Author: New York Public Library. Dance Collection
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 724
Book Description
Dictionary Catalog of the Dance Collection
Author: New York Public Library. Dance Collection
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 724
Book Description
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 724
Book Description
The Rose in Fashion
Author: Amy de la Haye
Publisher: Yale University Press
ISBN: 0300250088
Category : Design
Languages : en
Pages : 242
Book Description
Examples from jewelry, millinery, handbags, perfume, couture, and everyday dress show how the rose--both beautiful and symbolic--has inspired fashion over hundreds of years.
Publisher: Yale University Press
ISBN: 0300250088
Category : Design
Languages : en
Pages : 242
Book Description
Examples from jewelry, millinery, handbags, perfume, couture, and everyday dress show how the rose--both beautiful and symbolic--has inspired fashion over hundreds of years.
Philippe de Montebello and the Metropolitan Museum of Art
Author: James R. Houghton
Publisher: Metropolitan Museum of Art
ISBN: 1588393402
Category : Art museum directors
Languages : en
Pages : 185
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 1588393402
Category : Art museum directors
Languages : en
Pages : 185
Book Description
Fashions of the Hapsburg Era
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN:
Category : Costume
Languages : en
Pages : 33
Book Description
"The fashions worn during the Hapsburg era in Vienna and Budapest had their own kind of uniqueness. This is not to say that well-dressed Austrians and Hungarians of the periods covered in the exhibition were out of touch with what was considered fashionable to the rest of the Western world. On the contrary, the upper-class Austrian and Hungarian ladies were well aware of the latest French fashions. The gentlemen, too, were very much in tune with the sartorial modes of the French in the eighteenth century, and later, in the nineteenth century, they turned to the English styles, with their accent on elegance and superb tailoring. What was it, then, that made their fashions unique? It is important first to note that although the Hungarians were tied to the Austrian Hapsburg Empire in one way to another from 1699 until World War I, they remained culturally apart. The Austrians leaned both politically and ethnically toward the West. For centuries the Hapsburgs, through intermarriage and wars, were linked to many of the major courts of Europe. Marie-Antoinette, queen of France, and Marie-Louise, the second wife of Napoleon I, were both Austrians. The Hungarians, on the other hand, besieged by the Huns in the ninth century, occupied by the Mongols from 1241 to 1242, and conquered by the Turks between 1541 and 1683, developed a distinct taste for oriental styles"--Publisher's description
Publisher: Metropolitan Museum of Art
ISBN:
Category : Costume
Languages : en
Pages : 33
Book Description
"The fashions worn during the Hapsburg era in Vienna and Budapest had their own kind of uniqueness. This is not to say that well-dressed Austrians and Hungarians of the periods covered in the exhibition were out of touch with what was considered fashionable to the rest of the Western world. On the contrary, the upper-class Austrian and Hungarian ladies were well aware of the latest French fashions. The gentlemen, too, were very much in tune with the sartorial modes of the French in the eighteenth century, and later, in the nineteenth century, they turned to the English styles, with their accent on elegance and superb tailoring. What was it, then, that made their fashions unique? It is important first to note that although the Hungarians were tied to the Austrian Hapsburg Empire in one way to another from 1699 until World War I, they remained culturally apart. The Austrians leaned both politically and ethnically toward the West. For centuries the Hapsburgs, through intermarriage and wars, were linked to many of the major courts of Europe. Marie-Antoinette, queen of France, and Marie-Louise, the second wife of Napoleon I, were both Austrians. The Hungarians, on the other hand, besieged by the Huns in the ninth century, occupied by the Mongols from 1241 to 1242, and conquered by the Turks between 1541 and 1683, developed a distinct taste for oriental styles"--Publisher's description
Hollywood Before Glamour
Author: M. Tolini Finamore
Publisher: Springer
ISBN: 023038949X
Category : Performing Arts
Languages : en
Pages : 247
Book Description
This exploration of fashion in American silent film offers fresh perspectives on the era preceding the studio system, and the evolution of Hollywood's distinctive brand of glamour. By the 1910s, the moving image was an integral part of everyday life and communicated fascinating, but as yet un-investigated, ideas and ideals about fashionable dress.
