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Author: Barry Bergey Publisher: Indiana University Press ISBN: 0253032334 Category : Photography Languages : en Pages : 265
Book Description
Portraits of one hundred recipients of the United States’ highest honor in the folk and traditional arts, caputred in their element. Discover one hundred of the greatest folk artists practicing in the United States in Folk Masters: A Portrait of America. Over the past twenty-five years, photographer Tom Pich has traveled the country to the homes and studios of recipients of the National Endowment for the Arts’ National Heritage Fellowship, the highest honor given to folk and traditional artists in the nation. His portraits give us a glimpse into their art, their process, and their culture. While each image tells a story on its own, Barry Bergey, former Director of Folk and Traditional Arts at the National Endowment for the Arts, provides further insight into the lives of each featured artist as well as the remarkable stories behind each photograph. Folk Masters honors again the extraordinary women and men who simultaneously take the traditional arts to new heights while ensuring their continuation from generation to generation. “This beautiful, informative, and exquisitely produced book features 100 extraordinary traditional artists from across America, each a recipient of the National Endowment for the Arts National Heritage Fellowship—the nation’s highest award for excellence in the folk and traditional arts. Folk Masters is a stunning tribute to the great diversity of cultures and artistic traditions that enrich our country.” —Marjorie Hunt, Folklife Curator, Smithsonian Center for Folklife and Cultural Heritage “Folk Masters documents and honors the extraordinary women and men who take traditional arts to new heights while also ensuring their continuation from generation to generation.” —The Library of Congress “Folk Masters is visual, emotional, and inspirational. Here is a portrait of America many Americans never see and may not believe actually exists. Pich and Bergey have done an admirable job of conveying their vision.” —Journal of Folklore Research
Author: Barry Bergey Publisher: Indiana University Press ISBN: 0253032334 Category : Photography Languages : en Pages : 265
Book Description
Portraits of one hundred recipients of the United States’ highest honor in the folk and traditional arts, caputred in their element. Discover one hundred of the greatest folk artists practicing in the United States in Folk Masters: A Portrait of America. Over the past twenty-five years, photographer Tom Pich has traveled the country to the homes and studios of recipients of the National Endowment for the Arts’ National Heritage Fellowship, the highest honor given to folk and traditional artists in the nation. His portraits give us a glimpse into their art, their process, and their culture. While each image tells a story on its own, Barry Bergey, former Director of Folk and Traditional Arts at the National Endowment for the Arts, provides further insight into the lives of each featured artist as well as the remarkable stories behind each photograph. Folk Masters honors again the extraordinary women and men who simultaneously take the traditional arts to new heights while ensuring their continuation from generation to generation. “This beautiful, informative, and exquisitely produced book features 100 extraordinary traditional artists from across America, each a recipient of the National Endowment for the Arts National Heritage Fellowship—the nation’s highest award for excellence in the folk and traditional arts. Folk Masters is a stunning tribute to the great diversity of cultures and artistic traditions that enrich our country.” —Marjorie Hunt, Folklife Curator, Smithsonian Center for Folklife and Cultural Heritage “Folk Masters documents and honors the extraordinary women and men who take traditional arts to new heights while also ensuring their continuation from generation to generation.” —The Library of Congress “Folk Masters is visual, emotional, and inspirational. Here is a portrait of America many Americans never see and may not believe actually exists. Pich and Bergey have done an admirable job of conveying their vision.” —Journal of Folklore Research
Author: Fernandex De Calderon Candida Publisher: ISBN: Category : Art Languages : en Pages : 562
Book Description
Profiles 180 Mexican folk artists, profiling the works they have created out of clay, vegetable fibers, wood, metal, textiles, and stone which represent many different craft traditions.
Author: David Dicaire Publisher: McFarland ISBN: 0786457376 Category : Music Languages : en Pages : 253
Book Description
This history of folk music looks at musicians, collectors and other figures from around the world. The book presents an overview of international folk roots and shows the contributions of the artists and the evolution of folk music as a force for political and social change. Profiles of Pete Seeger, Burl Ives, Woody Guthrie and others show how the stage was set for the American folk revival of the 1960s.
