Author: Constantine Verevis Publisher: Columbia University Press ISBN: 0231851308 Category : Performing Arts Languages : en Pages : 86
Book Description
Banned soon after its first midnight screenings, the prints seized and the organizers arrested, Jack Smith’s incendiary Flaming Creatures (1963) quickly became a cause célèbre of the New York underground. Championed and defended by Jonas Mekas and Susan Sontag, among others, the film wildly and gleefully transgresses nearly every norm of Hollywood morality and aesthetics. In a surreal and visually dense series of episodes, the titular “creatures” reenact scenes drawn from the collective cinematic unconscious, playing on mainstream film culture’s moral code in a way that is at once a love letter to classical Hollywood and a searing send-up of its absurdities. Tracing the film’s production and reception history, Constantine Verevis argues that it embodies a unique type of cinematic rewriting, one that combines Smith’s multifaceted artistic work with exotic fragments drawn from the cinematic past. This study of Smith’s magnum opus explores its status as a cult film that appropriates the visual texture, erotic nuance, and overt fabrication of old Hollywood exoticism.
Author: Edward G. Leffingwell Publisher: ISBN: Category : Art Languages : en Pages : 284
Book Description
Creator of the notorious film Flaming Creatures, Jack Smith astonished an international audience with his work in film, photography, theater, performance and the written word. Example and antagonist to generations of artists and performers'revered by Robert Wilson, denounced by Kenneth Anger, imitated by Andy Warhol?Jack Smith is ready for his close-up, on location in the streets and ruins of the world. This volume recognizes Smith's seminal contributions and the need for a significant rethinking of the history of the American avant-garde.
Author: Constantine Verevis Publisher: Cultographies ISBN: 9780231191470 Category : Performing Arts Languages : en Pages : 136
Book Description
Banned soon after its first midnight screenings, Jack Smith's incendiary Flaming Creatures (1963) quickly became a cause célèbre of the New York underground. This study of Smith's magnum opus explores its status as a cult film that appropriates the visual texture, erotic nuance, and overt fabrication of old Hollywood exoticism.
Author: Jonathan Rosenbaum Publisher: JHU Press ISBN: 0801878403 Category : Performing Arts Languages : en Pages : 468
Book Description
A cogent and provocative argument about the art of film, Essential Cinema is a fiercely independent reference book of must-see movies for film lovers everywhere.
Author: Raymond Haberski Publisher: University Press of Kentucky ISBN: 0813172152 Category : History Languages : en Pages : 280
Book Description
In the postwar era, the lure of controversy sold movie tickets as much as the promise of entertainment did. In Freedom to Offend, Raymond J. Haberski Jr. investigates the movie culture that emerged as official censorship declined and details how the struggle to free the screen has influenced our contemporary understanding of art and taste. These conflicts over film content were fought largely in the theaters and courts of New York City in the decades following World War II. Many of the regulators and religious leaders who sought to ensure that no questionable content invaded the public consciousness were headquartered in New York, as were the critics, exhibitors, and activists who sought to expand the options available to moviegoers. Despite Hollywood’s dominance of film production, New York proved to be not only the arena for struggles over film content but also the market where the financial fates of movies were sealed. Advocates for a wider range of cinematic expression eventually prevailed against the forces of censorship, but Freedom to Offend is no simple homily on the triumph of freedom from repression. In his analysis of controversies surrounding films from The Bicycle Thief to Deep Throat, Haberski offers a cautionary tale about the responsible use of the twin privileges of free choice and free expression. In the libertine 1970s, arguments in favor of the public’s right to see challenging and artistic films were twisted to provide intellectual cover for movies created solely to lure viewers with outrageous or titillating material. Social critics who stood against this emerging trend were lumped in with the earlier crusaders for censorship, though their criticism was usually rational rather than moralistic in nature. Freedom to Offend calls attention to what was lost as well as what was gained when movie culture freed itself from the restrictions of the early postwar years. Haberski exposes the unquestioning defense of the doctrine of free expression as a form of absolutism that mirrors the censorial impulse found among the postwar era’s restrictive moral guardians. Beginning in New York and spreading across America throughout the twentieth century, the battles between these opposing worldviews set the stage for debates on the social effects of the work of artists and filmmakers.
Author: Margaret Cavendish Publisher: Penguin UK ISBN: 0141904828 Category : Fiction Languages : en Pages : 320
Book Description
Flamboyant, theatrical and ambitious, Margaret Cavendish was one of the seventeenth century's most striking figures: a woman who ventured into the male spheres of politics, science, philosophy and literature. The Blazing World is a highly original work: part Utopian fiction, part feminist text, it tells of a lady shipwrecked on the Blazing World where she is made Empress and uses her power to ensure that it is free of war, religious division and unfair sexual discrimination. This volume also includes The Contract, a romance in which love and law work harmoniously together, and Assaulted and Pursued Chastity, which explores the power and freedom a woman can achieve in the disguise of a man.
