Film Industry in West Pakistan PDF Download

Author: Abdul Aziz Anwar
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 274

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Author: Roy Armes
Publisher: Univ of California Press
ISBN: 0520056906
Category : Business & Economics
Languages : en
Pages : 396

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This is the fully comprehensive account of film production in the Third World. Although they are usually ignored or marginalized in histories of "world cinema." Third World countries now produce well over half of the world's films. Armes places this huge output in a wider context, examining the forces of tradition and colonialism that have shaped the Third World. In addition to charting filmic developments too little known in Europe and the United States, the book calls into question many of the assumptions that shape conventional film history. It stresses the role of distribution in defining and limiting production, queries simplistic notions of independent "national cinemas," and points to the need to take social and economic factors into account when considering authorship in cinema. Above all, the book celebrates the achievements of a mass of largely unknown film makes who, in difficult circumstances, have distinctively expanded our definitions of the art of cinema.

Author: Pakistan. Film Fact Finding Committee
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 434

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Author: West Pakistan. Directorate of Industries and Commerce
Publisher:
ISBN:
Category : Industries
Languages : en
Pages : 680

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Author: Harisur Rahman
Publisher: Springer Nature
ISBN: 3030317072
Category : Performing Arts
Languages : en
Pages : 253

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This book examines the circulation and viewership of Bollywood films and filmi modernity in Bangladesh. The writer poses a number of fundamental questions: what it means to be a Bangladeshi in South Asia, what it means to be a Bangladeshi fan of Hindi film, and how popular film reflects power relations in South Asia. The writer argues that partition has resulted in India holding hegemonic power over all of South Asia’s nation-states at the political, economic, and military levels–a situation that has made possible its cultural hegemony. The book draws on relevant literature from anthropology, sociology, film, media, communication, and cultural studies to explore the concepts of hegemony, circulation, viewership, cultural taste, and South Asian cultural history and politics.

Author: Timothy P. A. Cooper
Publisher: Columbia University Press
ISBN: 0231558406
Category : Religion
Languages : en
Pages : 194

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Lahore’s Hall Road is the largest electronics market in Pakistan. Once the center of film and media piracy in South Asia, it now specializes in smartphones and accessories. For Hall Road’s traders, conflicts between the economic promises and the moral dangers of film loom large. To reconcile their secular trade with their responsibilities as devoted Muslims, they often look to adjudicate the good or bad moral “atmosphere” (mahaul) that can cling to film and media. Timothy P. A. Cooper examines the diverse and coexisting moral atmospheres that surround media in Pakistan, tracing public understandings of ethical life and showing how they influence economic behavior. Drawing on extensive ethnographic work among traders, consumers, collectors, archivists, cinephiles, and cinephobes, Moral Atmospheres explores varied views on what the relationship between film and faith should look, sound, and feel like for Pakistan’s Muslim-majority public. Cooper considers the preservation and censorship of film in and outside of the state bureaucracy, contestations surrounding heritage and urban infrastructure, and the production and circulation of sound and video recordings among the country’s religious minorities. He argues that a focus on atmosphere provides ways of seeing moral thresholds as mutable and affective, rather than as fixed ethical standpoints. At once a vivid ethnography of a market street and a generative theorization of atmosphere, this book offers fresh perspectives on moral experience and the relationship between religion and media.

Author: Abdul Aziz Anwar
Publisher:
ISBN:
Category : Pakistan
Languages : en
Pages : 332

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Survey of the sugar beet and sugercane plantations and industries of West Pakistan. Economic implications and social implications. Working conditions of the workers and their family. Period of employment of seasonal workers. Wages. Statistical tables. Samples of questionnaire used. Dictionary. Bibliography p. 300.

Author: Sanjukta Sunderason
Publisher: Bloomsbury Publishing
ISBN: 1350179191
Category : History
Languages : en
Pages : 337

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This book explores the aesthetic forms of the political left across the borders of post-colonial, post-partition South Asia. Spanning India, Sri Lanka, Pakistan and Bangladesh, the contributors study art, film, literature, poetry and cultural discourse to illuminate the ways in which political commitment has been given aesthetic form and artistic value by artists and by cultural and political activists in postcolonial South Asia. With a focused conceptualization this volume asks: Does the political left in South Asia have a recognizable aesthetic form? And if so, what political effects do left-wing artistic movements and aesthetic artefacts have in shaping movements against inequality and injustice? Reframing political aesthetics within a postcolonial and decolonised framework, the contributors detail the trajectories and transformations of left-wing cultural formations and affiliations and focus on connections and continuities across post-1947/8 India, Pakistan, Sri Lanka and Bangladesh.

Author: Zakir Hossain Raju
Publisher: Routledge
ISBN: 1317601807
Category : Social Science
Languages : en
Pages : 287

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Throughout the twentieth and early twenty-first centuries, cinema has been adopted as a popular cultural institution in Bangladesh. At the same time, this has been the period for the articulation of modern nationhood and cultural identity of Bengali Muslims in Bangladesh. This book analyses the relationship between cinema and modernity in Bangladesh, providing a narrative of the uneven process that produced the idea of "Bangladesh cinema." This book investigates the roles of a non-Western "national" film industry in Asia in constructing nationhood and identity within colonial and postcolonial predicaments. Drawing on the idea of cinema as public sphere and the postcolonial notion of formation of the "Bangladesh" nation, interactions between cinema and middle-class Bengali Muslims in different social and political matrices are analyzed. The author explores how the conflict among different social groups turned Bangladesh cinema into a site of contesting identities. In particular, he illustrates the connections between film production and reception in Bangladesh and a variety of nationalist constructions of Bengali Muslim identity. Questioning and debunking the usual notions of "Bangladesh" and "cinema," this book positions the cinema of Bangladesh within a transnational frame. Starting with how to locate the "beginning" of the second Bengali language cinema in colonial Bengal, the author completes the investigation by identifying a global Bangladeshi cinema in the early twenty-first century. The first major academic study on this large and vibrant national cinema, this book demonstrates that Bangladesh cinema worked as different "public spheres" for different "publics" throughout the twentieth century and beyond. Filling a niche in Global Film and Media Studies and South Asian Studies, it will be of interest to scholars and students of these disciplines.

Author:
Publisher:
ISBN:
Category : International trade
Languages : en
Pages : 806

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