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Author: Richard Osborne Publisher: ISBN: 9780956267863 Category : Film criticism Languages : en Pages : 224
Book Description
This highly original and informative guide to the origins and development of film theory will be an indispensable tool for all students. It describes and contextualises the origins and development of film theory in the 20th century, and discusses all of the major movements and ideas. From the Lumiere brothers through to Tarantino and the postmodern movement, all of the major aspects of film will be analysed. Film theory will be distinguished from film criticism and all of the important theoretical movements that have influenced thinking about film will be explained.
Author: Richard Osborne Publisher: ISBN: 9780956267863 Category : Film criticism Languages : en Pages : 224
Book Description
This highly original and informative guide to the origins and development of film theory will be an indispensable tool for all students. It describes and contextualises the origins and development of film theory in the 20th century, and discusses all of the major movements and ideas. From the Lumiere brothers through to Tarantino and the postmodern movement, all of the major aspects of film will be analysed. Film theory will be distinguished from film criticism and all of the important theoretical movements that have influenced thinking about film will be explained.
Author: Robert Stam Publisher: John Wiley & Sons ISBN: 1119491576 Category : Performing Arts Languages : en Pages : 392
Book Description
This book is a lively and provoking introduction to film theory. It is suitable for students from any discipline but is particularly aimed at students studying film and literature as it examines issues common to both subjects such as realism, illusionism, narration, point of view, style, semiotics, psychoanalysis and multiculturalism. It also includes coverage of theorists common to both, Barthes, Lacan and Bakhtin among others. Robert Stam, renowned for his clarity of writing, will also include studies of cinema specialists providing readers with a depth of reference not generally available outside the field of film studies itself. Other material covered includes film adaptations of works of literature and analogies between literary and film criticism.
Author: Rushton, Richard Publisher: McGraw-Hill Education (UK) ISBN: 0335234232 Category : Performing Arts Languages : en Pages : 219
Book Description
'What is Film Theory? is an introduction to the key elements of film theory. So, what is film theory as a subject? Film studies is divided in to key subjects and themes: there's film art which looks at the aesthetics of film; cinema studies which looks at institutions, films themeselves and the industry; film theory which looks at the concepts, philosophies and disciplines which underline film studies. As such, the book will look at subjects including semiotics and strucutalism, psychoanalysis, formalist film theory, cognitive approaches and neoformalism. In the light of the readers' reports it will also address more 'cultural' issues such as queer theory, ethnicity, postcolonialism and world cinema..
Author: J. Dudley Andrew Publisher: Oxford University Press ISBN: 0198020511 Category : Performing Arts Languages : en Pages : 254
Book Description
Concepts in Film Theory is a continuation of Dudley Andrew's classic, The Major Film Theories. In writing now about contemporary theory, Andrew focuses on the key concepts in film study -- perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation. Beginning with an introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts. Andrew provides lucid explanations of theories which involve perceptual psychology and structuralism; semiotics and psychoanalysis; hermeneutics and genre study. His clear approach to these often obscure theories enables students to acquire the background they need to enrich their understanding of film -- and of art.
Author: Kevin McDonald Publisher: Routledge ISBN: 1317632435 Category : Social Science Languages : en Pages : 256
Book Description
Film Theory: The Basics provides an accessible introduction to the key theorists, concepts, and debates that have shaped the study of moving images. It examines film theory from its emergence in the early twentieth century to its study in the present day, and explores why film has drawn special attention as a medium, as a form of representation, and as a focal point in the rise of modern visual culture. The book emphasizes how film theory has developed as a historically contingent discourse, one that has evolved and changed in conjunction with different social, political, and intellectual factors. To explore this fully, the book is broken down into the following distinct sections: Theory Before Theory, 1915-1960 French Theory, 1949-1968 Screen Theory, 1969-1996 Post-Theory, 1996-2015 Complete with questions for discussion and a glossary of both key terms and key theorists, Film Theory: The Basics is an invaluable resource for those new to film studies and for anyone else interested in the history and significance of critical thinking in relation to the moving image.
Author: Thomas Elsaesser Publisher: Routledge ISBN: 1135967067 Category : Social Science Languages : en Pages : 371
Book Description
What is the relationship between cinema and spectator? That is the central question for film theory, and renowned film scholars Thomas Elsaesser and Malte Hagener use this question to guide students through all of the major film theories – from the classical period to today – in this insightful, engaging book. Every kind of cinema (and film theory) imagines an ideal spectator, and then imagines a certain relationship between the mind and body of that spectator and the screen. Using seven distinctive configurations of spectator and screen that move progressively from ‘exterior’ to ‘interior’ relationships, the authors retrace the most important stages of film theory from 1945 to the present, from neo-realist and modernist theories to psychoanalytic, ‘apparatus’, phenomenological and cognitivist theories.
