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Author: Karan Singh Publisher: Taylor & Francis ISBN: 1000769720 Category : Social Science Languages : en Pages : 297
Book Description
This book examines folk theatres of North India as a unique performative structure, a counter stream to the postulations of Sanskrit and Western realistic theatre. In focusing on their historical, social and cultural imprints, it explores how these theatres challenge the linearity of cultural history and subvert cultural hegemony. The book looks at diverse forms of theatre such as svangs, nautanki, tamasha, all with conventions like open performative space, free mingling of spectators and actors, flexibility in roles and genres, etc. It discusses the genesis, history and the independent trajectory of folk theatres; folk theatre and Sanskrit dramaturgy; cinematic legacy; and theatrical space as performance besides investigating causes, inter-relations within socio-cultural factors, and the performance principles underlying them. It shows how these theatres effectively contest delimitation of human creative impulses (as revealed in classical Sanskrit theatre) from structuring as also of normative impulses of religion and culture, while amalgamating influences from Western theatre, newly-rising religious reform movements of 19th century India, tantra and Bhakti. It further highlights their ability to adapt and reinvent themselves in accordance with spatial and temporal transformations to constitute an important anthropological layer of Indian society. Comprehensive and empirically rich, this book will be an essential read for scholars and researchers of cultural studies, theatre, film and performance studies, sociology, political studies, popular culture, and South Asian studies.
Author: Karan Singh Publisher: Taylor & Francis ISBN: 1000769720 Category : Social Science Languages : en Pages : 297
Book Description
This book examines folk theatres of North India as a unique performative structure, a counter stream to the postulations of Sanskrit and Western realistic theatre. In focusing on their historical, social and cultural imprints, it explores how these theatres challenge the linearity of cultural history and subvert cultural hegemony. The book looks at diverse forms of theatre such as svangs, nautanki, tamasha, all with conventions like open performative space, free mingling of spectators and actors, flexibility in roles and genres, etc. It discusses the genesis, history and the independent trajectory of folk theatres; folk theatre and Sanskrit dramaturgy; cinematic legacy; and theatrical space as performance besides investigating causes, inter-relations within socio-cultural factors, and the performance principles underlying them. It shows how these theatres effectively contest delimitation of human creative impulses (as revealed in classical Sanskrit theatre) from structuring as also of normative impulses of religion and culture, while amalgamating influences from Western theatre, newly-rising religious reform movements of 19th century India, tantra and Bhakti. It further highlights their ability to adapt and reinvent themselves in accordance with spatial and temporal transformations to constitute an important anthropological layer of Indian society. Comprehensive and empirically rich, this book will be an essential read for scholars and researchers of cultural studies, theatre, film and performance studies, sociology, political studies, popular culture, and South Asian studies.
Author: Karan Singh Publisher: Routledge Chapman & Hall ISBN: 9781032176383 Category : Languages : en Pages : 212
Book Description
This book examines folk theatres of North India and discusses their genesis, history and independent trajectory; folk theatre and Sanskrit dramaturgy; cinematic legacy; and theatrical space as performance besides investigating causes, inter-relations within socio-cultural factors, and the performance principles underlying them.
Author: Dr. Meenakshi Publisher: Shineeks Publishers ISBN: Category : Education Languages : en Pages : 173
Book Description
The book attempts to trace ecological insights embedded in two major folk epics of Rajasthan – Epic of Pabuji and Epic of Devnarayan. The first chapter explores man’s relation with nature in past and attempts to locate the genesis of our attitudes towards nature in ancient myths as well as its portrayal in literature. It tries to define ecology and summarises the ideas about ecological literary criticism given by various critics. It highlights the tradition and types of oral epics in Rajasthan. The second chapter named “Cultural Ecology” focuses on the mutuality and interdependence of nature and culture. It reflects upon what effects human culture has on nature and vice versa in context of the epics of Pabuji and Devnarayan. The chapter focuses on literary ecology which explores the ecological dimensions of literary texts and also puts forth the artistic capability of the text as an agency of ecological awareness. The third chapter named “History, Aesthetics and Phad” explores how painters make phad and to what purpose these phads are made, what purposes of bhopas and commercial consumers it fulfils and in what ways bhopas inspire the process. It also discusses the history of visual narratives and locates the place of phad in it. It delves deep into the history of phad tradition of painting as well as its aesthetics. The discussion of aesthetics of phad foregrounds how phad helps bhopa in devising as well as improvising the narrative. The fourth chapter named “Performance and Ecology” focuses on how performances of folk epics of Pabuji and Devnarayan further an ecological vision in which natural surroundings play a contributory role in formation of meanings. An interconnection between the ecology of the region and the performance of phad has been evaluated which contributes in comprehending the full ecological implications of phad. An analysis of both the epics from an ecological literary perspective substantiates the excellence and contribution of the epics in enriching the literary genre with different aspects of ecological connections between man and other natural elements on earth. The book establishes that the literary ecology of phad is as diverse as an ecosystem. The ecology of phad thrives on cultural diversity, including people from all fields, such as phad painters, phad performers, and the audience/followers of the deities. This correlation is based not only on their economic relations or transactions, but they also depend upon each other for their exclusive identity.
