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Author: Darragh Greene Publisher: McFarland ISBN: 1476640084 Category : Performing Arts Languages : en Pages : 202
Book Description
Cinema is an affective medium. Films move us to feel wonder, joy, and love as well as fear, anger, and hatred. Today, we are living through a new age of sensibility when emotion is given priority over reason. Yet, there is a counter-cultural current in contemporary American cinema that offers a more nuanced treatment of emotion. Both aesthetically and eidetically, this new cinema of affect allows viewers to make up their own minds about what they feel and think. This book focuses on key films by important auteur-directors--David Fincher, Bryan Singer, Christopher Nolan, Kathryn Bigelow, Richard Linklater, Barry Jenkins, Greta Gerwig, and Pete Docter--who are to the forefront of this new cinema. It explores how they anatomize affect and how it functions in the creation or degradation of character and society.
Author: Darragh Greene Publisher: McFarland ISBN: 1476640084 Category : Performing Arts Languages : en Pages : 202
Book Description
Cinema is an affective medium. Films move us to feel wonder, joy, and love as well as fear, anger, and hatred. Today, we are living through a new age of sensibility when emotion is given priority over reason. Yet, there is a counter-cultural current in contemporary American cinema that offers a more nuanced treatment of emotion. Both aesthetically and eidetically, this new cinema of affect allows viewers to make up their own minds about what they feel and think. This book focuses on key films by important auteur-directors--David Fincher, Bryan Singer, Christopher Nolan, Kathryn Bigelow, Richard Linklater, Barry Jenkins, Greta Gerwig, and Pete Docter--who are to the forefront of this new cinema. It explores how they anatomize affect and how it functions in the creation or degradation of character and society.
Author: Darragh Greene Publisher: McFarland ISBN: 1476668892 Category : Performing Arts Languages : en Pages : 202
Book Description
Cinema is an affective medium. Films move us to feel wonder, joy, and love as well as fear, anger, and hatred. Today, we are living through a new age of sensibility when emotion is given priority over reason. Yet, there is a counter-cultural current in contemporary American cinema that offers a more nuanced treatment of emotion. Both aesthetically and eidetically, this new cinema of affect allows viewers to make up their own minds about what they feel and think. This book focuses on key films by important auteur-directors--David Fincher, Bryan Singer, Christopher Nolan, Kathryn Bigelow, Richard Linklater, Barry Jenkins, Greta Gerwig, and Pete Docter--who are to the forefront of this new cinema. It explores how they anatomize affect and how it functions in the creation or degradation of character and society.
Author: Carl Plantinga Publisher: JHU Press ISBN: 1421407701 Category : Performing Arts Languages : en Pages : 470
Book Description
The movie theater has always been a place where people come together to share powerful emotional experiences, from the fear generated by horror films and the anxiety induced by thrillers to the laughter elicited by screwball comedies and the tears precipitated by melodramas. Indeed, the dependability of movies to provide such experiences lies at the center of the medium's appeal and power. Yet cinema's ability to influence, even manipulate, the emotions of the spectator is one of the least-explored topics in film theory today. In Passionate Views, thirteen internationally recognized scholars of film studies, philosophy, and psychology explore the emotional appeal of the cinema. Employing a novel cognitive perspective, the volume investigates the relationship between genre and emotion; explores how film narrative, music, and cinematic techniques such as the close-up are used to elicit emotion; and examines the spectator's identification with and response to film characters. An impressive range of films and topics is brought together by Carl Plantinga and Greg M. Smith, including: the success of Stella Dallas and An Affair to Remember as tearjerkers; the power of Night of the Living Dead to inspire fear and disgust; the sublime evoked in The Passion of Joan of Arc, Aguirre, the Wrath of God, and The Children of Paradise; the emotional basis of film comedy as seen in When Harry Met Sally; the use of cinematic cues in Raiders of the Lost Ark and Local Hero to arouse emotions; the relationship between narrative flow and emotion in Once Upon a Time in the West and E.T.; the emotive use of music in The Elephant Man and A Clockwork Orange; Stranger than Paradise's sense of timing; desire and resolution in Casablanca; audience identification with the main characters in Groundhog Day and The Crying Game; portrayal of perversity in The Silence of the Lambs, Flaming Creatures, and Shivers; and empathy elicited through closeups of actors' faces in Yankee Doodle Dandy and Blade Runner. Passionate Views offers a new approach to our understanding of film and will be of interest to anyone fascinated by the emotional power of motion pictures and their relationship to the central concerns of our lives, as well as by the techniques filmmakers use to move an audience.
