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Art, Identity and Devotion in Fourteenth-century England

Art, Identity and Devotion in Fourteenth-century England PDF Author: Kathryn Ann Smith
Publisher: University of Toronto Press
ISBN: 9780802086914
Category : Art
Languages : en
Pages : 396

Book Description
Examines the De Lisle hours of Margaret de Beauchamp, the De Bois hours (Dubois hours) of Hawisia de Bois, and the Neville of Hornby hours of Isabel de Byron.

Art, Identity and Devotion in Fourteenth-century England

Art, Identity and Devotion in Fourteenth-century England PDF Author: Kathryn Ann Smith
Publisher: University of Toronto Press
ISBN: 9780802086914
Category : Art
Languages : en
Pages : 396

Book Description
Examines the De Lisle hours of Margaret de Beauchamp, the De Bois hours (Dubois hours) of Hawisia de Bois, and the Neville of Hornby hours of Isabel de Byron.

The Dodge Collection of Eighteenth-century French and English Art in the Detroit Institute of Arts

The Dodge Collection of Eighteenth-century French and English Art in the Detroit Institute of Arts PDF Author: Detroit Institute of Arts
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 280

Book Description
Anna Thomson Dodge, heiress to the automotive fortune, built a great home and decorated it with one of the finest groups of 18th-century French decorative arts in America. Here are more than 130 pieces of furniture, sculpture, metalwork, tapestries, Sevres porcelain, and paintings, many from royal collections.

Marianne Moore and the Cultures of Modernity

Marianne Moore and the Cultures of Modernity PDF Author: Dr Victoria Bazin
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409476200
Category : Literary Criticism
Languages : en
Pages : 232

Book Description
Victoria Bazin examines the poetry of Marianne Moore as it is shaped by and responsive to the experience of being a modern woman, of living in the aftermath of the First World War, of being interpellated as a modern consumer and of writing in "the age of mechanical reproduction." She argues that Moore's textual collages and syllabic sculptures are based on the cultural clutter or debris of modernity, on textual extracts and reproductions, on the phantasmagoria of city life revealing something modernism worked hard to conceal: its relation to modernity, more specifically its relation to the new emerging and expanding mass consumer culture. Drawing extensively on archival resources to trace Moore's influences and to describe her own distinctive modernist aesthetic, this book argues that it was her feminist adaptation of pragmatism that shaped her poetic response to modernity. Moore's use of the quoted fragment is conceptualised in relation not only to Walter Benjamin's philosophical history but also to William James's image of the world as a series of "partial stories." As such, this account of Marianne Moore not only contributes to a greater understanding of the poet and her work, but it also offers up a more politicized and historically nuanced understanding of poetic modernism between the wars, one that retains a sense of the formal complexities of poetic language and the poet's own ethical imperatives whilst also recognising the material impact of modernity upon the modernist poem. This book will appeal, therefore, not only to scholars already familiar with Moore's poetry but more widely to those interested in modernism and American culture between the wars.

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Languages : en
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Languages : en
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New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

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