or pursuit of the virtuous. Rather it is a pleasure that resides in the sense of self. The work is divided into chapters on the materials of beauty, form and expression. A good many of Santayana's later works are presaged by this early effort. And this volume also anticipates the development of art as a movement as well as a value apart from other aspects of life. The work is written without posturing, without hectoring. Santayana is nonetheless able to give expression to strong views. His preferences are made perfectly plain. Perhaps the key is a powerful belief that beauty is an adornment not a material necessity. But that does mean art is trivial. Quite the contrary, the good life is precisely the extent to which such "adornments" as painting, poetry or music come to define the lives of individuals and civilizations alike. This is, in short, a major work that can still inform and move us a century after its first composition.
Author: Shaela Nay Rutherford
Author: Shaela Nay Rutherford
Author: George Santayana
Author: Olaf Hajek
Author: Eastern Art Teachers' Association
Author: George Santayana
Author: Henry Miller
Author: Ruth Lorand
Author: Denman Waldo Ross
Author: National Educational Association (U.S.)
Author: George Santayana