Author: Ross Hair Publisher: Taylor & Francis ISBN: 1317123581 Category : Music Languages : en Pages : 268
Book Description
Released in 1952, The Anthology of American Folk Music was the singular vision of the enigmatic artist, musicologist, and collector Harry Smith (1923–1991). A collection of eighty-four commercial recordings of American vernacular and folk music originally issued between 1927 and 1932, the Anthology featured an eclectic and idiosyncratic mixture of blues and hillbilly songs, ballads old and new, dance music, gospel, and numerous other performances less easy to classify. Where previous collections of folk music, both printed and recorded, had privileged field recordings and oral transmission, Smith purposefully shaped his collection from previously released commercial records, pointedly blurring established racial boundaries in his selection and organisation of performances. Indeed, more than just a ground-breaking collection of old recordings, the Anthology was itself a kind of performance on the part of its creator. Over the six decades of its existence, however, it has continued to exert considerable influence on generations of musicians, artists, and writers. It has been credited with inspiring the North American folk revival—"The Anthology was our bible", asserted Dave Van Ronk in 1991, "We all knew every word of every song on it"—and with profoundly influencing Bob Dylan. After its 1997 release on CD by Smithsonian Folkways, it came to be closely associated with the so-called Americana and Alt-Country movements of the late 1990s and early 2000s. Following its sixtieth birthday, and now available as a digital download and rereleased on vinyl, it is once again a prominent icon in numerous musical currents and popular culture more generally. This is the first book devoted to such a vital piece of the large and complex story of American music and its enduring value in American life. Reflecting the intrinsic interdisciplinarity of Smith’s original project, this collection contains a variety of new perspectives on all aspects of the Anthology.
Author: Gillian Mitchell Publisher: Routledge ISBN: 1317022505 Category : Music Languages : en Pages : 259
Book Description
This work represents the first comparative study of the folk revival movement in Anglophone Canada and the United States and combines this with discussion of the way folk music intersected with, and was structured by, conceptions of national affinity and national identity. Based on original archival research carried out principally in Toronto, Washington and Ottawa, it is a thematic, rather than general, study of the movement which has been influenced by various academic disciplines, including history, musicology and folklore. Dr Gillian Mitchell begins with an introduction that provides vital context for the subject by tracing the development of the idea of 'the folk', folklore and folk music since the nineteenth century, and how that idea has been applied in the North American context, before going on to examine links forged by folksong collectors, artists and musicians between folk music and national identity during the early twentieth century. With the 'boom' of the revival in the early sixties came the ways in which the movement in both countries proudly promoted a vision of nation that was inclusive, pluralistic and eclectic. It was a vision which proved compatible with both Canada and America, enabling both countries to explore a diversity of music without exclusiveness or narrowness of focus. It was also closely linked to the idealism of the grassroots political movements of the early 1960s, such as integrationist civil rights, and the early student movement. After 1965 this inclusive vision of nation in folk music began to wane. While the celebrations of the Centennial in Canada led to a re-emphasis on the 'Canadianness' of Canadian folk music, the turbulent events in the United States led many ex-revivalists to turn away from politics and embrace new identities as introspective singer-songwriters. Many of those who remained interested in traditional folk music styles, such as Celtic or Klezmer music, tended to be very insular and conservative in their approach, rather than linking their chosen genre to a wider world of folk music; however, more recent attempts at 'fusion' or 'world' music suggest a return to the eclectic spirit of the 1960s folk revival. Thus, from 1945 to 1980, folk music in Canada and America experienced an evolving and complex relationship with the concepts of nation and national identity. Students will find the book useful as an introduction, not only to key themes in the folk revival, but also to concepts in the study of national identity and to topics in American and Canadian cultural history. Academic specialists will encounter an alternative perspective from the more general, broad approach offered by earlier histories of the folk revival movement.