Author: Dr. Cecil Thomas Ault Jr. Publisher: Partridge Publishing ISBN: 1482888165 Category : Performing Arts Languages : en Pages : 313
Book Description
Tom Ault has written a theatre ethnography that brings Rajasthans folk tradition of khyal to readers in both descriptions and translations of the plays, based on his many periods of research and hanging out with khyal players and affecionados. A performance genre probably stemming from the soliloquies in poetic Pingal and Dingal of Rajasthans bards, known as Charans, these khyals offer folk renditions of rule and misrule, contemporary issues and past heroics, and the romance of Rajput desert kingdoms. Ault has been engaged with these shows there, and as an American theatre professor he knows his subject well. Everyone will find something to enjoy in Aults compendium of khyal, and will probably be tempted to search out a performance of this disappearing folk art at a Rajasthani cattle fair or on a moonlight night in a desert village with stars overhead.
Author: Farley P. Richmond Publisher: Motilal Banarsidass Publ. ISBN: 9788120809819 Category : Folklore Languages : en Pages : 518
Book Description
Indian Theatre expands the boundaries of what is usually regarded as theatre in order to explore the multiple dimensions of theatrical performance in India. From rural festivals to contemporary urban theatre, from dramatic rituals and devotional performances to dance-dramas and classical Sanskrit plays, this volume is a vivid introduction to the colourful and often surprising world of Indian performance. Besides mapping the vast range of performance traditions, the volume provides in-depth treatment of representative genres, including well-known forms such as Kathakali and ram lila and little-knowa performances such as tamasha. Each of these chapters explains the historical background of the theatre form under consideration and interprets its dramatic literature, probes its ritual or religious significance, and, where relevant, explores its social and political implications. Moreover, each chapter, except for those on the origins of Indian theatre, concludes with performance notes describing the actual experience of seeing a live performance in its original context. Based on extensive fieldwork, Indian Theatre is the first comprehensive account of the subject to be written by Western specialists and addressed to the needs of readers in the West. It will be a valuable resource for all students of Indian culture and a standard work in the history of theatre and performance for years to come.
Author: Arihant Experts Publisher: Arihant Publications India limited ISBN: 9350944847 Category : Languages : en Pages : 324
Book Description
Each candidate aspiring to clear the Civil Services Examination is expected to have adequate knowledge about the elegant aspects of India’s traditions and aspects. This book on Indian Art and Culture has been divided into 16 Chapters covering the different aspects of India’s Heritage and Culture such as Art & Culture: An Introduction, Indian Architecture, Sculpture, Painting, Music, Dance, Theatre & Drama, Cinema, Traditional Martial Art, Social Culture, Religion, Philosophy, Language & Literature, Handicraft, Festivals & Fairs and Miscellaneous, which are asked in theCivil Services Examinations conducted by UPSC (Union Public Service Commission) and State PCS. Exercises with objective questions have been given after each chapter. The book also contains Practice Sets prepared according to the UPSC syllabus for thorough practice which would help the students to achieve success in the examinations.Main Features of the Book:Chapterwise comprehensive coverage in point cum para formatImportant facts given in the form of the box within chapterText is well supported with the imagesProper usage of charts and tables for better knowledgeChapterwise significant questions for revision of facts
Author: DR. NISHANT SINGH Publisher: TULSI SAHITYA PUBLICATIONS ISBN: Category : Antiques & Collectibles Languages : en Pages : 80
Book Description
The present age is the age of competition. One has to face challenges in every walk of life. Students of the present era are expected to possess sufficient information relating to various fields of knowledge. Children who lack general knowledge are sure to lag behind even if they are, otherwise, competent. CURRENT GENERAL KNOWLEDGE, a series of books has been prepared keeping this fact in view. The books are prepared in such a way which is sure to teach the learners what they ought to know at each level of their schooling. The materials for various units of these books are judicially chosen from encyclopedia, year books and textbooks on a variety of subjects. We are sure that the books will surely encourage the learners to know more about the outside world and impart useful knowledge and information necessary for their bright career. ANSWERS OF THE EXERCISES IN THE BOOK IS ALSO GIVEN...
