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Author: Alan Dundes Publisher: Univ. of Tennessee Press ISBN: 9780870497766 Category : Social Science Languages : en Pages : 192
Book Description
'. . . not a large book, but that makes all the more admirable the way the more admirable the way the author succeeds in doing justice to so many of the most important subjects in folkloristics. This book is a key work, and should be made compulsory reading in every university in which folkloristics is studied.'-Jon Hnefill Aoalsteinsson, Asian Folklore Studies
Author: Alan Dundes Publisher: Univ. of Tennessee Press ISBN: 9780870497766 Category : Social Science Languages : en Pages : 192
Book Description
'. . . not a large book, but that makes all the more admirable the way the more admirable the way the author succeeds in doing justice to so many of the most important subjects in folkloristics. This book is a key work, and should be made compulsory reading in every university in which folkloristics is studied.'-Jon Hnefill Aoalsteinsson, Asian Folklore Studies
Author: Bruce Jackson Publisher: State University of New York Press ISBN: 1438496176 Category : Social Science Languages : en Pages : 502
Book Description
Folklore Matters gathers over a half-century of articles, memoirs, field studies, and more by master folklorist Bruce Jackson. Jackson's wide-ranging view of what makes up folklore, his affection for his subjects, and his keen-eyed ability to observe and record without prejudice stories, songs, and lore from everyone from death-row inmates to numbers runners, hustlers, and legendary blues musicians shines through. In his own words, Jackson's essays "bear witness" to worlds that others have too easily ignored. This book includes Jackson's landmark work on prison lore and toasts (the predecessor of rap); labor and criminology; his wide-ranging interest in African American lore and legend; his encounters with legendary figures including Alan Lomax and Pete Seeger; and articles that challenge the many traps and pitfalls that plague much of academic study. Folklore Matterswill delight, inform, and inspire all those who value America's deepest traditions and the endless creativity of the unrecognized masters of our national culture.
Author: Fernando Orejuela Publisher: Indiana University Press ISBN: 025303843X Category : Music Languages : en Pages : 145
Book Description
Music has always been integral to the Black Lives Matter movement in the United States, with songs such as Kendrick Lamar's "Alright," J. Cole's "Be Free," D'Angelo and the Vanguard's "The Charade," The Game's "Don't Shoot," Janelle Monae's "Hell You Talmbout," Usher's "Chains," and many others serving as unofficial anthems and soundtracks for members and allies of the movement. In this collection of critical studies, contributors draw from ethnographic research and personal encounters to illustrate how scholarly research of, approaches to, and teaching about the role of music in the Black Lives Matter movement can contribute to public awareness of the social, economic, political, scientific, and other forms of injustices in our society. Each chapter in Black Lives Matter and Music focuses on a particular case study, with the goal to inspire and facilitate productive dialogues among scholars, students, and the communities we study. From nuanced snapshots of how African American musical genres have flourished in different cities and the role of these genres in local activism, to explorations of musical pedagogy on the American college campus, readers will be challenged to think of how activism and social justice work might appear in American higher education and in academic research. Black Lives Matter and Music provokes us to examine how we teach, how we conduct research, and ultimately, how we should think about the ways that black struggle, liberation, and identity have evolved in the United States and around the world.
