The Films of James Mason PDF Download

Author: Clive Hirschhorn
Publisher:
ISBN: 9789100031596
Category :
Languages : en
Pages : 256

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Author: Outlet
Publisher:
ISBN: 9780517259429
Category :
Languages : en
Pages :

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Author: Sheridan Morley
Publisher:
ISBN: 9781911413653
Category : Biography & Autobiography
Languages : en
Pages : 214

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'Incredibly good-looking, in a dark way ... that curious quality of a man with an eternal secret. ... That was what was so arresting. ... That and the voice.' Geraldine Fitzgerald The reason for watching a James Mason film, as the film critic Pauline Kael once noted, was usually only James Mason himself. Mason was actually pointed toward a career in architecture before acting overtook him during his third year at Cambridge. He went on to make an indelible impression playing emotionally haunted characters on stage and screen, such as one early stand-out role, Johnny McQueen in Carol Reed's Odd Man Out (1947). Mason and his first wife, Pamela, arrived in the United States in the late forties, and the Hollywood phase of his career lasted through the 1950s. It memorably included diverse classics such as The Desert Fox, A Star is Born (for which he was Oscar-nominated) and North by Northwest. After his return to Europe, and remarried to Clarissa Kaye, he continued in landmark movies such as Lolita, Georgy Girl, The Verdict and, his last, The Shooting Party, receiving two more Oscar nominations in the process. But in this revealing book, Mason is shown to be a highly sensitive man uncomfortable with stardom, and often at odds with attempts to mould or typecast him. He remains, in legacy, the most intriguing and unpredictable of the great screen-actors. 'James knew how to steal movies, and give a performance that only really got noticed when the whole film was put together; so he would emerge with immense distinction having apparently been doing very little on the set.' Christopher Plummer

Author: Sheridan Morley
Publisher: Weidenfeld & Nicolson
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 240

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Author: Bill Naughton
Publisher: Heinemann
ISBN: 9780435233044
Category : English drama
Languages : en
Pages : 138

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The "Heinemann Plays" series offers contemporary drama and classic plays in durable classroom editions. Many have large casts and an equal mix of boy and girl parts. In this play, the whole Crompton family becomes entangled in a row in which a good many uncomfortable truths are told.

Author: Gordon Thomas
Publisher: Open Road Media
ISBN: 1497658950
Category : History
Languages : en
Pages : 395

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The “extraordinary” true story of the St. Louis, a German ship that, in 1939, carried Jews away from Hamburg—and into an unimaginable ordeal (The New York Times). On May 13, 1939, the luxury liner St. Louis sailed from Hamburg, one of the last ships to leave Nazi Germany before World War II erupted. Aboard were 937 Jews—some had already been in concentration camps—who believed they had bought visas to enter Cuba. The voyage of the damned had begun. Before the St. Louis was halfway across the Atlantic, a power struggle ensued between the corrupt Cuban immigration minister who issued the visas and his superior, President Bru. The outcome: The refugees would not be allowed to land in Cuba. In America, the Brown Shirts were holding Nazi rallies in Madison Square Garden; anti-Semitic Father Coughlin had an audience of fifteen million. Back in Germany, plans were being laid to implement the final solution. And aboard the St. Louis, 937 refugees awaited the decision that would determine their fate. Gordon Thomas and Max Morgan Witts have re-created history in this meticulous reconstruction of the voyage of the St. Louis. Every word of their account is true: the German High Command’s ulterior motive in granting permission for the “mission of mercy;” the confrontations between the refugees and the German crewmen; the suicide attempts among the passengers; and the attitudes of those who might have averted the catastrophe, but didn’t. In reviewing the work, the New York Times was unequivocal: “An extraordinary human document and a suspense story that is hard to put down. But it is more than that. It is a modern allegory, in which the SS St. Louis becomes a symbol of the SS Planet Earth. In this larger sense the book serves a greater purpose than mere drama.”