Author: Branden Wayne Joseph Publisher: Mit Press ISBN: 9781890951870 Category : Art Languages : en Pages : 0
Book Description
Examining Tony Conrad's collaborative interactions as a guiding thread by which to investigate the contiguous networks and discursive interconnections in 1960s art. Tony Conrad has significantly influenced cultural developments from minimalism to underground film, "concept art," postmodern appropriation, and the most sophisticated rock and roll. Creator of the "structural" film, The Flicker, collaborator on Jack Smith's Flaming Creatures and Normal Love, follower of Henry Flynt's radical anti-art, member of the Theatre of Eternal Music and the first incarnation of The Velvet Underground, and early associate of Mike Kelley, Tony Oursler, and Cindy Sherman, Conrad has eluded canonic histories. Yet Beyond the Dream Syndicate does not claim Conrad as a major but under-recognized figure. Neither monograph nor social history, the book takes Conrad's collaborative interactions as a guiding thread by which to investigate the contiguous networks and discursive interconnections in 1960s art. Such an approach simultaneously illuminates and estranges current understandings of the period, redrawing the map across medium and stylistic boundaries to reveal a constitutive hybridization at the base of the decade's artistic development. This exploration of Conrad and his milieu goes beyond the presentation of a relatively overlooked oeuvre to chart multiple, contestatory regimes of power simultaneously in play during the pivotal moment of the 1960s. From the sovereign authority invoked by Young's music, to the "paranoiac" politics of Flynt, to the immanent control modeled by Conrad's films, each avant-garde project examined reveals an investment within a particular structure of power and resistance, providing a glimpse into the diversity of the artistic and political stakes that continue to define our time.
Author: S. L. Huang Publisher: Tordotcom ISBN: 1250763983 Category : Fiction Languages : en Pages : 79
Book Description
From Hugo Award Winner S. L. Huang "S. L. Huang is amazing."—Patrick Rothfuss Burning Roses is a gorgeous fairy tale of love and family, of demons and lost gods, for fans of Zen Cho and Neon Yang. Rosa, also known as Red Riding Hood, is done with wolves and woods. Hou Yi the Archer is tired, and knows she’s past her prime. They would both rather just be retired, but that’s not what the world has ready for them. When deadly sunbirds begin to ravage the countryside, threatening everything they’ve both grown to love, the two must join forces. Now blessed and burdened with the hindsight of middle age, they begin a quest that’s a reckoning of sacrifices made and mistakes mourned, of choices and family and the quest for immortality. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Author: Jack Smith Publisher: ISBN: 9781852424282 Category : Motion picture literature Languages : en Pages : 0
Book Description
'During thirty years ... as a filmmaker, photographer, and performer, Jack Smith produced a body of creative, antic writing that intersects and transcends the genres of hothouse fantasy, criticism, and social comment. Bringing together long unavailable essays, performance scripts, interviews, and other material, [this compilation] reveals the ideas and personality of an artist whose distinctive vision has influenced generations of filmmakers and performance artists"--Provided by publisher.
Author: J. Hoberman Publisher: Hips Road/Tzadik ISBN: Category : Performing Arts Languages : en Pages : 148
Book Description
Reviled, rioted over and banned as pornographic even as it was recognized by many as an unprecedented visionary masterpiece, Jack Smith's Flaming Creatures is one of the most important and influential underground movies ever released in America. J. Hoberman's monograph details the creative making--and legal unmaking--of this extraordinary film, a source of inspiration for artists as disparate as Andy Warhol, Federico Fellini and John Waters. Described by its maker as "a comedy set in a haunted music studio," the story of Flaming Creatures is here augmented with a dossier of personal recollections, relevant documents and remarkable, previously unpublished on-set photographs by Norman Solomon. Expanding on notes originally prepared for the 1997 retrospective on Jack Smith at the American Museum of the Moving Image, the monograph includes further material on his unfinished features Normal Love and No President, as well as shorter film fragments.
Author: Constantine Verevis
Author: Edward G. Leffingwell
Author: Constantine Verevis
Author: Jonathan Rosenbaum
Author: Raymond Haberski
Author: Margaret Cavendish
Author: Branden Wayne Joseph
Author: S. L. Huang
Author: Jack Smith
Author: J. Hoberman