Author: Dorothy Noyes Publisher: Indiana University Press ISBN: 0253023386 Category : Social Science Languages : en Pages : 471
Book Description
A collection of fifteen essays exploring what folklore is, its history, and how it all connects to the world. Celebrated folklorist, Dorothy Noyes, offers an unforgettable glimpse of her craft and the many ways it matters. Folklore is the dirty linen of modernity, carrying the traces of working bodies and the worlds they live in. It is necessary but embarrassing, not easily blanched and made respectable for public view, although sometimes this display is deemed useful. The place of folklore studies among modern academic disciplines has accordingly been marginal and precarious, yet folklore studies are foundational and persistent. Long engaged with all that escapes the gaze of grand theory and grand narratives, folklorists have followed the lead of the people whose practices they study. They attend to local economies of meaning; they examine the challenge of making room for maneuver within circumstances one does not control. Incisive and wide ranging, the fifteen essays in this book chronicle the “humble theory” of both folk and folklorist as interacting perspectives on social life in the modern Western world. “Tying folklore to larger trends in Western cultural thought, leaving behind narrow concerns with genre or fossilized expressive forms, Humble Theory showcases the potential of folkloristics to contribute meaningfully to interdisciplinary conversations about culture.” —Journal of Folklore Research “Humble Theory is a big book. From a small scholarly field, it announces the most substantial, far-seeing insights into the world’s social life. By writing it, Noyes becomes the kind of public intellectual the United States needs.” —Journal of American Folklore
Author: Rosemary Levy Zumwalt Publisher: Indiana University Press ISBN: 9780253204721 Category : Social Science Languages : en Pages : 212
Book Description
"American Folklore Scholarship is rich reading, outlining the intellectual genealogy of American folklore and delivering many interesting historical tidbits. Folklore teachers will want to use this book in their introductory theory classes, while doctoral students will want to memorize the book before their qualifying exams." --Folklore Forum "... a welcome overview of the discipline in North America and the practitioners who established it." --American Anthropologist In this classic text, Zumwalt examines the split between literary folklorists and anthropological folklorists. The former looked at literary forms for folklore; the latter looked at the life and unwritten culture of the people. This struggle shaped the study of folklore in the U.S.
Author: Frank de Caro Publisher: Univ. Press of Mississippi ISBN: 1496806336 Category : Social Science Languages : en Pages : 253
Book Description
Folklore Recycled: Old Traditions in New Contexts starts from the proposition that folklore—usually thought of in its historical social context as “oral tradition”—is easily appropriated and recycled into other contexts. That is, writers may use folklore in their fiction or poetry, taking plots, as an example, from a folktale. Visual artists may concentrate on depicting folk figures or events, like a ritual or a ceremony. Tourism officials may promote a place through advertising its traditional ways. Folklore may play a role in intellectual conceptualizations, as when nationalists use folklore to promote symbolic unity. Folklore Recycled discusses the larger issue of folklore being recycled into nonfolk contexts and proceeds to look at a number of instances of repurposing. Colson Whitehead’s novel John Henry Days is a literary text that recycles folklore but does so in a manner that examines a number of other uses of the American folk figure John Henry. The nineteenth-century members of the Louisiana branch of the American Folklore Society and the author Lyle Saxon in the twentieth century used African American folklore to establish personal connections to the world of the southern plantation and buttress their own social status. The writer Lafcadio Hearn wrote about folklore to strengthen his insider credentials wherever he lived. Photographers in Louisiana leaned on folklife to solidify local identity and to promote government programs and industry. Promoters of “unorthodox” theories about history have used folklore as historical document. Americans in Mexico took an interest in folklore for acculturation, for tourism promotion, for interior decoration, and for political ends. All of the examples throughout the book demonstrate the durability and continued relevance of folklore in every context it appears.
Author: Robert Baron Publisher: Univ. Press of Mississippi ISBN: 1604733160 Category : Social Science Languages : en Pages : 399
Book Description
A landmark volume exploring the public presentation and application of folk culture in collaboration with communities, Public Folklore is available again with a new introduction discussing recent trends and scholarship. Editors Robert Baron and Nick Spitzer provide theoretical framing to contributions from leaders of major American folklife programs and preeminent folklore scholars, including Roger D. Abrahams, Robert Cantwell, Gerald L. Davis, Archie Green, Bess Lomax Hawes, Richard Kurin, Daniel Sheehy, and Barbara Kirshenblatt-Gimblett. Their essays present vivid accounts of public folklore practice in a wide range of settings—nineteenth-century world's fairs and minstrel shows, festivals, museums, international cultural exchange programs, concert stages, universities, and hospitals. Drawing from case studies, historical analyses, and their own experiences as advocates, field researchers, and presenters, the essayists recast the history of folklore in terms of public practice, while discussing standards for presentation to new audiences. They approach engagement with tradition bearers as requiring collaboration and dialogue. They critically examine who has the authority to represent folk culture, the ideologies informing these representations, and the effect upon folk artists of encountering revived and new audiences within and beyond their own communities. In discussions of the relationship between public practice and the academy, this volume also offers new models for integrating public folklore training within graduate studies.
