Author: Wolfgang Amadeus MozartPublisher:
ISBN: 9788013001320
Category : Flute music
Languages : en
Pages : 63
Book Description
Flute Concertos No.1 in G (K.313), No.2 in D (K.314) for Flute and Orchestra
Author: Wolfgang Amadeus MozartPublisher:
ISBN: 9788013001320
Category : Flute music
Languages : en
Pages : 63
Book Description
Flute concerto no.1 in G major (K313) Flute concerto no.2 in D major (K314) Andante for flute and orchestra in C major (K315).
Author: Wolfgang Amadeus MozartConcerto for flute & orchestra no. 1 in G, K313
Author: Wolfgang Amadeus MozartPublisher:
ISBN:
Category : Concertos
Languages : en
Pages :
Book Description
Concerto no. 1, in G major, for flute and orchestra, K. 313
Author: Wolfgang Amadeus MozartFlute concerto no. 1, K 313 ; Flute concerto no. 2, K 314 ; Andante for flute, K 315
Author: Wolfgang Amadeus MozartPublisher:
ISBN:
Category : Concertos (Flute)
Languages : en
Pages : 72
Book Description
Flute Concerto No. 2 in D Major, K. 314
Author: Wolfgang Amadeus MozartPublisher: Alfred Music
ISBN: 1457476029
Category : Music
Languages : en
Pages : 34
Book Description
Expertly arranged flute solo by Wolfgang Amadeus Mozart from the Kalmus Edition series. This is from the Classical era.
Flute Concerto No. 1, K 313
Author: Flute Concerto No. 2 in D K314 (285d) (Edition for Flute and Piano)
Author: Flute Concerto No. 1 in G K313 (285c) (Edition for Flute and Piano) [Incl. CD]: CD: Orchestral Acc., Book & CD
![Flute Concerto No. 1 in G K313 (285c) (Edition for Flute and Piano) [Incl. CD]: CD: Orchestral Acc., Book & CD PDF](https://books.google.com/books/content/images/frontcover/GKcrzwEACAAJ?fife=w80-h100)
Author: Structural Novelty and Tradition in the Early Romantic Piano Concerto
Author: Stephan D. LindemanPublisher: Pendragon Press
ISBN: 9781576470008
Category : Juvenile Nonfiction
Languages : en
Pages : 368
Book Description
Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR