Films and Film-makers in Czechoslovakia PDF Download

Author: Jan Zalman
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 140

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Book Description
Met biogr., filmogr., cred. - Franse en Duitse vert. aanwezig.

Author: Robert Buchar
Publisher: McFarland
ISBN: 0786480319
Category : Performing Arts
Languages : en
Pages : 222

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Book Description
In Czechoslovakia, in the 1960s, artists began to realize that the aesthetics of social realism contrasted with the realities of daily life; a movement of film arose in response to the politics and history of the nation. This work collects candid interviews with the creators of the Czech New Wave film movement (1960-2000). Their work put Czech film on the map of world cinema, generating two Oscars for Best Foreign Film, but the official critique marked them as decadent, pessimistic, and reactionary. The work contains sixteen uncensored interviews with filmmakers such as Jan Nemec, Jiri Menzel, Saša Gedeon, and Jan Sverak, who describe the struggle to realize their visions in a constantly shifting political landscape: from the mid-1960s, through the repressive "normalization" after the Soviet occupation in 1968 (more films were banned in 1970 than during the previous twenty years of Communism), and after the Velvet Revolution of 1989. The interviews give portraits of some of the most talented figures in film, revealing artists searching for individual and national identity, who describe living and making film in the Czech Republic now and in the past, explore how foreign films influence Czech film, and speculate on the future of film. Each interview includes a short biography, filmography, and list of awards. The work is bookended by essays giving background on the political and economic situations leading up to and after the Velvet Revolution.

Author: Antonín Novák
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 99

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Book Description

Author: Jan Čulík
Publisher:
ISBN: 9781845196301
Category : History
Languages : en
Pages : 0

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Book Description
Jan Culik's book analyses the value system constructed by Czech feature films produced since the fall of communism in 1989. It provides an overview of some three hundred Czech feature films made during this period. Over fourteen chapters, the book shows how Czech film makers have dealt with the legacy of communism and other traumatic past experiences, and how they have borne witness to recent political and social developments in the Czech Republic. In Culik's view, Czech feature film constructs an image of society which is still heavily influenced by the so-called "normalisation" regime of the 1970s and 1980s, which was created in Czechoslovakia after the 1968 Soviet invasion. Czech feature films bear witness to a society which suffers from fairly weak social and political structures. Many Czech films highlight the subordinate position of women in Czech society and project an image of impractical, inefficient, and aggressive men. In discussing the films, Culik uses the methodology of Cultural Studies, in which art is seen primarily as a specific kind of social communication within a certain cultural and historical context.

Author: Lars Karl
Publisher: Berghahn Books
ISBN: 1782389970
Category : Performing Arts
Languages : en
Pages : 406

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Book Description
The national cinemas of Czechoslovakia and East Germany were two of the most vital sites of filmmaking in the Eastern Bloc, and over the course of two decades, they contributed to and were shaped by such significant developments as Sovietization, de-Stalinization, and the conservative retrenchment of the late 1950s. This volume comprehensively explores the postwar film cultures of both nations, using a “stereoscopic” approach that traces their similarities and divergences to form a richly contextualized portrait. Ranging from features to children’s cinema to film festivals, the studies gathered here provide new insights into the ideological, political, and economic dimensions of Cold War cultural production.

Author: Peter Hames
Publisher: Wallflower Press
ISBN:
Category : Czechoslovakia
Languages : en
Pages : 342

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Book Description
This study of the most significant movement in post-war Central and East European cinema examines the origins and development of Czechoslovakian film during this time, as well as the political and cultural changes which influenced some of the most important works.

Author: Peter Hames
Publisher:
ISBN: 9780748620821
Category : History
Languages : en
Pages : 264

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Book Description
This book examines links between theme, genre and visual style, and looks at the ways in which a range of traditions has extended across different historical periods and political regimes. It provides a unique study of areas of Central European film history.

Author: Jonathan L. Owen
Publisher: Berghahn Books
ISBN: 0857451278
Category : Performing Arts
Languages : en
Pages : 255

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Book Description
The cultural liberalization of communist Czechoslovakia in the 1960s produced many artistic accomplishments, not least the celebrated films of the Czech New Wave. This movement saw filmmakers use their new freedom to engage with traditions of the avant-garde, especially Surrealism. This book explores the avant-garde's influence over the New Wave and considers the political implications of that influence. The close analysis of selected films, ranging from the Oscar-winning Closely Observed Trains to the aesthetically challenging Daisies, is contextualized by an account of the Czech avant-garde and a discussion of the films' immediate cultural and political background.

Author: Antonín J. Liehm
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 504

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Book Description

Author: Antonín J. Liehm
Publisher: Routledge
ISBN: 1317218493
Category : History
Languages : en
Pages : 374

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Book Description
First published in 1974, this book collects interviews with leading Czechslovak filmmakers conducted mostly between 1967 and 1969. This was a period of immense upheaval beginning with the attack of the Czechoslovak establishment on the Union of Writers in 1967, continuing through the liberalisation of the Prague Spring in January 1968 and ended with the Soviet invasion in August and subsequent ‘Normalization’ process in April 1969. It records the testimony of several generations of filmmakers and their attempts to answer the questions about the purpose and meaning of film before and during this period. This book will be of interest to students of film and cultural history.