Author: James R. Mason
Publisher: Theme Park Press
ISBN: 9781683901822
Category :
Languages : en
Pages : 524

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The Definitive Guide to Disney Films From Snow White and the Seven Dwarfs in 1937, through the films Disney plans to release through 2019 and early 2020, Professor James Mason delivers a cinemaphile's treasure trove of pertinent and often hard-to-find information about each of Disney's animated and live-action films. Mason's chronological, cross-referenced collector's companion to Disney theatrical features is unmatched in its detail, providing not just release dates, cast and crew, and literary sources, but also the film's connections to comic strip adaptations, soundtrack albums, and non-fiction books, with cross-references to relevant Disney theme park rides, sequels, TV shows, and other media. In this comprehensive all-in-one guide--over 500 pages!-- you'll have at your fingertips up-to-date information about not just the classic and modern Disney films, but Pixar, Marvel, and Star Wars releases, as well. Want to know comic strips and comic books feature Dumbo? Which TV series and video games star the Avengers? Where to find obscure features like Condorman or The Littlest Outlaw on DVD, Blu-ray, or Laserdisc? It's in here! For Disney fans, collectors, and historians alike, this is your front-row ticket to the cinematic magic of Disney.

Author: Kevin Sweeney
Publisher: Greenwood
ISBN: 0313284962
Category : Performing Arts
Languages : en
Pages : 0

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James Mason broke into British films in 1935 after a few years working on the stage. For the rest of the decade, he alternated unsuccessful theatre ventures with increasingly important movies. Though he was a conscientious objector, he became one of the most popular British actors of the World War II era. He moved to Hollywood after the war and made 34 films between 1949 and 1962. Though success initially eluded him, he worked with some of the leading directors of the time and eventually won an Academy Award nomination for A Star is Born (1954). He worked steadily in the years that followed, appearing in nearly 50 feature films from 1963 until his death in 1984. While many of these films were undistinguished, he earned two additional Oscar nominations and was voted Cinema Actor of the Century by a panel of international critics in 1967. This reference book is a comprehensive guide to his life and career. The volume begins with a biography in narrative form that traces Mason's life. The biography is followed by a short chronology, which highlights the principal events of his life and career. An extensive annotated bibliography then reviews works by and about Mason. The sections that follow detail his many performances in film, radio, television, audio recordings, and the stage. Each section includes entries for individual productions, with entries providing extensive cast and credit information, plot summaries, excerpts from reviews, and critical commentary where available. The volume also lists additional information, such as Mason's awards and nominations.

Author: Clive Hirschhorn
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 264

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Author: Dan Callahan
Publisher: Oxford University Press, USA
ISBN: 0197515320
Category : Performing Arts
Languages : en
Pages : 273

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The first book on Hitchcock that focuses exclusively on his work with actors Alfred Hitchcock is said to have once remarked, "Actors are cattle," a line that has stuck in the public consciousness ever since. For Hitchcock, acting was a matter of contrast and counterpoint, valuing subtlety and understatement over flashiness. He felt that the camera was duplicitous, and directed actors to look and act conversely. In The Camera Lies, author Dan Callahan spotlights the many nuances of Hitchcock's direction throughout his career, from Cary Grant in Notorious (1946) to Janet Leigh in Psycho (1960). Delving further, he examines the ways that sex and sexuality are presented through Hitchcock's characters, reflecting the director's own complex relationship with sexuality. Detailing the fluidity of acting -- both what it means to act on film and how the process varies in each actor's career -- Callahan examines the spectrum of treatment and direction Hitchcock provided well- and lesser-known actors alike, including Ingrid Bergman, Henry Kendall, Joan Barry, Robert Walker, Jessica Tandy, Kim Novak, and Tippi Hedren. As Hitchcock believed, the best actor was one who could "do nothing well" - but behind an outward indifference to his players was a sophisticated acting theorist who often drew out great performances. The Camera Lies unpacks Hitchcock's legacy both as a director who continuously taught audiences to distrust appearance, and as a man with an uncanny insight into the human capacity for deceit and misinterpretation.