The First and Second Lady Chatterley Novels PDF Download

Author: D. H. Lawrence
Publisher: Cambridge University Press
ISBN: 9780521007153
Category : Fiction
Languages : en
Pages : 738

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Book Description
This 1999 book contains a critical edition of the two early versions of Lady Chatterley's Lover.

Author: David Herbert Lawrence
Publisher: Taylor & Francis
ISBN: 9788809020825
Category : Fiction
Languages : en
Pages : 308

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Author: D. H. Lawrence
Publisher: Penguin Books Limited
ISBN: 9780140182057
Category : Adultery
Languages : en
Pages : 253

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Author: D. H. Lawrence
Publisher: Viking Press
ISBN: 9780140182002
Category : Fiction
Languages : en
Pages : 376

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Author: N. Reeve
Publisher: Springer
ISBN: 0230599885
Category : Literary Criticism
Languages : en
Pages : 191

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Book Description
Reading Late Lawrence is a study of a number of the neglected fictional works of D. H. Lawrence's last period: these include Glad Ghosts , Sun, The Lovely Lady, The Blue Moccasins , and the first two revisions of Lady Chatterley's Lover . The particular focus is upon Lawrence's revisions, and the insights they offer into the complexity of his writing processes and the depth of his commitment to renewal and re-imagining. The study draws extensively upon the manuscript and variant material recently made available in the new scholarly editions of Lawrence's work.

Author: D. H. Lawrence
Publisher: Cambridge University Press
ISBN: 9780521007177
Category : Fiction
Languages : en
Pages : 528

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Book Description
The Cambridge edition of Lady Chatterley's Lover (and A Propos of 'Lady Chatterley's Lover') is the first ever to restore to Lawrence's most famous novel the words that he wrote. It removes typists' corruptions and compositors' errors, which have marred the text for over sixty years, and includes hundreds of new words, phrases and sentences - and thousands of changes in punctuation. This text projects the sound of Lawrence's voice, embodies the precision of his mature style and reveals the force of his rhetorical power. The introduction establishes an accurate history of composition, typing, printing, publication and reception; the notes freshly identify dozens of difficult allusions; and the appendix, an original essay, explains how Lawrence imaginatively weaves real places and people into the fictional tapestry that he creates. For students and scholars alike, the Cambridge text is the only text of the novel that can be read or quoted with confidence.

Author: David Shackleton
Publisher: Oxford University Press
ISBN: 0192857746
Category : Literary Criticism
Languages : en
Pages : 225

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Book Description
British Modernism and the Anthropocene: Experiments with Time assesses the environmental politics of modernism in relation to the idea of the Anthropocene--a proposed geological epoch in which humans have fundamentally changed the Earth System. The early twentieth century was marked by environmental transformations that were so complex and happened on such great scales that they defied representation. Modernist novelists responded with a range of innovative narrative forms that started to make environmental crisis on a planetary scale visible. Paradoxically, however, it is their failures to represent such a crisis that achieve the greatest success. David Shackleton explores how British modernists employed types of narrative breakdown--including fragmentation and faltering passages devoid of events--to expose the limitations of human schemes of meaning, negotiate the relationship between different scales and types of time, produce knowledge of ecological risk, and register various forms of non-human agency. Situating modernism in the context of fossil fuel energy systems, plantation monocultures, climate change, and species extinctions, Shackleton traces how H.G. Wells, D.H. Lawrence, Olive Moore, Virginia Woolf, and Jean Rhys undertook experiments with time in their novels that refigure history and the historical situations into which they were thrown. Ultimately, British Modernism and the Anthropocene shows how modernist novels provide rich resources for rethinking the current environmental crisis, and cultivating new structures of environmental care and concern.

Author: Masami Nakabayashi
Publisher: University Press of America
ISBN: 0761855335
Category : Language Arts & Disciplines
Languages : en
Pages : 249

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Book Description
"In this study of the Lady Chatterley novels, Masami Nakabayashi pays particular attention to D.H. Lawrence's language for the feelings and for the life of the unselfconscious, sexual body. The novels constantly find ways of verbalising the characters' internalised experiences as they occur in states of unselfconsciousness. Lawrence's language for sensual feelings and emotions has always been regarded as simply 'sexual' and no previous critics have explored or made sense of the complexities of his peculiar, but extremely sophisticated, writing practice in the Lady Chatterley novels. Lawrence was a habitual reviser of his work, and, despite the availability of reliable texts in the Cambridge edition, few critics have traced the nature and significance of his changes from one draft to the next. By examining and analysing the novels' particular linguistic revisions, Masami Nakabayashi reveals the textual impulse behind Lawrence's original conception and its subsequent change and development"--Back cover.

Author: Nitsa Ben-Ari
Publisher: University of Ottawa Press
ISBN: 0776616978
Category : Literary Criticism
Languages : en
Pages : 441

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Book Description
Issues of sexuality, censorship, and self-censorship in the formation of national and cultural identities are a focus of great interest in contemporary literary research. This is the first work of its kind to study these combined issues in the context of translated and original Hebrew literature.

Author: Kirsty Martin
Publisher: OUP Oxford
ISBN: 0191655589
Category : Literary Criticism
Languages : en
Pages : 228

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Book Description
How do we feel for others? Must we try to understand other minds? Do we have to respect others' autonomy, or even their individuality? Or might sympathy be fundamentally more intuitive, bodily and troubling? Taking as her focus the work of Virginia Woolf, D.H. Lawrence, and Vernon Lee (the first novelist to use the word 'empathy'), Kirsty Martin explores how modernist writers thought about questions of sympathetic response. Attending closely to literary depictions of gesture, movement and rhythm; and to literary explorations of the bodily and of transcendence; this book argues that central to modernism was an ideal of sympathy that was morally complex, but that was driven by a determination to be true to what it is to feel. Offering new readings of major literary texts, and original research into their historical contexts, Modernism and the Rhythms of Sympathy sets modernist texts alongside recent discussions of emotion and cognition. It offers a fresh reading of literary modernism, and suggests how modernism might continue to unsettle our thinking about feeling today.