Author: Barbara Mauldin
Publisher:
ISBN: 9780890135273
Category : History
Languages : en
Pages : 0
Book Description
Color and black-and-white photographs show the architectural changes over the years and highlight the collection housed inside Casa San Ysidro from the Spanish Colonial, Mexican, and Territorial periods including tinwork, ironwork, carpentry, weavings, Pu
Folk Art of the Andes
Author: Barbara Mauldin
Publisher:
ISBN: 9780890135273
Category : History
Languages : en
Pages : 0
Book Description
Color and black-and-white photographs show the architectural changes over the years and highlight the collection housed inside Casa San Ysidro from the Spanish Colonial, Mexican, and Territorial periods including tinwork, ironwork, carpentry, weavings, Pu
Publisher:
ISBN: 9780890135273
Category : History
Languages : en
Pages : 0
Book Description
Color and black-and-white photographs show the architectural changes over the years and highlight the collection housed inside Casa San Ysidro from the Spanish Colonial, Mexican, and Territorial periods including tinwork, ironwork, carpentry, weavings, Pu
Andean Folk Knitting
Author: Cynthia Gravelle LeCount
Publisher: DOS Tejedoras Fiber Arts Publications
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 158
Book Description
Publisher: DOS Tejedoras Fiber Arts Publications
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 158
Book Description
Andean Folk Knits
Author: Marcia Lewandowski
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781579909536
Category : Art
Languages : en
Pages : 148
Book Description
With these attractive ethnic patterns from the Andes, knitters not only expand their design repertoire, they literally knit a connection with other cultures. The fabulous selection of 25 projects includes vibrant bags and other accessories based on the rich traditions of Argentina, Bolivia, Chile, Ecuador, and Peru. Knit fingerless mittens and a purse from Peru’s Ollantaytambo region. A wonderfully functional Argentinean felt bag fits around the waist and is perfect for holding money and other small belongings; a matching hat makes for an attractive ensemble. Or try making a chic and simple Chilean striped bag and scarf, or an adorable Bolivian purse in the shape of a llama. Every chapter offers interesting facts about the Andean people, history, and culture, too.
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781579909536
Category : Art
Languages : en
Pages : 148
Book Description
With these attractive ethnic patterns from the Andes, knitters not only expand their design repertoire, they literally knit a connection with other cultures. The fabulous selection of 25 projects includes vibrant bags and other accessories based on the rich traditions of Argentina, Bolivia, Chile, Ecuador, and Peru. Knit fingerless mittens and a purse from Peru’s Ollantaytambo region. A wonderfully functional Argentinean felt bag fits around the waist and is perfect for holding money and other small belongings; a matching hat makes for an attractive ensemble. Or try making a chic and simple Chilean striped bag and scarf, or an adorable Bolivian purse in the shape of a llama. Every chapter offers interesting facts about the Andean people, history, and culture, too.
Beyond National Identity
Author: Michele Greet
Publisher: Macmillan
ISBN: 9780271034706
Category : Art
Languages : en
Pages : 320
Book Description
Traces changes in Andean artists' vision of indigenous peoples as well as shifts in the critical discourse surrounding their work between 1920 and 1960.
Publisher: Macmillan
ISBN: 9780271034706
Category : Art
Languages : en
Pages : 320
Book Description
Traces changes in Andean artists' vision of indigenous peoples as well as shifts in the critical discourse surrounding their work between 1920 and 1960.
Up and Down the Andes
Author: Laurie Krebs
Publisher:
ISBN: 9781846864674
Category : Inti Raymi Festival
Languages : en
Pages : 27
Book Description
Travel and holiday.
Publisher:
ISBN: 9781846864674
Category : Inti Raymi Festival
Languages : en
Pages : 27
Book Description
Travel and holiday.