Author: Dick Weissman Publisher: Bloomsbury Publishing USA ISBN: 1501344161 Category : Music Languages : en Pages : 345
Book Description
Building on his 2006 book, Which Side Are You On?, Dick Weissman's A New History of American and Canadian Folk Music presents a provocative discussion of the history, evolution, and current status of folk music in the United States and Canada. North American folk music achieved a high level of popular acceptance in the late 1950s. When it was replaced by various forms of rock music, it became a more specialized musical niche, fragmenting into a proliferation of musical styles. In the pop-folk revival of the 1960s, artists were celebrated or rejected for popularizing the music to a mass audience. In particular the music seemed to embrace a quest for authenticity, which has led to endless explorations of what is or is not faithful to the original concept of traditional music. This book examines the history of folk music into the 21st century and how it evolved from an agrarian style as it became increasingly urbanized. Scholar-performer Dick Weissman, himself a veteran of the popularization wars, is uniquely qualified to examine the many controversies and musical evolutions of the music, including a detailed discussion of the quest for authenticity, and how various musicians, critics, and fans have defined that pursuit.
Author: Michael Scott Cain Publisher: McFarland ISBN: 1476674728 Category : Music Languages : en Pages : 206
Book Description
Artists have often provided the earliest demonstrations of conscience and ethical examination in response to political events. The political shifts that took place in the 1960s were addressed by a revival of folk music as an expression of protest, hope and the courage to imagine a better world. This work explores the relationship between the cultural and political ideologies of the 1960s and the growing folk music movement, with a focus on musicians Phil Ochs; Joan Baez; Peter, Paul and Mary; Carolyn Hester and Bob Dylan.
Author: Lawrence J. Epstein Publisher: McFarland ISBN: 0786456019 Category : Social Science Languages : en Pages : 214
Book Description
Many American folk singers have tried to leave their world a better place by writing songs of social protest. Musicians like Woody Guthrie, Leadbelly, Pete Seeger, Bob Dylan, and Joan Baez sang with fierce moral voices to transform what they saw as an uncaring society. But the personal tales of these guitar-toting idealists were often more tangled than the comparatively pure vision their art would suggest. Many singers produced work in the midst of personal failure and deeply troubled relationships, and under the influence of radical ideas and organizations. This provocative work examines both the long tradition of folk music in its American political context and the lives of those troubadours who wrote its most enduring songs.
Author: Joseph Williams Publisher: Taylor & Francis ISBN: 1000582604 Category : Music Languages : en Pages : 219
Book Description
Establishing an intersection between the fields of traditional music studies, English folk music history and the philosophy of Gilles Deleuze and Félix Guattari, this book responds to the problematic emphasis on cultural identity in the way traditional music is understood and valued. Williams locates the roots of contemporary definitions of traditional music, including UNESCO-designated intangible cultural heritage, in the theory of English folk music developed in 1907 by Cecil Sharp. Through a combination of Deleuzian philosophical analysis and historical revision of England’s folk revival of the Victorian and Edwardian eras, Williams makes a compelling argument that identity is a restrictive ideology that runs counter to the material processes of traditional music’s production. Williams reimagines Sharp’s appropriation of Darwinian evolutionary concepts, asking what it would mean today to say that traditional music ‘evolves’, in light of recent advances in evolutionary theory. The book ultimately advances a concept of traditional music that eschews the term’s long-standing ontological and axiological foundations in the principle of identity. For scholars and graduate students in musicology, cultural studies, and ethnomusicology, the book is an ambitious and provocative challenge to entrenched habits of thought in the study of traditional music and the historiography of England’s folk revival.
Author: Barry Bergey
Author: Barry Bergey
Author: Fernandex De Calderon Candida
Author: 
Author: David Dicaire
Author: Ross Hair
Author: Gillian Mitchell
Author: Dick Weissman
Author: Michael Scott Cain
Author: Lawrence J. Epstein
Author: Joseph Williams