Author: Brahma Prakash Publisher: Oxford University Press ISBN: 0199095841 Category : Literary Criticism Languages : en Pages : 424
Book Description
Folk performances reflect the life-worlds of a vast section of subaltern communities in India. What is the philosophy that drives these performances, the vision that enables as well as enslaves these communities to present what they feel, think, imagine, and want to see? Can such performances challenge social hierarchies and ensure justice in a caste-ridden society? In Cultural Labour, the author studies bhuiyan puja (land worship), bidesia (theatre of migrant labourers), Reshma-Chuharmal (Dalit ballads), dugola (singing duels) from Bihar, and the songs and performances of Gaddar, who was associated with Jana Natya Mandali, Telangana: he examines various ways in which meanings and behaviour are engendered in communities through rituals, theatre, and enactments. Focusing on various motifs of landscape, materiality, and performance, the author looks at the relationship between culture and labour in its immediate contexts. Based on an extensive ethnography and the author’s own life experience as a member of such a community, the book offers a new conceptual framework to understand the politics and aesthetics of folk performance in the light of contemporary theories of theatre and performance studies.
Author: Renu Arya Publisher: Scientific Publishers ISBN: 9387869695 Category : Business & Economics Languages : en Pages : 469
Book Description
The competitive examinations have become a routine procedure of recruitment and admissions for higher position and education. Now-a-days a large number of short/objective type questions appear in the examination. These questions call for quick answering for success within a specified short period of time. A sincere effort has been made by the authors to present them in most easy, short and understandable language for the benefit, students, farmers and those who are interested in agriculture and agricultural extension. “Indira’s Objective Agricultural Extension” for competitive exams in agricultural extension discipline contain 15 chapters covering all related discipline. The chapters included such as: Introduction, historical perspective in relation to agriculture and extension, extension principles, approaches and programming, extension education, teaching and methods, extension learning and evaluation, communication and communication technology, audio - visual aids, innovation, evaluation and adoption, participatory rural appraisal, rural development and panchayati raj, economic principle, sociology and social work, training manual, agricultural statistics and appendix. This book has given due importance and whole syllabus was covered as per UGC, ICAR and SAU’s programmes in relation to agriculture extension. Each chapters contains multiple choice questions and total about 9000 objective questions with multiple choice have been framed and arranged sequentially for the easy understanding of the students. Recent information and development in the field of agriculture extension have been incorporated in the text. This book is primarily intended to serve as a appearing in competitive examinations of undergraduate, post graduate and doctorate programmes in agricultural extension of various universities. Thus this book is based on the syllabus of student of agriculture stream, it may be useful not only to students but also teachers, researchers as well as extension workers. The chapters are chosen in view to cover the course contents of competitive examinations like IAS, IFS, ARS, PCS, Banking, SAU’s, UGC and to get admissions in various degree programmes of SAU’s and other universities. This book will fulfill the requirement of students of agriculture and agricultural extension stream for appearing in different competitive examinations.
Author: Karan Singh
Author: Karan Singh
Author: Karan Singh
Author: Dr. Meenakshi
Author: Manohar Laxman Varadpande
Author: Dr. Cecil Thomas Ault Jr.
Author: Farley P. Richmond
Author: Arihant Experts
Author: DR. NISHANT SINGH
Author: Brahma Prakash
Author: Renu Arya