Crafting Gender
Author: Eli Bartra
Publisher: Duke University Press
ISBN: 9780822331704
Category : Art
Languages : en
Pages : 260
Book Description
DIVAnalyzes Latin American and Caribbean folk art from a feminist perspective, considering the issue of gender in the production and circulation of popular art produced by women./div
Publisher: Duke University Press
ISBN: 9780822331704
Category : Art
Languages : en
Pages : 260
Book Description
DIVAnalyzes Latin American and Caribbean folk art from a feminist perspective, considering the issue of gender in the production and circulation of popular art produced by women./div
Artefactos
Author: Liliana Villegas
Publisher: Villegas Asociados
ISBN: 9789589393833
Category : Art
Languages : en
Pages : 252
Book Description
"This book presents artifacts - or artefactos - from everyday life, objects that have accompanied Colombian people through the centuries, both in their earthly and spiritual activities. In both English and Spanish, the word artifact means, literally, "made with skill or art." Although all worthy of museums and galleries, these are not just exhibition pieces, nor are their makers all members of a separate artisan class. There is no Colombian home, however humble, that does not have a handmade broom, stool, basket, textile, or rustic furniture; nor is there a single Amazon Indian who cannot quickly piece together a basket from leaves found in the jungle."--BOOK JACKET.
Publisher: Villegas Asociados
ISBN: 9789589393833
Category : Art
Languages : en
Pages : 252
Book Description
"This book presents artifacts - or artefactos - from everyday life, objects that have accompanied Colombian people through the centuries, both in their earthly and spiritual activities. In both English and Spanish, the word artifact means, literally, "made with skill or art." Although all worthy of museums and galleries, these are not just exhibition pieces, nor are their makers all members of a separate artisan class. There is no Colombian home, however humble, that does not have a handmade broom, stool, basket, textile, or rustic furniture; nor is there a single Amazon Indian who cannot quickly piece together a basket from leaves found in the jungle."--BOOK JACKET.
Art, Nature, and Religion in the Central Andes
Author: Mary Strong
Publisher: University of Texas Press
ISBN: 0292742908
Category : Art
Languages : en
Pages : 369
Book Description
From prehistory to the present, the Indigenous peoples of the Andes have used a visual symbol system—that is, art—to express their sense of the sacred and its immanence in the natural world. Many visual motifs that originated prior to the Incas still appear in Andean art today, despite the onslaught of cultural disruption that native Andeans have endured over several centuries. Indeed, art has always been a unifying power through which Andeans maintain their spirituality, pride, and culture while resisting the oppression of the dominant society. In this book, Mary Strong takes a significantly new approach to Andean art that links prehistoric to contemporary forms through an ethnographic understanding of Indigenous Andean culture. In the first part of the book, she provides a broad historical survey of Andean art that explores how Andean religious concepts have been expressed in art and how artists have responded to cultural encounters and impositions, ranging from invasion and conquest to international labor migration and the internet. In the second part, Strong looks at eight contemporary art types—the scissors dance (danza de tijeras), home altars (retablos), carved gourds (mates), ceramics (ceramica), painted boards (tablas), weavings (textiles), tinware (hojalateria), and Huamanga stone carvings (piedra de Huamanga). She includes prehistoric and historic information about each art form, its religious meaning, the natural environment and sociopolitical processes that help to shape its expression, and how it is constructed or performed by today’s artists, many of whom are quoted in the book.
Publisher: University of Texas Press
ISBN: 0292742908
Category : Art
Languages : en
Pages : 369
Book Description
From prehistory to the present, the Indigenous peoples of the Andes have used a visual symbol system—that is, art—to express their sense of the sacred and its immanence in the natural world. Many visual motifs that originated prior to the Incas still appear in Andean art today, despite the onslaught of cultural disruption that native Andeans have endured over several centuries. Indeed, art has always been a unifying power through which Andeans maintain their spirituality, pride, and culture while resisting the oppression of the dominant society. In this book, Mary Strong takes a significantly new approach to Andean art that links prehistoric to contemporary forms through an ethnographic understanding of Indigenous Andean culture. In the first part of the book, she provides a broad historical survey of Andean art that explores how Andean religious concepts have been expressed in art and how artists have responded to cultural encounters and impositions, ranging from invasion and conquest to international labor migration and the internet. In the second part, Strong looks at eight contemporary art types—the scissors dance (danza de tijeras), home altars (retablos), carved gourds (mates), ceramics (ceramica), painted boards (tablas), weavings (textiles), tinware (hojalateria), and Huamanga stone carvings (piedra de Huamanga). She includes prehistoric and historic information about each art form, its religious meaning, the natural environment and sociopolitical processes that help to shape its expression, and how it is constructed or performed by today’s artists, many of whom are quoted in the book.