Author: Kevin J. Hayes Publisher: Wipf and Stock Publishers ISBN: 1498290213 Category : Social Science Languages : en Pages : 185
Book Description
To many observers, folklore and book culture may appear to be opposites. Folklore, after all, involves orally circulated stories and traditions while book culture is concerned with the transmission of written texts. However, as Kevin J. Hayes points out, there are many instances where the two intersect, and exploring those intersections is the purpose of this fascinating and provocative study. Hayes shows that the acquisition of knowledge and the ownership of books have not displaced folklore but instead have given rise to new beliefs and superstitions. Some books have generated new proverbs; others have fostered their own legends. Occasionally the book has served as an important motif in folklore, and in one folk genre—the flyleaf rhyme—the book itself has become the place where folklore occurs, thus indicating a lively interaction between folk, print, and manuscript culture. The author begins by examining the tradition of the Volksbücher—cheaply printed books, often concerned with the occult, whose powers are said to transcend the written text. Hayes looks in depth at one particular Volksbuch—The Sixth and Seventh Books of Moses—and proceeds, in subsequent chapters, to discuss a variety of folktales and legends, placing them within the context of book culture and the history of education. He closes with an examination of flyleaf rhymes, the little verses that book owners have inscribed in their books, and considers what they reveal about the identity of the inscribers as well as about attitudes toward book lending, book borrowing, and the circulation of knowledge. Solidly researched and venturing into areas long neglected by scholars. Folklore and Book Culture is a work that will engage not only folklorists but historians and literary scholars as well.
Author: Karen E. Beardslee Publisher: Univ. of Tennessee Press ISBN: 9781572331525 Category : Literary Criticism Languages : en Pages : 238
Book Description
In this provocative study of eight novels, Karen E. Beardslee asserts that American writers often engage with folk traditions as a necessary part of their characters journeys to wholeness. Focusing not only on African American, Native American, and Hispanic American cultures but also on women s culture, Beardslee traces the connections between folk legacies and the search for selfhood in both nineteenth- and twentieth-century works. Within each chapter, a novel by a contemporary author and one from an earlier period are brought together: Whitney Otto s How to Make an American Quilt and Harriet Beecher Stowe s The Minister s Wooing; David Bradley s The Chaneysville Incident and Charles Chesnutt s The Conjure Woman; Leslie Marmon Silko s Ceremony and Zitkala-Sa s American Indian Stories; and Roberta Fernandez s Intaglio and Maria Cristina Mena s The Birth of the God of War. These pairings are not based on matters of intertextuality or influence but are chosen according to the folk groups to which the novels characters belong. This strategy enables Beardslee to trace the particular legacies that inform the work of the twentieth-century authors. As Beardslee notes, contemporary texts and the critical commentary on them have focused, until fairly recently, on the search for self in male (usually white) characters. Such works have also positioned that search outside the character s family or community and have usually emphasized its futility. With the growing shift toward multiculturalism in fiction, however, folk traditions have come to play an increasingly crucial role in characters journeys to self-awareness as well as in the success of those journeys. Thoroughly researched and cogently argued, this book makes a significant contribution to the study of both folklore and literature as it explores the relationship between knowing one s cultural heritage and achieving a sense of self that is whole instead of fragmented, connected instead of drifting. The Author: Karen E. Beardslee teaches in the Department of Language and Literature at Burlington County College in Pemberton, New Jersey. Her articles have appeared in MELUS, The Encyclopedia of Folklore and Literature, and the Zora Neale Hurston Forum. "
Author: Alan Dundes
Author: Alan Dundes
Author: Bruce Jackson
Author: Fernando Orejuela
Author: Dorothy Noyes
Author: Rosemary Levy Zumwalt
Author: Frank de Caro
Author: Richard M. Dorson
Author: Robert Baron
Author: Kevin J. Hayes
Author: Karen E. Beardslee