Author: Greg Keast Publisher: ISBN: 9780984530731 Category : Photography Languages : en Pages : 390
Book Description
Shot Psychology is an introductory body of knowledge that filmmakers can use to enhance the expressive power of their work. It was written by a filmmaker for filmmakers and students. The book reviews over 300 filmmaking techniques and concepts with their associated effects and organizes them in an easy-to-access reference guide. It is meant to be an encyclopedia of meaning for filmmaking. The book is written in a clear and concise way and contains valuable and original insights on the art and craft of filmmaking. The true innovation of the book is the Master List, which could stand on its own as a separate book. It takes over 550 effects, then directly references the techniques that help create those effects. In this way, you can quickly look up the effect you are trying to create, then easily find the associated techniques. For example, if you want to create the effect of anxiety, you would look it up in the Master List and find that there are 20 techniques suggested for your possible use in creating or emphasizing anxiety. And if you have a question or do not understand how the technique relates to the effect, you can learn more about the technique in the Reference section.
Author: Giuliana Bruno Publisher: Verso Books ISBN: 178663323X Category : Art Languages : en Pages : 1133
Book Description
Atlas of Emotion is a highly original endeavour to map a cultural history of spatio-visual arts. In an evocative montage of words and pictures, emphasises that "sight" and "site" but also "motion" and "emotion" are irrevocably connected. In so doing, Giuliana Bruno touches on the art of Gerhard Richter and Annette Message, the film making of Peter Greenaway and Michelangelo Antonioni, the origins of the movie palace and its precursors, and her own journeys to her native Naples. Visually luscious and daring in conception, Bruno opens new vistas and understandings at every turn.
Author: Wim Wenders Publisher: ISBN: 9780571207183 Category : Performing Arts Languages : en Pages : 493
Book Description
A volume that combines three influential works on the cinema by Wim Wenders, one of the major international filmmakers of our time Wim Wenders's body of work is among the most extraordinary in modern cinema. It includes such films as Paris, Texas; Wings of Desire; Buena Vista Social Club; and The Million Dollar Hotel. Fortunately, his passion for cinema also extends to writing about it, and in this volume all his published essays on films and filmmaking--as well as his thoughts on such disparate subjects as rock 'n' roll, architecture, questions of German identity, and the influence of America--are brought back into print. Including the essays that previously appeared in Emotion Pictures, The Logic of Images, and The Act of Seeing, On Film discusses Wenders's development as a filmmaker from the time he picked up a camera at age twelve and offers a broad analysis of his guiding passions as he analyzes the full range of his work, film by film, and reveals his views on genres ranging from the American Western to the European avant-garde, along the way answering the deceptively simple question "Why do you make films?" A volume that combines three influential works on the cinema by Wim Wenders, one of the major international filmmakers of our time Wim Wenders's body of work is among the most extraordinary in modern cinema. It includes such films as Paris, Texas; Wings of Desire; Buena Vista Social Club; and The Million Dollar Hotel. Fortunately, his passion for cinema also extends to writing about it, and in this volume all his published essays on films and filmmaking--as well as his thoughts on such disparate subjects as rock 'n' roll, architecture, questions of German identity, and the influence of America--are brought back into print. Including the essays that previously appeared in Emotion Pictures, The Logic of Images, and The Act of Seeing, On Film discusses Wenders's development as a filmmaker from the time he picked up a camera at age twelve and offers a broad analysis of his guiding passions as he analyzes the full range of his work, film by film, and reveals his views on genres ranging from the American Western to the European avant-garde, along the way answering the deceptively simple question "Why do you make films?"
Author: Tarja Laine Publisher: Berghahn Books ISBN: 1785335219 Category : Performing Arts Languages : en Pages : 194
Book Description
The films of Darren Aronofsky invite emotional engagement by means of affective resonance between the film and the spectator’s lived body. Aronofsky’s films, which include a rich range of production from Requiem for a Dream to Black Swan, are often considered “cerebral” because they explore topics like mathematics, madness, hallucinations, obsessions, social anxiety, addiction, psychosis, schizophrenia, and neuroscience. Yet this interest in intelligence and mental processes is deeply embedded in the operations of the body, shared with the spectator by means of a distinctively corporeal audiovisual style. Bodies in Pain looks at how Aronofsky’s films engage the spectator in an affective form of viewing that involves all the senses, ultimately engendering a process of (self) reflection through their emotional dynamics.
Author: Celestino Deleyto Publisher: University of Illinois Press ISBN: 0252035690 Category : Biography & Autobiography Languages : en Pages : 176
Book Description
This study of Mexican film director Alejandro Gonzalez Iñárritu explores his role in moving Mexican filmmaking from a traditional nationalist agenda toward a more global focus. In studying the international scope of Iñárritu's influential films Amores Perros, 21 Grams, and Babel, the authors trace common themes such as human suffering and redemption, chance, and accidental encounters. The authors also analyze the director's visual style and his use of multiple characters and a fragmented narrative structure. The book concludes with an interview of Iñárritu that touches on the themes and subject matter of his chief works.
Author: Darragh Greene
Author: Darragh Greene
Author: Darragh Greene
Author: Wim Wenders
Author: Carl Plantinga
Author: Greg Keast
Author: Giuliana Bruno
Author: Wim Wenders
Author: Tarja Laine
Author: Celestino Deleyto
Author: Nikolaj Lubecker