Wari
Author: Susan E Bergh
Publisher: National Geographic Books
ISBN: 0500516561
Category : Antiques & Collectibles
Languages : en
Pages : 0
Book Description
Featuring approximately 145 of the most sumptuous and culturally significant Wari objects from collections in the United States, Peru, and Europe, and published to accompany the first exhibition in North America of their startlingly beautiful art An eminent ancestor of the better-known Inca, the Wari ascended to power in the south-central highlands of Peru in about AD 600, underwent a brief period of incandescently explosive growth, and then, by AD 1000, collapsed. Elite arts and the ideologies that informed them were among the Wari’s most prominent exports. From their capital, one of the largest archaeological sites in South America, they sent their religion along with elaborate objects and textiles out to highland provincial centers hundreds of miles to the north and south, and down into populous Pacific coastal areas to the west. The arts were crucial to the Wari’s political, economic, and religious communications: like other ancient Andean peoples, they did not write. The objects featured here cover the full range of Wari arts: elaborate textiles, which probably were at the core of their value systems; sophisticated ceramics of various styles; exquisite personal ornaments made of gold, silver, shell, or bone and often inlaid with precious materials; carved wood containers; and other works in stone and fiber.
Publisher: National Geographic Books
ISBN: 0500516561
Category : Antiques & Collectibles
Languages : en
Pages : 0
Book Description
Featuring approximately 145 of the most sumptuous and culturally significant Wari objects from collections in the United States, Peru, and Europe, and published to accompany the first exhibition in North America of their startlingly beautiful art An eminent ancestor of the better-known Inca, the Wari ascended to power in the south-central highlands of Peru in about AD 600, underwent a brief period of incandescently explosive growth, and then, by AD 1000, collapsed. Elite arts and the ideologies that informed them were among the Wari’s most prominent exports. From their capital, one of the largest archaeological sites in South America, they sent their religion along with elaborate objects and textiles out to highland provincial centers hundreds of miles to the north and south, and down into populous Pacific coastal areas to the west. The arts were crucial to the Wari’s political, economic, and religious communications: like other ancient Andean peoples, they did not write. The objects featured here cover the full range of Wari arts: elaborate textiles, which probably were at the core of their value systems; sophisticated ceramics of various styles; exquisite personal ornaments made of gold, silver, shell, or bone and often inlaid with precious materials; carved wood containers; and other works in stone and fiber.
Portraits in the Andes
Author: Jorge Coronado
Publisher: University of Pittsburgh Press
ISBN: 0822982994
Category : History
Languages : en
Pages : 313
Book Description
Portraits in the Andes examines indigenous and mestizo self-representation through the medium of photography from the early to mid twentieth century. As Jorge Coronado reveals, these images offer a powerful counterpoint to the often-slanted, predominant view of indigenismo produced by the intellectual elite. Photography offered an inexpensive and readily available technology for producing portraits and other images that allowed lower- and middle-class racialized subjects to create their own distinct rhetoric and vision of their culture. The powerful identity-marking vehicle that photography provided to the masses has been overlooked in much of Latin American cultural studies—which have focused primarily on the elite's visual arts. Coronado's study offers close readings of Andean photographic archives from the early- to mid-twentieth century, to show the development of a consumer culture and the agency of marginalized groups in creating a visual document of their personal interpretations of modernity.
Publisher: University of Pittsburgh Press
ISBN: 0822982994
Category : History
Languages : en
Pages : 313
Book Description
Portraits in the Andes examines indigenous and mestizo self-representation through the medium of photography from the early to mid twentieth century. As Jorge Coronado reveals, these images offer a powerful counterpoint to the often-slanted, predominant view of indigenismo produced by the intellectual elite. Photography offered an inexpensive and readily available technology for producing portraits and other images that allowed lower- and middle-class racialized subjects to create their own distinct rhetoric and vision of their culture. The powerful identity-marking vehicle that photography provided to the masses has been overlooked in much of Latin American cultural studies—which have focused primarily on the elite's visual arts. Coronado's study offers close readings of Andean photographic archives from the early- to mid-twentieth century, to show the development of a consumer culture and the agency of marginalized groups in creating a visual document of their personal interpretations of modernity.