Publisher: Springer
ISBN: 023038949X
Category : Performing Arts
Languages : en
Pages : 247
Book Description
This exploration of fashion in American silent film offers fresh perspectives on the era preceding the studio system, and the evolution of Hollywood's distinctive brand of glamour. By the 1910s, the moving image was an integral part of everyday life and communicated fascinating, but as yet un-investigated, ideas and ideals about fashionable dress.
Who's who in Colored America
Infra-apparel
Author: Richard Harrison Martin
Publisher: Metropolitan Museum of Art
ISBN: 0870996762
Category : Underwear
Languages : en
Pages : 132
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870996762
Category : Underwear
Languages : en
Pages : 132
Book Description
Who's who in America
Pantomime
Author: Karl Toepfer
Publisher: Vosuri Media
ISBN: 1733249737
Category : Performing Arts
Languages : en
Pages : 1320
Book Description
This book offers perhaps the most comprehensive history of pantomime ever written. No other book so thoroughly examines the varieties of pantomimic performance from the early Roman Empire, when the term “pantomime” came into use, until the present. After thoroughly examining the complexities and startlingly imaginative performance strategies of Roman pantomime, the author identifies the peculiar political circumstances that revived and shaped pantomime in France and Austria in the eighteenth century, leading to the Pierrot obsession in the nineteenth century. Modernist aesthetics awakened a huge, highly diverse fascination with pantomime. The book explores an extraordinary variety of modernist and postmodern approaches to pantomime in Germany, Austria, France, numerous countries of Eastern Europe, Russia, Scandinavia, Spain, Belgium, The Netherlands, Chile, England, and The United States. Making use of many performance and historical documents never before included in pantomime histories, the book also discusses pantomime’s messy relation to dance, its peculiar uses of music, its “modernization” through silent film aesthetics, and the extent to which writers, performers, or directors are “authors” of pantomimes. Just as importantly, the book explains why, more than any other performance medium, pantomime allows the spectator to see the body as the agent of narrative action.
Publisher: Vosuri Media
ISBN: 1733249737
Category : Performing Arts
Languages : en
Pages : 1320
Book Description
This book offers perhaps the most comprehensive history of pantomime ever written. No other book so thoroughly examines the varieties of pantomimic performance from the early Roman Empire, when the term “pantomime” came into use, until the present. After thoroughly examining the complexities and startlingly imaginative performance strategies of Roman pantomime, the author identifies the peculiar political circumstances that revived and shaped pantomime in France and Austria in the eighteenth century, leading to the Pierrot obsession in the nineteenth century. Modernist aesthetics awakened a huge, highly diverse fascination with pantomime. The book explores an extraordinary variety of modernist and postmodern approaches to pantomime in Germany, Austria, France, numerous countries of Eastern Europe, Russia, Scandinavia, Spain, Belgium, The Netherlands, Chile, England, and The United States. Making use of many performance and historical documents never before included in pantomime histories, the book also discusses pantomime’s messy relation to dance, its peculiar uses of music, its “modernization” through silent film aesthetics, and the extent to which writers, performers, or directors are “authors” of pantomimes. Just as importantly, the book explains why, more than any other performance medium, pantomime allows the spectator to see the body as the agent of narrative action.
Orientalism
Author: Richard Harrison Martin
Publisher: Metropolitan Museum of Art
ISBN: 0870997335
Category : Clothing and dress
Languages : en
Pages : 97
Book Description
Published in conjunction with the exhibition of the same name held at The Metropolitan Museum of Art during the first quarter of 1995. The authors (both curators at The Costume Institute) explore the West's fascination with ideas and motifs from the various Easts, and demonstrate the expression of t
Publisher: Metropolitan Museum of Art
ISBN: 0870997335
Category : Clothing and dress
Languages : en
Pages : 97
Book Description
Published in conjunction with the exhibition of the same name held at The Metropolitan Museum of Art during the first quarter of 1995. The authors (both curators at The Costume Institute) explore the West's fascination with ideas and motifs from the various Easts, and demonstrate the expression of t