Five sixteenth century Venetian lute books PDF Download

Author: Gerald Lefkoff
Publisher:
ISBN:
Category : Lute music
Languages : en
Pages : 238

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Author: Jane A. Bernstein
Publisher: Oxford University Press
ISBN: 0195349709
Category : Music
Languages : en
Pages : 248

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Book Description
This volume discusses the commerce of music and its connection to the printing and publishing industry in mid-sixteenth century Venice. Music printers occupied a unique niche in the Renaissance printing world because their product appealed to those with sophisticated taste and was not readable by the entire literate public. Bridging the gap between music and other disciplines, Bernstein demonstrates here that the role of a music printer can be discussed as part of the larger cultural and economic question of the success of a commercial enterprise.

Author: Mary Lewis
Publisher: Routledge
ISBN: 1136802061
Category : Music
Languages : en
Pages : 566

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Book Description
Antonio Gardano's publications are among the most important sources of 16th-century music. The second volume describes the output of this leading Italian music press in its cultural, bibliographical, and musical context. The first part of the book consists of an overview of Gardano's repertory from the fifties and the cultural and musical milieu in which he worked. It includes discussions of the continuing popularity of his earlier repertory, the music of the younger generation introduced in the fifties, the music of the composers around San Marco, and genres such as the multi-movement madrigal, the canzoni villanesche, instrumental works, and new anthologies. Also discussed are the dating of some undated editions, unconfirmed and doubtful prints, and ordering within the editions. A chapter on binder's copies describes groups of editions bound together by their early owners and serves as a valuable index to the tastes of the collectors. The catalog section covers all Gardano's known publications of the fifties, and provides full titles, bibliographical information, contents with concordant sources for each piece, and locations of individual copies with notes on their bindings, owners' marks, annotations, and other significant characteristics. The catalog is indexed by composer, first line, and short title, and includes a list of primary and secondary sources consulted.

Author: Gerald Lefkoff
Publisher:
ISBN:
Category :
Languages : en
Pages : 208

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Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 528

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Author: Mark Germer
Publisher: The AMS
ISBN:
Category : Bulletin of the American Musicological Society
Languages : en
Pages : 162

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Author: Mary Lewis
Publisher: Routledge
ISBN: 1135575002
Category : Music
Languages : en
Pages : 614

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Book Description
Antonio Gardano's publications are among the most important sources of sixteenth-century music. This final volume in Mary Lewis's three volume set completes the catalogue of Antonio Gardano's publications, covering the years 1560-1569.

Author: Maurice Esses
Publisher: Pendragon Press
ISBN: 9780945193081
Category : Juvenile Nonfiction
Languages : en
Pages : 908

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Book Description
V. 1. History and background, music and dance -- v. 2. Musical transcriptions -- v. 3. The notes in Spanish and other languages from the sources.

Author: Lute Society of America
Publisher:
ISBN:
Category : Lute
Languages : en
Pages : 10

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Author:
Publisher: BRILL
ISBN: 9004358307
Category : History
Languages : en
Pages : 576

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Book Description
This book offers an overview of all facets of musical life in sixteenth-century Venice. It addresses the city’s institutions (churches, confraternities, and academies) against the background of public and private occasions of music making. Supported by a generous collection of archival, literary, and iconographical sources, it treats both ceremonial life in the Serenissima and private forms of patronage. The Companion also addresses the dense web of musical activity (from chapel masters and singers to instrumentalists and instrument makers to music printers and theorists) and the rich variety of styles and musical genres (the frottola, the madrigal, motets and masses, instrumental music, polychoral music, Venetian-language polyphony), broadening the geographical perspective beyond the Veneto to Istria and Dalmatia. Contributors are Rodolfo Baroncini, Sherri Bishop, Bonnie J. Blackburn, David Bryant, Ivano Cavallini, Paolo Da Col, Daniel Donnelly, Rebecca Edwards, Iain Fenlon, Jonathan Glixon, Don Harrán (†), Jeffrey Kurtzman, Giulio M. Ongaro, Francesco Passadore, Elena Quaranta, Katelijne Schiltz, Eleanor Selfridge-Field, and Giovanni Zanovello.