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Author: James A. Craig Publisher: Arcadia Publishing ISBN: 1625844425 Category : Travel Languages : en Pages : 420
Book Description
Fitz H. Lanes maritime masterpieces are known throughout the world, but the man himself has eluded both historians and art critics for over a century. The Luminist painters successful career began in his early childhood in picturesque Gloucester, Massachusetts and his talents developed and matured over time, making him one of the nations premier nineteenth-century artists. Throughout his career, Lane painted with a vitality and attention to detail that was purely American at heart, and it is in pursuit of this ideal that James Craig embarks on a detectives investigation to reconstruct with accuracy and honesty the details of a man about whom much has been written but little revealed. Few clues remain today about the artist who so thoroughly embodied the American spirit during one of humanitys most dramatic and confusing historical epochs. Lanes era was one of great change for America, and both he and his art were there to capture that spirit. This dazzling and exhaustive effort provides the first glimpse behind the canvas, beyond the career and into the soul of Fitz H. Lane. Passionate, stunning and thrilling, this is a narrative that returns life and color to a man intent or preserving and presenting the life of the culture he loved. James Craig has given Gloucester back one of her favorite sons.
Author: James A. Craig Publisher: Arcadia Publishing ISBN: 1625844425 Category : Travel Languages : en Pages : 420
Book Description
Fitz H. Lanes maritime masterpieces are known throughout the world, but the man himself has eluded both historians and art critics for over a century. The Luminist painters successful career began in his early childhood in picturesque Gloucester, Massachusetts and his talents developed and matured over time, making him one of the nations premier nineteenth-century artists. Throughout his career, Lane painted with a vitality and attention to detail that was purely American at heart, and it is in pursuit of this ideal that James Craig embarks on a detectives investigation to reconstruct with accuracy and honesty the details of a man about whom much has been written but little revealed. Few clues remain today about the artist who so thoroughly embodied the American spirit during one of humanitys most dramatic and confusing historical epochs. Lanes era was one of great change for America, and both he and his art were there to capture that spirit. This dazzling and exhaustive effort provides the first glimpse behind the canvas, beyond the career and into the soul of Fitz H. Lane. Passionate, stunning and thrilling, this is a narrative that returns life and color to a man intent or preserving and presenting the life of the culture he loved. James Craig has given Gloucester back one of her favorite sons.
Author: Barbara Novak Altschul Professor of Art History Barnard College and Columbia University (Emerita) Publisher: Oxford University Press, USA ISBN: 0195345665 Category : Art Languages : en Pages : 328
Book Description
In this richly illustrated volume, featuring more than fifty black-and-white illustrations and a beautiful eight-page color insert, Barbara Novak describes how for fifty extraordinary years, American society drew from the idea of Nature its most cherished ideals. Between 1825 and 1875, all kinds of Americans--artists, writers, scientists, as well as everyday citizens--believed that God in Nature could resolve human contradictions, and that nature itself confirmed the American destiny. Using diaries and letters of the artists as well as quotes from literary texts, journals, and periodicals, Novak illuminates the range of ideas projected onto the American landscape by painters such as Thomas Cole, Albert Bierstadt, Frederic Edwin Church, Asher B. Durand, Fitz H. Lane, and Martin J. Heade, and writers such as Ralph Waldo Emerson, Henry David Thoreau, and Frederich Wilhelm von Schelling. Now with a new preface, this spectacular volume captures a vast cultural panorama. It beautifully demonstrates how the idea of nature served, not only as a vehicle for artistic creation, but as its ideal form. "An impressive achievement." --Barbara Rose, The New York Times Book Review "An admirable blend of ambition, elan, and hard research. Not just an art book, it bears on some of the deepest fantasies of American culture as a whole." --Robert Hughes, Time Magazine
Author: Barbara Novak Publisher: Oxford University Press ISBN: 0198042256 Category : Art Languages : en Pages : 337
Book Description
In this distinguished work, which Hilton Kramer in The New York Times Book Review called "surely the best book ever written on the subject," Barbara Novak illuminates what is essentially American about American art. She highlights not only those aspects that appear indigenously in our art works, but also those features that consistently reappear over time. Novak examines the paintings of Washington Allston, Thomas Cole, Asher B. Durand, Fitz H. Lane, William Sidney Mount, Winslow Homer, Thomas Eakins, and Albert Pinkham Ryder. She draws provocative and original conclusions about the role in American art of spiritualism and mathematics, conceptualism and the object, and Transcendentalism and the fact. She analyzes not only the paintings but nineteenth-century aesthetics as well, achieving a unique synthesis of art and literature. Now available with a new preface and an updated bibliography, this lavishly illustrated volume--featuring more than one hundred black-and-white illustrations and sixteen full-color plates--remains one of the seminal works in American art history.