Author: Thomas Elsaesser Publisher: Routledge ISBN: 1317581148 Category : Performing Arts Languages : en Pages : 290
Book Description
What is the relationship between cinema and spectator? This is the key question for film theory, and one that Thomas Elsaesser and Malte Hagener put at the center of their insightful and engaging book, now revised from its popular first edition. Every kind of cinema (and every film theory) first imagines an ideal spectator, and then maps certain dynamic interactions between the screen and the spectator’s mind, body and senses. Using seven distinctive configurations of spectator and screen that move progressively from ‘exterior’ to ‘interior’ relationships, the authors retrace the most important stages of film theory from its beginnings to the present—from neo-realist and modernist theories to psychoanalytic, ‘apparatus,’ phenomenological and cognitivist theories, and including recent cross-overs with philosophy and neurology. This new and updated edition of Film Theory: An Introduction through the Senses has been extensively revised and rewritten throughout, incorporating discussion of contemporary films like Her and Gravity, and including a greatly expanded final chapter, which brings film theory fully into the digital age.
Author: Jim Collins Publisher: Routledge ISBN: 1135216452 Category : Social Science Languages : en Pages : 306
Book Description
Film Theory Goes to the Movies fills the gap in film theory literature which has failed to analyze high-grossing blockbusters. The contributors in this volume, however, discuss such popular films as TheSilence of the Lambs, Dances With Wolves, Terminator II,Pretty Woman, Truth or Dare, Mystery Train, and JungleFever. They employ a variety of critical approaches, from industry analysis to reception study, to close readings informed by feminist, deconstructive and postmodernist theory, as well as recent developments in African American and gay and lesbian criticism. An important introduction to contemporary Hollywood, this anthology will be of interest to those involved in the fields of film theory, literary theory, popular culture, and women's studies.
Author: James Cateridge Publisher: John Wiley & Sons ISBN: 1118886593 Category : Performing Arts Languages : en Pages : 422
Book Description
Film Studies From Hollywood to Bollywood, explore the fantastic world of film Whether you’re preparing to study film at university or you simply have a passion for cinema, you’re bound to enjoy this book. Here’s where you’ll learn how people communicate ideas in films, how the industry works and who’s on the team, the impact of film on popular culture, the different genres and styles, film theory, the joys of animation and so much more. Explore far-reaching effects – examine the narrative, artistic, cultural, economic and political implications of cinema Compare and contrast film and reality – explore conceptual frameworks for a film’s relationship to reality Find out just how they do it – discover how stories are developed in movies and how a storyline is related to broader issues in society Work out what it’s all about – get to grips with avant-garde cinema and find out what such films really offer Take the incredible world tour – sample the unique styles of cinema in Europe, Japan, India and other countries Go larger than life – learn about greats in the industry, venture into film analysis and look at the transitions into 21st century cinema Open the book and find: How people tell stories in film Ways film is used to explore current issues and attitudes Responsibilities of cinema tographers and producers The mysteries of mise-en-scene All about digital-age animation Auteurs from the 1930s to today What poststructuralism and postmodernism really mean Ten must-watch movies
Author: Karen Redrobe Publisher: Duke University Press ISBN: 0822376814 Category : Performing Arts Languages : en Pages : 396
Book Description
Animating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of animation practices, geographic and linguistic terrains, and historical periods. They delve deep into questions of how animation might best be understood, as well as how it relates to concepts such as the still, the moving image, the frame, animism, and utopia. The contributors take on the kinds of theoretical questions that have remained underexplored because, as Karen Beckman argues, scholars of cinema and media studies have allowed themselves to be constrained by too narrow a sense of what cinema is. This collection reanimates and expands film studies by taking the concept of animation seriously. Contributors. Karen Beckman, Suzanne Buchan, Scott Bukatman, Alan Cholodenko, Yuriko Furuhata, Alexander R. Galloway, Oliver Gaycken, Bishnupriya Ghosh, Tom Gunning, Andrew R. Johnston, Hervé Joubert-Laurencin, Gertrud Koch, Thomas LaMarre, Christopher P. Lehman, Esther Leslie, John MacKay, Mihaela Mihailova, Marc Steinberg, Tess Takahashi
Author: Richard Osborne
Author: Richard Osborne
Author: Robert Stam
Author: Rushton, Richard
Author: J. Dudley Andrew
Author: Kevin McDonald
Author: Thomas Elsaesser
Author: Thomas Elsaesser
Author: Jim Collins
Author: James Cateridge
Author: Karen Redrobe