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Author: Wayne Kyle Spitzer Publisher: Hobb's End Books ISBN: Category : Fiction Languages : en Pages : 134
Book Description
Roadkill ... A funny thing happened to Roger and Savanna Aldiss on the Interstate. They hit a dinosaur. But that's nothing compared to what awaits them down the road ... for something is at work to reverse time itself, something which makes the clouds boil, glowing with strange lights, and ancient trees to appear out of nowhere. Something against which Roger, Savanna, and a handful of others will make their final stand. From Flashback: The cop was just standing there, staring at the trees. And staring at the rex, too—though he clearly didn't know it. “My God,” Savanna pleaded. “You can't just let him be ripped to pieces …” Omar raised an eyebrow. “No?” He slid off the table and approached her. “And why not?” She hesitated. His face hovered in her own like some foam-latex Halloween mask—Uncle Pervis, perhaps, or Baby Stinky. “You, you just can’t,” she stammered. He cocked his head to one side and smiled broadly, wickedly. “You ever been to prison, sugar-muffin?” His teeth seemed covered with a yellow, pussy substance which reminded Savanna of that gummy liquid SPAM was packed in. She shook her head. “That's too bad …. they'd like you there.” He stepped closer and Savanna felt his coat pressing against her breasts, the reek of liquor-sweat and pitted-out leather seeming to radiate off him in waves. “You ever heard stories about what goes on inside?” Again, she shook her head. The glass of the window was cold against her back, as if it had frosted on the inside. “They stick you in a little room to rot,” he said, and with the word rot came an invisible cloud of stale barley which made her eyes water and her throat want to close in on itself. “But the trick is, they don't put you in there alone. No, they always put you in there with some shifty-eyed S.O.B. who's crazier even then you are …” His voice had become a quavering hiss, like sparks running along a fuse. “They put you in there with some poetry-writing faggot, or some jittering crackpot who's so hard-up for a cigarette he picks butts out of the toilet, or some darkie …” He glanced sidelong at the cashier and menaced him with molten eyes, but the stout black man was unmoved. “… who's built like Mike Tyson and wants you to be his joy-boy. And if that's what he wants, that's what he'll get … because you're not going anywhere. And don't think the guards will help you, sister. Because they won’t. They’ll just walk right by whistling and swinging their keys. You're helpless, just like you’re helpless now …”
Author: Wayne Kyle Spitzer Publisher: Hobb's End Books ISBN: Category : Fiction Languages : en Pages : 134
Book Description
Roadkill ... A funny thing happened to Roger and Savanna Aldiss on the Interstate. They hit a dinosaur. But that's nothing compared to what awaits them down the road ... for something is at work to reverse time itself, something which makes the clouds boil, glowing with strange lights, and ancient trees to appear out of nowhere. Something against which Roger, Savanna, and a handful of others will make their final stand. From Flashback: The cop was just standing there, staring at the trees. And staring at the rex, too—though he clearly didn't know it. “My God,” Savanna pleaded. “You can't just let him be ripped to pieces …” Omar raised an eyebrow. “No?” He slid off the table and approached her. “And why not?” She hesitated. His face hovered in her own like some foam-latex Halloween mask—Uncle Pervis, perhaps, or Baby Stinky. “You, you just can’t,” she stammered. He cocked his head to one side and smiled broadly, wickedly. “You ever been to prison, sugar-muffin?” His teeth seemed covered with a yellow, pussy substance which reminded Savanna of that gummy liquid SPAM was packed in. She shook her head. “That's too bad …. they'd like you there.” He stepped closer and Savanna felt his coat pressing against her breasts, the reek of liquor-sweat and pitted-out leather seeming to radiate off him in waves. “You ever heard stories about what goes on inside?” Again, she shook her head. The glass of the window was cold against her back, as if it had frosted on the inside. “They stick you in a little room to rot,” he said, and with the word rot came an invisible cloud of stale barley which made her eyes water and her throat want to close in on itself. “But the trick is, they don't put you in there alone. No, they always put you in there with some shifty-eyed S.O.B. who's crazier even then you are …” His voice had become a quavering hiss, like sparks running along a fuse. “They put you in there with some poetry-writing faggot, or some jittering crackpot who's so hard-up for a cigarette he picks butts out of the toilet, or some darkie …” He glanced sidelong at the cashier and menaced him with molten eyes, but the stout black man was unmoved. “… who's built like Mike Tyson and wants you to be his joy-boy. And if that's what he wants, that's what he'll get … because you're not going anywhere. And don't think the guards will help you, sister. Because they won’t. They’ll just walk right by whistling and swinging their keys. You're helpless, just like you’re helpless now …”
Author: Walter Dean Myers Publisher: Harper Collins ISBN: 0061975028 Category : Young Adult Fiction Languages : en Pages : 292
Book Description
This New York Times bestselling novel from acclaimed author Walter Dean Myers tells the story of Steve Harmon, a teenage boy in juvenile detention and on trial. Presented as a screenplay of Steve's own imagination, and peppered with journal entries, the book shows how one single decision can change our whole lives. Monster is a multi-award-winning, provocative coming-of-age story that was the first-ever Michael L. Printz Award recipient, an ALA Best Book, a Coretta Scott King Honor selection, and a National Book Award finalist. Monster is now a major motion picture called All Rise and starring Jennifer Hudson, Kelvin Harrison, Jr., Nas, and A$AP Rocky. The late Walter Dean Myers was a National Ambassador for Young People’s Literature, who was known for his commitment to realistically depicting kids from his hometown of Harlem.
Author: Kathryn Kalinak Publisher: Routledge ISBN: 1136620575 Category : Music Languages : en Pages : 242
Book Description
Music in the Western: Notes from the Frontier presents essays from both film studies scholars and musicologists on core issues in western film scores: their history, their generic conventions, their operation as part of a narrative system, their functioning within individual filmic texts and their ideological import, especially in terms of the western’s construction of gender, sexuality, race and ethnicity. The Hollywood western is marked as uniquely American by its geographic setting, prototypical male protagonist and core American values. Music in the Western examines these conventions and the scores that have shaped them. But the western also had a resounding international impact, from Europe to Asia, and this volume distinguishes itself by its careful consideration of music in non-Hollywood westerns, such as Ravenous and The Good, the Bad, and the Ugly and in the “easterns” which influenced them, such as Yojimbo. Other films discussed include Wagon Master, High Noon, Calamity Jane, The Big Country, The Unforgiven, Dead Man, Wild Bill, There Will Be Blood and No Country for Old Men. Contributors Ross Care Corey K. Creekmur Yuna de Lannoy K. J. Donnelly Caryl Flinn Claudia Gorbman Kathryn Kalinak Charles Leinberger Matthew McDonald Peter Stanfield Mariana Whitmer Ben Winters The Routledge Music and Screen Media Series offers edited collections of original essays on music in particular genres of cinema, television, video games and new media. These edited essay collections are written for an interdisciplinary audience of students and scholars of music and film and media studies.
Author: Maureen Turim Publisher: Routledge ISBN: 1317916670 Category : Performing Arts Languages : en Pages : 307
Book Description
The flashback is a crucial moment in a film narrative, one that captures the cinematic expression of memory, and history. This author’s wide-ranging account of this single device reveals it to be an important way of creating cinematic meaning. Taking as her subject all of film history, the author traces out the history of the flashback, illuminating that history through structuralist narrative theory, psychoanalytic theories of subjectivity, and theories of ideology. From the American silent film era and the European and Japanese avant-garde of the twenties, from film noir and the psychological melodrama of the forties and fifties to 1980s art and Third World cinema, the flashback has interrogated time and memory, making it a nexus for ideology, representations of the psyche, and shifting cultural attitudes.
Author: Gino Carlotti Publisher: Via Media Publishing ISBN: 1893765075 Category : Biography & Autobiography Languages : en Pages : 164
Book Description
This book is a collection of personal accounts of growing up in an Italian-American home in an inter-city neighborhood of the 1930s, 40s, and 50s. Accompanying the text are 52 pictures of an historical era many Americans hold close to their hearts and consider the most precious of their lives. The book fondly enlivens themes of America's melting pot. The author, a gifted storyteller, writes about topics that range from his parents' roots in Italy to life in Catholic schools' from how teanagers dressed when he was a boy to how U.S. military personnel are honored in American cemeteries throughout the world. The love of family, regard for old friends and classmates, and the importance of "toots" are threads that are woven throughout the book.
Author: Romy Golan Publisher: Princeton University Press ISBN: 1942130511 Category : Art Languages : en Pages : 213
Book Description
From a leading art historian, a provocative exploration of the intersection of art, politics, and history in 1960s Italy Flashback, Eclipse is a groundbreaking study of 1960s Italian art and its troubled but also resourceful relation to the history and politics of the first part of the twentieth century and the aftermath of World War II. Most analyses have treated the 1960s in Italy as the decade of “presentism” par excellence, a political decade but one liberated from history. Romy Golan, however, makes the counterargument that 1960s Italian artists did not forget Italian and European history but rather reimagined it in oblique form. Her book identifies and explores this imaginary through two forms of nonlinear and decidedly nonpresentist forms of temporality—the flashback and the eclipse. In view of the photographic and filmic nature of these two concepts, the book’s analysis is largely mediated by black-and-white images culled from art, design, and architecture magazines, photo books, film stills, and exhibition documentation. The book begins in Turin with Michelangelo Pistoletto’s Mirror Paintings; moves on to Campo urbano, a one-day event in the city of Como; and ends with the Vitalità del Negativo exhibition in Rome. What is being recalled and at other moments occluded are not only episodes of Italian nationalism and Fascism but also various liberatory moments of political and cultural resistance. The book’s main protagonists are, in order of appearance, artists Michelangelo Pistoletto and Giosetta Fioroni, photographer Ugo Mulas, Ettore Sottsass (as critic rather than designer), graphic designer Bruno Munari, curators Luciano Caramel and Achille Bonito Oliva, architect Piero Sartogo, Carla Lonzi (as artist as much as critic), filmmakers Michelangelo Antonioni and Bernardo Bertolucci, and, in flashback among the departed, painter Felice Casorati, writer Massimo Bontempelli, art historian Aby Warburg, architect Giuseppe Terragni, and Renaissance friar-philosopher-mathematician Giordano Bruno (as patron saint of the sixty-eighters).
Author: Michael Lydon Publisher: Psychology Press ISBN: 9780415966443 Category : Music Languages : en Pages : 270
Book Description
Flashbacks is an eyewitness account of '60s rock as it was being made. Michael Lydon-the first editor of Rolling Stone and a participant in the rock revolution-enjoyed unique access to the people and events when rock was new. His profiles of the founding fathers and mothers of '60s rock are unique in that they are based on first-hand interviews and on-the-spot reporting. This collection includes the first piece written on the Monterey Pop Festival of 1967 (written only 48 hours after the festival, and never before published); an account of the Rolling Stones's U.S. tour of December 1969; Janis Joplin's dramatic rise and equally dramatic fall; The Grateful Dead at home in their communal house in San Francisco and on stage at Winterland; and much more.
Author: Randolph Michaels Publisher: iUniverse ISBN: 0595370071 Category : Music Languages : en Pages : 562
Book Description
What do Gregory Abbott, Boy Meets Girl, Lou Christie, Club Nouveau, Gardner Cole, Cutting Crew, Rick Dees, The Escape Club, Expose, Michael Sembello, Billy Vera & the Beaters, Rob Hyman, Tiffany, The Knack, A Taste of Honey and Wild Cherry all have in common? For starters, they are all pop stars that have enjoyed the experience of having their songs reach the Number One position on the American music charts. They are also among the 140 artists who responded to writer Randolph Michael's call to be questioned for this book, Flashbacks to Happiness, which is a survey of hit songs of the 1980's and what it took to make them. Readers who are interested in popular music, and the '80's decade in particular, will find the interviews included within these pages to be fascinating testaments of how the music industry has changed to such a drastic extent in the last 20 years. It also details how artists have managed to keep their careers alive despite today's increasingly unstable marketplace and often-fickle music buying public.
Author: Wayne Kyle Spitzer
Author: Wayne Kyle Spitzer
Author: Walter Dean Myers
Author: Kathryn Kalinak
Author: Maureen Turim
Author: Roger L. Williams
Author: Joshua Hirsch
Author: Gino Carlotti
Author: Romy Golan
Author: Michael Lydon
Author: Randolph Michaels