Author: James A. Craig Publisher: ISBN: Category : Antiques & Collectibles Languages : en Pages : 180
Book Description
For Frank Vining Smith (1879-1967), the nineteenth-century clipper ship, like the cathedral of the Middle Ages, was one of men's most glorious accomplishments. As Monet had done with the cathedral, Smith painted the ship, featuring it in different angles and at different times of the day. Having studied under the supervision of Frank W. Benson, and Edmund Tarbell at the Museum School in Boston, Smith brought a new approach to the conservative art of marine painting. When looking at a painting by Smith, one does not see the blueprint of detail that was common in ship painting at the turn of the century, instead one sees masses of shadows and the suggestion of details. Up close, it is difficult to see where one brush-stroke ends and another begins, but seen from a distance, his compositions work perfectly, and is what contributor Peter Williams calls "the alchemy of Smith's impressionism". AUTHOR: James A. Craig is a curator and lecturer specializing in nineteenth-century American marine art. SELLING POINTS: *Definitive exploration of the art and life of this prolific Massachusetts artist's 70 year career *Of interest to museums, universities, yacht clubs, yachting enthusiasts, and antique collectors *Vining Smith's work is in collections across the United States including in navy wardrooms, and he counted former President Franklin Delano Roosevelt as one of his loyal patrons ILLUSTRATIONS: 93 colour & 72 b/w
Author: Charles Colbert Publisher: University of Pennsylvania Press ISBN: 0812204999 Category : History Languages : en Pages : 332
Book Description
Spiritualism emerged in western New York in 1848 and soon achieved a wide following due to its claim that the living could commune with the dead. In Haunted Visions: Spiritualism and American Art, Charles Colbert focuses on the ways Spiritualism imbued the making and viewing of art with religious meaning and, in doing so, draws fascinating connections between art and faith in the Victorian age. Examining the work of such well-known American artists as James Abbott McNeill Whistler, William Sydney Mount, and Robert Henri, Colbert demonstrates that Spiritualism played a critical role in the evolution of modern attitudes toward creativity. He argues that Spiritualism made a singular contribution to the sanctification of art that occurred in the latter half of the nineteenth century. The faith maintained that spiritual energies could reside in objects, and thus works of art could be appreciated not only for what they illustrated but also as vessels of the psychic vibrations their creators impressed into them. Such beliefs sanctified both the making and collecting of art in an era when Darwinism and Positivism were increasingly disenchanting the world and the efforts to represent it. In this context, Spiritualism endowed the artist's profession with the prestige of a religious calling; in doing so, it sought not to replace religion with art, but to make art a site where religion happened.
Author: F. Scott Fitzgerald Publisher: The Floating Press ISBN: 1775414833 Category : Fiction Languages : en Pages : 503
Book Description
This Side of Paradise is a novel about post-World War I youth and their morality. Amory Blaine is a young Princeton University student with an attractive face and an interest in literature. His greed and desire for social status warp the theme of love weaving through the story.
Author: Alan Granby Publisher: Mystic Seaport Museum ISBN: 9781555953515 Category : Art Languages : en Pages : 0
Book Description
Flying the Colors is a major addition to the literature of marine painting. It focuses new attention on painters like James Buttersworth as well as the masterful handling of ship rigging and magnificent seas of Antonio Jacobsen. Of interest to any maritime enthusiasts, historians and collectors.
Author: Metropolitan Museum of Art (New York, N.Y.) Publisher: Metropolitan Museum of Art ISBN: 0870999575 Category : Art, American Languages : en Pages : 658
Book Description
Presented in conjunction with the September 2000 exhibition at the Metropolitan Museum, this volume presents the complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period. Thirteen essays by noted specialists bring new research and insights to bear on a broad range of subjects that offer both historical and cultural contexts and explore the city's development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. The 300-plus works in the exhibition and comparative material are extensively illustrated in color and bandw. Oversize: 9.25x12.25". Annotation copyrighted by Book News Inc., Portland, OR
Author: James A. Craig
Author: James A. Craig
Author: Caroline Sloat
Author: Barbara Novak Altschul Professor of Art History Barnard College and Columbia University (Emerita)
Author: Barbara Novak
Author: James A. Craig
Author: Charles Colbert
Author: F. Scott Fitzgerald
Author: Alan Granby
Author: Metropolitan Museum of Art (New York, N.Y.)
Author: Kristian Davies